grime
Thomas H. Green
In the four years since Dizzee Rascal’s last album the landscape around grime has changed. In 2013 grime MCs were busy hooking up with as many pop stars as possible, fusing their machine-gun lyricism with Autotune-addled pap pop. A Dizzee single from that time even featured a collaboration with Robbie Williams. With the ascent of Skepta, Stormzy, Jme, Novelist et al, grime has partly returned to its original fusion of spiky word-flow and caustic electronics. Dizzee’s been listening. His sixth album showcases an MC determined to astonish, and succeeding.The best those turning to Raskit for Read more ...
Thomas H. Green
So where’s Devlin been? Last heard of four years ago, he was hot property on the back of two critically acclaimed, commercially successful albums. He was Dagenham’s own Eminem, the only white guy in the grime crossover A-league, yet it’s peers such as Skepta, Wiley, and Wretch 32 who are now the big names. So what happened?“I’ve been away for a while,” he spits on the opening title track, “’Cause shit weren’t sweet like Tate & Lyle, I held it together with a faker’s smile.” He parted ways with “men that I thought were tight” (the new album’s not on Island, like the last two), and ended up Read more ...
Matthew Wright
The flaming pigtails say it all. More St Trinian’s than gangsta, the 23-year-old Croydon rapper Nadia Rose presents (mostly) the lighter side of South London street life. Despite a less than incendiary last place in the BBC’s recent Sound of 2017 competition, Rose had already captured enough attention for Highly Flammable to catch fire with “Boom” and “Station”, 2015’s two feisty singles. They were both a bit rough round the edges but throbbing with the sort of attitude that captures an audience.That attitude is summed up by the video of “Station”, which was shot with Rose rapping on the Read more ...
Bernadette McNulty
Much like the year itself, 2016's strongest albums tapped into a spirit of restlessness, defiance and disorientation. But unlike the punk explosion of 1977, there was no real sound or even genre that this mood of rebellion cohered around.Grime came closest to embodying a scene, fuelled by blistering albums from two stalwarts – Kano and Skepta. The latter's Mercury prize win gave a focus to the re-emergence of the sound, stripped-down to basics again, shorn of the shinier pop stylings that had diluted it during its brief absorption into the charts a decade ago. This time around, the beats Read more ...
joe.muggs
Around the turn of the millennium, two producers – the Californian Otis Jackson Jr aka Madlib, and the late James Yancey aka J Dilla from Detroit – started a revolution in hip hop: knocking beat patterns off the musical grid, searching further and wider than before for obscure and psychedelic sample sources, and generally making things weird and wonky.This abstracted approach is only now really making its mark on the mainstream thanks to Kanye West and Kendrick Lamar, but it has also created a well-established underground known simply as “the beat scene”, where producers from LA to Saint Read more ...
joe.muggs
A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the violent attack on Jo Cox started filtering through as we danced under the Catalan sun on Thursday afternoon, it threw the nature of Sónar festival into relief.Unlike a lot of international music events, which can often be little more than monocultural awaydays for Brits and/or Germans seeking hedonism in the sun, Sónar is both proudly reflective of its Read more ...
joe.muggs
In 2016, grime is facing a new test of its ability to operate on its own terms. At the start of this decade the genre was flirting with major label crossover that resulted in a few great pop records, but all too often diluted its musical impact or left its stars stuck in contractual or “artist development” limbo. Other urban genres pushed it aside, and it was no longer the only game in town for inner city youth.By stages, though, it reasserted itself. Around 2012-13, its instrumental side became respected as a serious force within clubland, and the Butterz organisation proved that it was Read more ...
joe.muggs
Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic undercurrents of London's early 21st century underground genres – Skepta mainly in grime, Blake in dubstep, although each reached into the other's scene a little via early collaborations – and both have risen to international success, in particular becoming influential on the American mainstream.Skepta has attracted the patronage of premiere league US hip hop stars, particularly Drake, A$AP Read more ...
Katie Colombus
Ten years after his debut album, the former N.A.S.T.Y Crew MC from East Ham has produced a distinctly British album. It’s probably his best yet. Kano has skirted the fringes of mega success and previous albums have been criticised for chasing hits and the American Dream rather than staying true to his own style. Now, he’s returned to what he knows, creating a series of polaroid snapshots of himself and what made him.Made In The Manor talks about the streets he grew up on ("A Roadman's Hymn"), his mates ("Strangers"), his family ("Little Sis"), the trappings of fame and the reality of living Read more ...
Heidi Goldsmith
"The music will be loud," the slender usher warns on entry to altered natives' "Say Yes To Another Excess" – TWERK, as a Grime bassline shakes the flimsy theatre floor. She hands over a text-heavy programme and does not frisk me. This is no London Bridge warehouse, although bouncers giving out freesheets on the door could be a great way to get the middle classes down to a rave. For now regular Rinse FM DJs Skilliam and Elijah are coming to the ballet.As the audience files in the dancers are already twirling around the stage-cum-dancefloor costumed in variations on an Eighties camp disco / Read more ...
joe.muggs
Oh dear, there it is – the career-plateau pot-shot at “journalists” and “critics”. It comes about halfway through the album, on the otherwise really good 1970s blues-rock-sampling “Looking Down the Barrel”, and it cements a sad feeling that's been growing throughout the record that here is an artist who's achieved some success and now has nothing to talk about except what it's like to be an artist who's achieved some success.See, the problem is not the pot-shot, but the fact that Tinie Tempah needs to make it. Having achieved big-time pay-day and proved his talent, he should be cutting loose Read more ...
Adam Sweeting
Originally there was never any plan to take Top Boy into a second series, but its arrival in autumn 2011 provoked such acclaim and enthusiasm (mixed with a bit of useful controversy) that Channel 4 could hardly help themselves from recommissioning it. It has partly been a phenomenon driven by social media, where fans have persistently discussed the show and demanded another series over the intervening two years.The upshot was that writer and Hackney resident Ronan Bennett went back to his research and his word processor, and next week we'll see what happens next to Sully (Kane Robinson) and Read more ...