Morocco
Tim Cumming
It’s not often that music of this kind gets a release outside of Morocco, and Arc Music and the producer/musicians must be applauded for curating such an intense, inside view on the ecstatic release of Sufi music across the kingdom, often drawn from a simple street or domestic setting. Jebda mixes the voices and music of six professional singers and players with an array of street musicians brought together by producer Abdesselam Damoussi, who encountered them en route through the Jemaa el Fna of Marrakech to his 15th-century riyad and studio, fitted out with Neumann microphones to record Read more ...
Tim Cumming
Essaouira, on Morocco’s Atlantic coast, is the place of winds. Day or night, hot or cold, year in, year out, the “Alizee” blows, and it blows. In the local folklore it is not from the ocean but a grumbling resident of the medina – perhaps protesting the town’s rapid recent expansion, its port’s modernisation and the loss of legendary Chez Sam, the restaurant once beloved by an Othello-filming Orson Welles.But for the 21st edition of the Gnawa Festival in Essaouria the Alizee drew breath and slept, if fitfully, through four days and nights of intense trance music featuring the ghimbri bass Read more ...
Katherine Waters
The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine — concentrated salt water five times denser than seawater — it is succumbing to toxic shock. As biomatter on the sea floor of the Gulf of Mexico decomposes, brine and methane are produced, and where these saline pockets collect, nothing grows. Dead creatures drop into it; live creatures that linger in it die. In this lifeless zone their bodies float preserved, a rich and dangerous larder for scavengers such as the giant mussels fringing its edges and Read more ...
mark.kidel
Tamikrest’s fourth album is well-presented, good enough, but a little hamstrung by what have become the clichés of the modern Touareg genre: the lilting rhythms of a camel cruising slowly across the dunes, intertwined guitars that smoothly swirl bewteen old Tamashek melodies and gentle riffs that might have come from the Deep South. The lyrics touch on the politics of the Southern Sahara, and the Touaregs’ tragic position at the mercy of conflicting interests – political, economic and religious.Music that bewitches around a campfire, under the vast canopy of the Milky Way doesn’t have the Read more ...
Graham Fuller
You must remember this. It’s December 1941, the month of Pearl Harbour. Richard Blaine (Humphrey Bogart), an American, probably a Communist, who fought Franco in Spain and ran guns to Ethiopia when Mussolini invaded, has given up the fight against fascism and become the proprietor of Rick’s Café Américain, a casino-nightclub in Casablanca, in unoccupied French Morocco. A mecca for refugees from Europe seeking transit papers that will enable them to fly to neutral Lisbon and thence sail for America, the café is a hotbed of shady deals to which Rick, cynical and aloof, turns a blind eye.He Read more ...
Adam Sweeting
While it makes for a moderately amusing evening out, this World War Two espionage-romance caper doesn't stand up to a lot of scrutiny (I'm trying to work out where they managed to find the "Best Film of the Year!" quote used in the TV ad). Stars Brad Pitt and Marion Cotillard will guarantee some ticket-shifting action, but the apparent intention of director Robert Zemeckis and screenwriter Steven Peaky Blinders Knight to recreate Hollywood's vintage wartime melodramas never quite comes off.Still, it's quite fun to see them trying. The opening scene is a shot of sun-scorched desert sands Read more ...
Peter Culshaw
A couple of years ago I saw an extraordinary outdoor concert where a rapper called Muslim (great name if you want to be hard to find on Google) performed at the Timitar Festival in Agadir in the South of Morocco to 80,000 delirious fans. The song which everyone knew was “Al Rissala" (The Letter) which called out corruption and ignorance in high places. The Festival acts as a kind of safety valve for dissent.“It’s a good way of letting off steam,” Reda Allali, the lead singer of Moroccan rockers Hoba Hoba Spirit, told me backstage. The festival was “a step in the right direction anyway – Read more ...
Jasper Rees
John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical realpolitik. It’s a persuasive weltanschauung that plays well to millennials priced out of their own future by ungovernable global forces beyond the reproof of electorates. But the message can become a bit of a stuck record. Take Our Kind of Traitor.The latest Le Carré adaptation features an innocent bystander sucked into a plot to bring down a shady business organisation which has links to self- Read more ...
Jenny Gilbert
It’s being sold as the ideal ballet for first-timers, but I would blush to introduce even my neighbour’s cat to this Carry On Up the Harem hokum. Worse, its silliness verges on offensive. When, in Rudolph Nureyev’s 1990s production of La Bayadère for Paris Opera Ballet, a chorus of blacked-up picaninnies appeared for about three minutes, you blinked and put it down to an unwise attempt at historical accuracy. By contrast ENB’s Le Corsaire, now embarking on its third London season, is almost entirely devoted to the simperings of sex slaves in spangly bras, the violent squabbles of a bunch of Read more ...
Peter Culshaw
Geoff Dyer’s book on jazz But Beautiful predicted the future of jazz would come from places like North Africa and this is a perfect example. Southern Morocco has become a hothouse of cultural fusion, partly due the number of foreign musicians playing and working with Moroccans at the huge Gnawa and Timitar festivals. This is one of the best attempts and came about after top Brazilian jazz pianist Benjamin Taubkin was asked to appear at the Timitar Festival in Agadir and became fascinated by the local music.The result is not an attempt at a 50/50 split between Morocco and Brazil – you won’t Read more ...
Tim Cumming
This year’s edition of the Gnawa Festival in the medina of the beautiful coastal town of Essaouira featured two spectacular fusions – between Bessekou Kouyate with Hamid El Kasri on the closing Sunday night, and on Saturday night – in the early hours of Sunday morning, in fact, on the main stage at Moulay Hassan – bassist, band leader and Miles Davis alumni Marcus Miller with Mustapha Bakbou, forging a dense, deeply rhythmic fusion to match the pounding Atlantic ocean on one side, and the long, curving bay on the other (with its own late-night beach stage in the distance).Earlier in the day, Read more ...
Peter Culshaw
You are or maybe wish you were at Glastonbury this weekend. Not me. I last went six years ago and it’s just too big for me. And you need about four different passes to get backstage should you have a good or a bad reason to get there. Too bureaucratic. However, I was, as ever, more than glad to be at the Fes Festival of World Sacred Music, which is more human in scale, sociable and, at times, transcendent. This year was the 20th edition. I have gone as many times as I possibly could.A couple of decades back, one autumnal morning in my flat in North London my fax machine juddered into Read more ...