England
alexandra.coghlan
Purcell certainly doesn’t make it easy for the champions of English opera. His beloved Dido and Aeneas is barely half an evening’s entertainment, so condensed is its tragedy, and the dense political satire of Dryden’s King Arthur text all but requires translation if it is to make sense to a contemporary audience. And then there’s The Fairy Queen – the gauzy, gorgeous semi-opera whose music is the side-dish to a bastardised 17th-century take on Shakespeare’s A Midsummer Night’s Dream.With Purcell’s music for the latter valued above its rhyming-couplet dialogue, it’s rare to see the work today Read more ...
stephen.walsh
Every production of Wagner’s Ring is a challenge. But to stage it in a smallish converted barn seating 500 with little or no stage machinery, which is what the Longborough Festival plans to do in a year’s time, might strike one as a particularly refined form of lunacy. The omens, nevertheless, could hardly be better. The final wing of the edifice, Götterdämmerung, is complete; and in almost every way it’s a remarkable, memorable achievement, a triumph of sheer enthusiasm and dedication – a rare victory for the fools rushing in ahead of the timid angels.No need to dwell on the obvious Read more ...
Thomas H. Green
Ismene Brown
The Queen's given everyone an extra bank holiday, so while you rest up over the Easter holidays, start planning your next downtime with theartsdesk's definitive clickable festival guide for the summer. We have headline listings and links for all the UK festivals this year, from rock by the lochs to DJs in London parks, and catching classical and opera on the way. Due to the London Olympics' snatch on Britain's stocks of portable toilets and police, as well as the economic downturn, some festivals have been suspended this year, including Sonisphere Knebworth and Glastonbury (but registration Read more ...
fisun.guner
This programme wants to challenge certain stereotypes around English identity. It wants to challenge the notion that to be English is to be “tolerant, white and Anglo-Saxon”. But before it does any of that, it wants to address just one question, and that is this: just why are the English so damned full of themselves? That’s right. Just where does their sense of superiority and entitlement come from? And what makes them think they can strut around the world with missionary zeal interfering in other people’s affairs all the time? OK, that’s several questions, but you see the theme. This episode Read more ...
graeme.thomson
Despite an unfortunate title which seemed to have fallen from the pages of the latest Cosmo sex survey (“add some spice to the bedroom: try reverse missionary”), the first instalment of this three-part series about faith, community and religious history had honourable intentions. Its starting premise was that Britain is not just broken but “saturated in secularism”, and throughout it acted as though both presumptions were not only a) true and b) indisputably Bad Things, but also that one was directly responsible for the other.On paper the idea had a neat symmetry. A religious leader from a Read more ...
mark.hudson
Remember when you were out playing football with your mates, and your dad pulled up beside the pitch in a slightly too flashy car and told you it was time for tea or – even worse – tried to join in the game – and how you died inside. Actually, I don’t remember this Nick Hornbyesque scenario, having spent most of my childhood avoiding playing football, but I certainly recognise the sentiment. I recognised it again the other day when I dropped my 13 year old daughter at a party, and she said through gritted teeth as we were arriving, “Don’t say anything!” In other words, don’t upstage me, don’t Read more ...
fisun.guner
Diehard Sebaldians may seek to retrace the footsteps that formed the basis of WG Sebald’s meditative masterpiece The Rings of Saturn. Or they may choose to watch Grant Gee’s film tribute instead. Patience (After Sebald) takes as its fulcrum the German expatriate’s category-defying memoir-cum-history, travelogue-cum-novel – which was published in 1995 and is considered by many to be his greatest work – and it attempts to recreate the book's physical and mental landscape. An ambitious undertaking, it only partly succeeds.Excerpts from the novel are beautifully read by Jonathan Pryce (one is Read more ...
Matt Wolf
Romance follows a recognisably rocky path, and visa issues don't help much either, in Like Crazy, a small but seriously affecting movie that is sure to hit many filmgoers where they live. An Anglo-American tale of love's vagaries that doesn't follow the expected Hollywood arc, Drake Doremus's 2011 Sundance Film Festival darling raises niggling questions on various plot details while getting the large-scale issues right. And when it's over, you may experience something resembling a dying fall, as if in sync with a story about how tough it is to sustain the intensity of the kind of love whose Read more ...
mark.kidel
Folk music is about roots and place and while rootedness can provide a welcome balance to the vagaries of a virtual and globalised world, it can also raise some less salubrious spirits: the British folk movement expresses at times a folksy form of insularity, in which place or nation are made just a little too sacred and exclusive. The Cecil Sharp Project, which emerged out of a week of workshopping sponsored last year by the Shrewsbury Folk Festival, avoided these pitfalls with a great deal of deftness, a sense of irony as well as a dose of humour.The assembled musicians drew from the Read more ...
philip radcliffe
Alfie’s back. The eponymous scallywag from the late Bill Naughton’s picaresque yarn set in London’s so-called Swinging Sixties is at it again, canoodling the women and cuckolding their husbands. “Keep them all happy,” he says in cavalier style, “Happiness is transitory, of the moment.” He takes no responsibility other than helping to arrange the odd back-street abortion. Never get attached and never get dependent - these are his watchwords. Life’s a giggle. His attitude to women is expressed by his dated vocabulary – “bint”, “bird” or just “it”. And he’s always on the fiddle.Half a century Read more ...
alexandra.coghlan
“I’m not a beautiful woman,” Wallis Simpson once declared. “I’m nothing to look at, so the only thing I can do is dress better than anyone else.” Madonna’s second feature W.E. operates under a similar philosophy – with rather less success. Never knowingly under-dressed, under-designed or under-directed, the film contorts itself into ever more stylish poses in a desperate attempt to stun its audience into a couture-induced coma of submission.The lumpy silhouette of cinematic ambition cuts persistently through however, exposing the steel Madonna’s revisionist fairytale is so keen to strip from Read more ...