Ingmar Bergman
Demetrios Matheou
In his biography The Magic Lantern, Ingmar Bergman recalls his first encounter with the Swedish island of Fårö, in 1960, when location scouting for his next film, Through A Glass Darkly. A last, desperate bid by the film’s producers to find a cheaper setting than Orkney turned out to be fortuitous in more ways than they could have imagined.“If one wished to be solemn, it could be said that I had found my landscape, my real home,” Bergman recalls; “if one wished to be funny, one could talk about love at first sight.” He told his cameraman Sven Nykvist “that I wanted to live on the island for Read more ...
Tom Birchenough
This year’s Palme d’Or winner at Cannes, Turkish master Nuri Bilge Ceylan’s Winter Sleep (Kiş Uykusu), is a monumental film. Not merely in its scale – though at 196 minutes, it certainly clocks in on that front – but in its emotional heft.It’s like one of the great Russian novels, and in his seventh feature Ceylan shows the influence of that country’s culture more strongly than ever (remember the direct references to Andrei Tarkovsky in the wintry Istanbul of Uzak, his first prize-winner at Cannes back in 2003?).This time his script, as acknowledged in the film’s closing titles, is a loose Read more ...
joe.muggs
As dance music once more sweeps the mainstream, we're returned to the situation of the 1990s where singer and song can seem to become a little detached. Parades of “featured vocalists” deliver refrains for the producer teams who are queueing up to repeat the success of Route 94, Clean Bandit, Duke Dumont and above all Disclosure. And as the field gets more crowded, so the requirements for the singers to sit back, know their place and deliver the simplest hooks become more pressing.Some new generation singers do manage to step into the spotlight of course. Rita Ora parlayed her big hit with DJ Read more ...
David Nice
Only one of the five films in Artificial Eye’s selection is palpably a classic, a turning point in Ingmar Bergman’s early career. It’s flanked by curiosities spanning 11 of the master’s 59 years as a film-maker – two of them flaunting the beginner’s uneasy mixture of melodrama and realism, two later specimens making good use of the actresses who came to dominate his world. All have characteristic moments of intensity and will be welcomed by Bergman buffs keen to add to the substantial roster already available on DVD.The masterpiece is Sawdust and Tinsel, Bergman’s fantastical 1953 take on how Read more ...
graham.rickson
John Adams: Harmonielehre, Short Ride in a Fast Machine San Francisco Symphony/Michael Tilson Thomas (SFS Media)John Adams’s expansive, hyperactive three-movement work emerges more powerfully than ever before in this live recording from San Francisco. The bass lines in this Harmonielehre have staggering presence – listen too loudly through headphones and your brain begins to liquify. Those low notes are all-important, occasionally giving us a fleeting sense of harmonic stability in music which really soars. Adams’s control of tempo is remarkable; at times it’s virtually impossible to Read more ...
David Nice
Fifty years ago this April, a city-loving film-maker already internationally famous for such masterpieces as The Seventh Seal and Wild Strawberries took the ferry from Gotland to the windswept, still snowy island of Fårö (the nearest we can get in terms of pronounciation might be "Four-er"). While resisting Svenska Film's attempts to deflect him from filming his latest project, Through a Glass Darkly, on Orkney, Ingmar Bergman saw Fårö and - to shed the ironic parentheses he insists upon in his marvellous autobiography The Magic Lantern - he fell in love. Not only did he make his next Read more ...
Matt Wolf
Perhaps it's because the Almeida had a major hit with Festen (well, everywhere but Broadway) that the Scandinavian back catalogue of movies seems every bit as ripe for plunder as is mainstream Hollywood when it comes to feeding musicals on Broadway and the West End. But a high-toned source doesn't begin to make a satisfying evening out of this stage premiere of Through a Glass Darkly, a harrowing film shot in an emotionally devouring black and white that in the theatre, shorn of Ingmar Bergman's cinematic chiaroscuro, comes across as hollow and banal.You can imagine the appeal of the material Read more ...
David Nice
At long last it's here on DVD: the greatest Bergman movie the master didn't make, though he wrote the most meticulously detailed, 300-page screenplay-cum-novel (which covers all the events of the four-part Swedish TV miniseries rather than the much shorter feature film we have here). Naturally, too, he approved a luminous performance by Pernilla August who, under her maiden name of Östergren, frolicked as red-headed maid Maj in the film many love best, Fanny and Alexander, and who as the wife of Bille August, the very distinguished award-winning director of The Best Intentions, rose to Read more ...