psychedelia
Kieron Tyler
Damien Jurado last surfaced as one of Moby’s collaborators on the Innocents album. From the sound of Brothers and Sisters of the Eternal Son, Beck might have been a more logical musical partner. Texture-wise, Jurado’s new release sits alongside Sea Change-era Beck as well as the dense, fuggy atmosphere of his own last outing, 2012’s Maraqopa.Like that album, Brothers and Sisters of the Eternal Son is produced by Richard Swift. He has become integral to helping Jurado move from the lo-fi folkie he was characterised as to becoming an auteur breaching musical barriers. The songs are lyrically Read more ...
Kieron Tyler
Small Faces: Here Comes the Nice - The Immediate YearsWhen theartsdesk last covered Small Faces’ reissues in May 2012, the review concluded “the Deluxe Editions are probably (who knows what might lurk in obscure archives?) the last word on these albums.” As anticipated and as revealed by this box set, more did indeed lurk in obscure archives. Moreover, the appearance of Here Comes the Nice calls into question just what half of those Deluxe Editions of the band’s four albums used as their sonic source materials. This new release boasts that it is “all sourced and remastered from recently Read more ...
Kieron Tyler
Various Artists: Love, Poetry and RevolutionThe subtitle “A Journey Through the British Psychedelic and Underground Scenes” – with “A” as the operative word – suggests this box set isn’t going to tell a familiar story. Most of the bands were and still are barely heard of. Twenty-four of the 65 tracks compiled were not originally issued.The opening shot is “Pretty Colours”, by obscure West Midlands band Deep Feeling which included future Traffic member Jim Capaldi. Although unreleased at the time of its October 1966 recording, The Animals’ Eric Burdon cocked an ear and declared it “ Read more ...
Kieron Tyler
Despite his nickname and habit of doing a bunk, George “Shadow” Morton was one of America’s highest-profile and most distinctive producers and songwriters. He was responsible for shaping the sound and style of The Shangri-Las, Janis Ian, Vanilla Fudge and The New York Dolls. Until the release of Sophisticated Boom Boom!! – The Shadow Morton Story, the musical side of his story had not been told. A consummate collection, this significant release was pulled off with style. The packaging was superb, as was the annotation. Its music was amazing too.Morton’s vision brought filmic drama to pop. Read more ...
Kieron Tyler
Beachwood Sparks: Desert SkiesBeachwood Sparks didn’t become Fleet Foxes, but their DNA is integral to the harmonious Seattleites. Both bands have been issued by the Sub Pop label, but after two albums Beachwood Sparks drifted apart in 2002. Fleet Foxes picked up the torch in 2008. The connection is more than a shared label and general musical preferences. It’s through the torch held for Gram Parsons's “cosmic American music” and the debt both owe to David Crosby’s 1971 solo album If I Could Only Remember my Name. Beachwood Sparks had started something – a parallel path to, but not, Read more ...
Kieron Tyler
It’s ironic that the album which has invited itself back onto the turntable more often than any other this year is wholly redolent of another time and place: the California of the early Seventies. Whatever the shortcomings of his live performance, on his second album Fanfare Jonathan Wilson fashioned a dense, atmospheric whole whose constituent ingredients were explicitly acknowledged – and not just by the identity of those guesting on the album. But it was also wholly original and showcased a unique yet disconcertingly familiar voice. And it revealed more and more depth with repeated visits Read more ...
Kieron Tyler
Various Artists: German Measles Vol 1 – Flames of Love / German Measles Vol 2 – Sun Came Out at SevenFor the years between The Beatles inventing themselves in the clubs of Hamburg and the evolution of what was dubbed Krautrock, Germany’s popular music scene hasn’t gained much of an international profile subsequently. It’s understandable, but a pity. Just as the Fabs inspired countless wannabe beatsters in Liverpool and beyond in Britain, they did the same in the country which had as great a hand in their training as the UK. The two German Measles albums don’t dwell on local stars like Read more ...
Kieron Tyler
It took two minutes for Jonathan Wilson to launch into the first of the evening’s extended guitar solos. “Love Strong” began like much of his two-hours-ten-minutes on stage. The song opened with him singing a verse and then flying off to guitar heaven. His playing is classic, evoking but not mimicking John Cipollina, Jerry Garcia, Stephen Stills and Neil Young. But it raises a conundrum: is Wilson about the songs or the craft? The former are fabulous, melodic and memorable. The latter fluid and phenomenal. Judging by the in-song applause as solos subsided, much of the audience had decided it Read more ...
Paul McGee
There's been a quiet but nevertheless palpable sense of anticipation surrounding psych-folk enigma Linda Perhacs' first-ever European tour. Comparatively low-key advance publicity certainly proved no impediment to a sold-out house for the recent opening date at Berlin's Kantine am Berghain, a somewhat drab and unprepossessing bunker in the shadow of the city's notorious techno temple.The late bloomer/Indian summer narrative has become ever more familiar to music fans in recent years. Vashti Bunyan and Terry Callier were both rescued from obscurity via a combination of serendipity and a devout Read more ...
Kieron Tyler
The Velvet Underground: White Light/White HeatThe shadow cast over the reissue of The Velvet Underground’s second album White Light/White Heat by Lou Reed’s recent death is a poignant reminder that an awful lot of time has passed since this still-vital inspiration for much of today’s indie rock was first released. As a 45th anniversry edition, this does mark an unusual milestone but as seemingly the last word on the album it’s hard to imagine what could constitute a 50th anniverary edition. The Velvet Underground have been endlessly examined and re-examined. The vaults must now be bare. Read more ...
Joe Muggs
New Yorker band Gang Gang Dance have been one of the odder acts of the past decade. Presented as a kind of hippie multimedia collective, they were among the earliest non-UK adopters of the sonics of grime and dubstep, which they wove in alongside global music influences, jam band psychedelia and more into an extremely rich and sometimes slightly confusing stew.They have been signed to some of the biggest left field labels (WARP, 4AD), worked with filmmaker Harmony Korine, been “innocently” plagiarised by the ghastly Florence & The Machine, had many moments of brilliance, but seemingly Read more ...
Kieron Tyler
Various Artists: I am the Center – Private Issue New Age Music in America, 1950–1990A landmark reissue either retells a familiar story in a new way or tells an unfamiliar story in a way that fascinates. In both cases, the annotation, packaging, sequencing and track list has to be exemplary. I am the Center succeeds on all counts.This beguiling, extraordinary, perception-altering two-CD set (also available as three albums) is the first widely available collection to assess and reassess the music which accompanied America’s espousal of a fresh form of spiritualty in the aftermath of the Read more ...