poetry
Gary Naylor
Well, I wasn’t expecting a Dylanesque take on "Oh, What a Beautiful Mornin'" as an opening number and I was right. But The Zim, Nobel Prize ‘n all, has always favoured The Grim American Songbook over The Great American Songbook and writer/director Conor McPherson’s hit "play with music" leans into the poet of protest’s unique canon with his international smash hit, now back where it all began eight years ago.It remains a curious and unique piece, at once overly familiar (take you pick from Williams, Steinbeck, Miller or even Chekhov as inspirations) but also continually surprising. The songs Read more ...
Jack Barron
I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s Manifeste du surréalisme, such sentiments are now alarmingly commonplace: part and parcel of the BBC’s increasingly unhinged approach to impartiality. Of course, similar sentences can be heard in cafés and pubs across the country, and on social media, and within our homes, as we struggle more and more to negotiate truth’s withering state.Poets have always wondered and worried about this, theirs being a world poised at the edge of meaning. Tom Read more ...
Helen Hawkins
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of their friendship she created Letters from Max, a 2018 book of their correspondence, then a play performed in New York in 2023.On the page, it’s a piece with a level of diction befitting two poets who like to recite their latest work to each other, sometimes more like a poetry reading than a play. But interspersed is the sparky dialogue between the two, the skinny student in his early twenties and the established playwright, mother of three, two decades older. Read more ...
Gary Naylor
It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean; Dickensian and Pinteresque. Add to that list, Wildean. That’s all the more remarkable in the light of Oscar Wilde’s personal ruin in the years leading up to his death, aged 46, ostracised from London, self-exiled in Paris. And that reputational recovery is no recent occurrence, no reclaiming of a martyred icon in these more enlightened times (though it is), but predates the remarkable social changes of the last two decades. Wilde’s rehabilitation rested solely on the Read more ...
Graham Fuller
On the spoken word LP Loose Talk, Amelia Barratt reflects on her or other women’s experiences, real or imagined, over tunes drawn from Bryan Ferry’s demos, some from early in his career. To hear his instantly recognisable sound applied to a female sensibility, especially that expressed with such confiding intimacy by the painter, writer, and performance artist Barratt, makes for a unique and satisfyingly unsettling listen. Barratt enunciates her miniaturist monologues understatedly but not insouciantly. If her white, middle-class English diction seldom betrays emotion, her observations Read more ...
joe.muggs
America – the pro-wrestling-ass nation, the ultimate society of the spectacle – famously likes things big, and modern country and western music has gone along with that. Big hats, big trucks, big sentiment, big pop production, very big sales indeed, and not a lot in the way of subtlety. But country also has a parallel history, of course: as music of the little guy, the theatre of the domestic, a place for preservation of simple folk traditions in the face of the overwhelming scale of modernity. And it’s into this that through this century the Alabaman singer-songwriter Jason Isbell, whether Read more ...
theartsdesk
Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite reads of 2024.Joe Boyd’s And the Roots of Rhythm Remain (Faber & Faber, £30) delivers handsomely on the promise of its subtitle: a journey through global music. The veteran producer and promoter has been soaking up the varied music of many cultures since long before that problematic term “world music” was invented. I was hooked on his border-hopping conspectus of much of the most interesting music of the last century from the opening long chapter on South Read more ...
Jack Barron
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.In fact, Faber & Faber actively did something about it and released a selection of Cope’s poems in a slim, transportable volume: perfect commuter fodder. It turns out that this was the beginning of a series, and we now have a similarly slim and comparably portable selection of Stevie Smith poems, gathered under the title of her most well-known work, Not Waving But Drowning.Of course, we only have two in the series so far, but Read more ...
Kathryn Reilly
You don’t need me to tell you that this particular law enforcer has served up yet another meaty helping of genius. It’s what we expect. So here she is, over-delivering again on her 12th album. A salve for the soul, Joan Wasser’s delicious voice and masterful songwriting are woefully underexposed and appreciated. But, actually, that’s not a bad thing – let’s keep her secret for now.One of her many skills is how intimate her delivery is, how she makes you feel she is confiding just in you, baring her soul because she just knows you’ve shared the same experiences. She soldiers on Read more ...
joe.muggs
Some performers are born to perform. It seems obvious, but it’s not a given in the music world. Some just want to make sound, some want to compose, not all are in it to connect directly to an audience. Rob Gallagher, however, is all about that connection, and he’s never stopped doing it. It was there in his band Galliano’s genial funk from 1988 through 1997: his London beat poetry always felt like it was addressing you direct, and the band came to live above all on the live stage where he could speak to the crowd.In the subsequent band Two Banks of Four he did admittedly step back from the Read more ...
Veronica Lee
Chris Grace, Assembly George Square ★★★★ How do you produce laughs out of grief and loss? Well Chris Grace does, and then some, in Sardines (A Comedy About Death). The American actor, well known to Fringe regulars as a member of improv group Baby Wants Candy, structures the show almost as a thought experiment; can you enjoy something when you know how it's going to end? And does art actually help us deal with a complex issue such as bereavement?In a clever conceit, he mimes drawing an oblong shape that he says is a screen, and then mimes a shape that he says is a projector – “They Read more ...
peter.quinn
Meshell Ndegeocello's groundbreaking new album No More Water: The Gospel of James Baldwin takes you on a musical journey which defies categorisation.Eight years in the making and set for release on 2 August – Baldwin's centennial – the album’s origins date back to Ndegeocello’s 2016 musical and theatrical tribute to the iconic writer and activist, "Can I Get a Witness? The Gospel of James Baldwin", commissioned and produced by Harlem Stage through its WaterWorks programme.A nuanced exploration of race, sexuality, religion and other recurring themes explored in Baldwin’s canon, which takes its Read more ...