England
Matt Wolf
Why? That's the abiding question that hangs over The Girls, the sluggish and entirely pro forma Tim Firth-Gary Barlow musical that goes where Firth's film and stage play of Calendar Girls have already led. Telling of a charitable impulse that succeeded beyond all expectations, the real-life scenario makes for heartening fare in our seemingly heartless times. But the fact remains that this latest version of the narrative brings very little that is fresh to the table, unless you're so desperate for a new British musical at any cost that its mere existence is justification enough. As Read more ...
Adam Sweeting
“What if the Germans had won the war?” has been a recurring theme in fiction, from Noel Coward’s Peace in Our Time to Philip K Dick’s The Man in the High Castle and Robert Harris’s Fatherland. There was even a predictive pre-war “future history” version, in the form of Katherine Burdekin’s 1937 novel, Swastika Night.In SS-GB, tellified from Len Deighton’s novel by writers Neal Purvis and Robert Wade (who’ve written all the recent Bond movies), it’s November 1941. The RAF’s famous “Few” having failed to stem the Nazi onslaught – the blackly-ironic opening sequence showed us a Spitfire flown by Read more ...
Jasper Rees
Two years ago BBC Four had a film about a year in the life of Scafell Pike. Arriving at glacial pace is the sequel: Life of a Mountain: A Year on Blencathra. The star this time round is more of a best supporting character actor than a headline performer. It’s only the 18th highest of England’s peaks. As one photographer explained, you can’t get a decent shot of all of its five-felled south-facing expanse. For a long time it even had the wrong name imposed on it: Saddleback, on account of the dipping ridge between its peaks. Alfred Wainwright, who still has the final word on these things in Read more ...
Tom Birchenough
There’s a nice pairing to these two character-led documentary films, as reflections on concepts of partnership presented from different ends of the spectrum of innocence and experience. Treating innocence, Someday My Prince Will Come (2005) is the story of 11-year-old Laura-Anne, growing up in an isolated village on the Cumbrian coast, as she begins to engage with the boys around her.There’s an almost conscious naivety, as well as plenty of humour in its observation of childhood, as the director follows his subjects over the course of a year in the deprived community in which they live, its “ Read more ...
Adam Sweeting
From Jimmy Savile to the Rotherham scandal, child sexual abuse has become a recurring nightmare of our society, and thus is inevitably grist to the TV dramatist’s mill. It has been a crucial component in The Missing, National Treasure and Line of Duty, to name merely three recent examples.It gradually emerged again, like a monster from the deep, as the dominant theme of this second series of Unforgotten (★★★★) and writer Chris Lang had been skilful enough to thread it through the very different lives of his protagonists and deliver a finale that lived up to all that had Read more ...
Matthew Wright
Saxophonist, composer and former Radio 3 New Generation Artist Trish Clowes has created a reputation for original chamber jazz of densely woven harmonies and delicate, sometimes folk-tinged melody. This fourth album, with a quartet rather than (as often in the past) a small orchestra is billed as a new musical direction. It isn’t really, but that’s nothing to be ashamed of: in style and mood Clowes rather impressively recaptures the unshowy profundity of her chamber orchestra with only a quartet.There’s a remarkable range of subject matter here, testament to the diversity and maturity of Read more ...
Adam Sweeting
The arrival of this oppressively atmospheric 19th-century historical drama is being trailed as the BBC's bold attempt to break the Saturday night stranglehold of soaps and talent shows. No doubt they were encouraged by the success of all those Saturday night Scandi dramas on BBC Four, and if Taboo falls short it won't be because of a lack of stellar names.Front and centre is Tom Hardy, starring as the previously-presumed-dead James Keziah Delaney who suddenly reappears in London in 1814 at his father's funeral. Hardy is also co-creator (with his dad Chips) and co-producer of Taboo with his Read more ...
Mark Sanderson
The hyperbole began as soon as the voiceover did: “For most of us Judi Dench is M…” So much for Bernard Lee. The implication was that if you can remember him, then Judi Dench: All the World’s Her Stage was not for you. After all, she played James Bond’s boss for 17 years – until, at Daniel Craig’s suggestion, the sky fell in on her in Skyfall.Older fans of 007 – ie those watching BBC Two on a Friday evening – will have heard it all before (on Wogan, Film 97 and Desert Island Discs). Despite promising to uncover her secrets, there were no revelations in Francis Whately’s tribute to the much- Read more ...
Matthew Wright
Yorkshire-born screenwriter Sally Wainwright has carved a distinguished niche for herself as chronicler of that brooding, beautiful region’s social and familial dramas. After the romance of Last Tango in Halifax and the gritty panorama of Happy Valley, she has settled on perhaps the quintessential troubled Yorkshire family, with awesome bleakness on the side: the Brontës.Despite a difference of 150 years in setting, To Walk Invisible is not only a seamless progression from Wainwright’s previous work, but the story comes, ready-made, both achingly sad and also driven by a passion that can’t Read more ...
Adam Sweeting
It's not often you hear the sound of film critics sobbing quietly to themselves, but this really happened at the screening I attended of A Monster Calls. Having seen the trailer, with its scenes of a giant tree stomping around a spooky-looking rural landscape, I'd marked it down as one to avoid. How wrong can you be.In conjunction with screenwriter Patrick Ness, who also wrote the original novel, director JA Bayona (known for the scary The Orphanage and the tsunami saga The Impossible) has conjured a bittersweet and often painfully moving account of bereavement and growing up, in which Read more ...
Marina Vaizey
Gather round the fire, friends: no Santa down the chimney this Christmas Eve, but the curiously comforting Alan Bennett, with his sardonic and occasionally optimistic diaries. The latest published instalment has the slightly wry title Keeping On Keeping On; Bennett tells us the original title was to be Banging On Banging On.Bennett is 82 now, and lives much of the time in NW1 – the very street once home to the Lady in the Van, who parked in his front garden, in a neighbourhood memorialised in the Mark Boxer comic strip, Life and Times in NW1. Now much has gone: the real-life Mr and Mrs String Read more ...
Marina Vaizey
You couldn’t make him up – a big man in every sense, outspoken, spiky, adored, coming from a black working-class family to move from the proverbial nothing to become so much more than something. How to make a documentary tribute without it being sycophantic or a hagiography? By putting the man centre stage. Arise, Sir Lenny, the subject of a BAFTA tribute.We were given a straightforward chronological narrative from our star, sitting alone on a vast and empty stage, looking to camera, no interviewer visible. His informal monologue was interspersed with clips from stage, screen and television Read more ...