dubstep
Thomas H. Green
First off Spank Rock, has nailed the second best album title of the year. It’s sweary, bleeds punk attitude and nails a point - rather than the usual focus-grouped opaquely resonant crap bands come up with (best album title of 2011, by the way: Mogwai’s Hardcore Will Never Die, But You Will – brilliant!).Secondly Baltimore MC Naem Juwan once again lives up to the hype, not easy to do when Tweet-trending futuroid numpties have been frothing over him non-stop for the five years since his debut album made them cream their jeans. Spank Rock brought a broken computer to the hip hop party in 2006 Read more ...
caspar.gomez
Friday 9th SeptemberA ferry adds to the fun. It may seem rather childish but the fact you have to take a ferry to the Isle of Wight makes the whole Bestival experience seem more of an adventure. Sitting on the open air deck with my youngest brother Enrico, the wind tempered by a warm, bright sun, and a bottle of cider passing between us, the only perturbing issue is the amount of wax jackets making the journey to the festival, Barbours and the like. When did the wax jacket become acceptable? When I were a lad they were only worn by Sloanes and men with shotguns Read more ...
Thomas H. Green
Better him than Black Eyed Peas, eh? Will.I.Am never came up with a line like, "Just sittin' here chillin' in the Batcave/ Whilst listening to Nick Cave/ Last night was a sick rave". In fact, that lively sliver of channel-hopping doggerel pretty much sums up Example. His lyricism has both cheese and cheek but is undeniably compulsive, laced with bubblegum hedonism. As for the music backing him, it's 21st-century electronic homogeny run riot - bangin' Euro-trance, dubstep, drum and bass, a dash of hip hop, soft-rock tropes, no shortage of melodies and big breakdowns.Half-listened to, Playing Read more ...
Kieron Tyler
Between 1996 and the earliest years of the 21st century, the Manchester-based duo Lamb defined a moody, ambient, dance-influenced pop – the trip-hop/chill-out nexus. "Górecki", their 1997 chart single, will always be their most well-known moment. Lamb played what was announced back then as their final live show in 2004. But Andy Barlow and Lou Rhodes reunited for a slew of festival dates in 2009. Both had been working solo, and 5 is the first recorded evidence of their second life.Rhodes’s voice is smokier than before, fuller, more rounded and less likely to dance around the melody line. A Read more ...
Kieron Tyler
The nominations for the 2011 Barclaycard Mercury Music Prize were announced earlier today. Beyond PJ Harvey and Elbow having won before, nothing wildly surprising cropped up.Here they are:
Adele: 21Anna Calvi: Anna CalviJames Blake: James BlakeElbow: Build a Rocket Boys!Everything Everything: Man AliveGhostpoet: Peanut Butter Blues and Melancholy JamPJ Harvey: Let England ShakeKaty B: On a MissionKing Creosote & Jon Hopkins: Diamond MineMetronomy: The English RivieraGwilym Simcock: Good Days at Schloss ElmauTinie Tempah: Disc-Overy
The prize will be announced on 6 September
Thomas H. Green
As subtlety in popular music becomes increasingly worshipped by heritage-led taste arbiters, we should relish proper shouty moron tunes. Few come more shouty and moronic than LMFAO, a Los Angeles duo named after the text abbreviation for "Laughing my fucking arse off". They comprise Berry Gordy's youngest son Skyler (AKA Skyblu) and his grandson Stefan Gordy (AKA Redfoo), renowned for goon club anthem "I'm in Miami, Bitch". They claim their second album is "more refined" - but it isn't unless your idea of refined is pole dancing to Limp Bizkit.A decade ago the hard house sound Read more ...
joe.muggs
This is where the delirium kicks in. Tired but happy, the attendees started the third day of Sónar festival slightly boggled by how to pick and choose from the strange delights on offer. Saturday was when the true musical variety of the festival was displayed: straight-up hip hop to eye-popping South African tribal dance displays, balmy ambient revivalism to apocalyptic techno, heartbroken electronica to deranged prog rock: it was all on offer...If day one was a warm-up, and day two when the energy levels peaked, this was where we just got swept along in the sheer diversity of the festival Read more ...
joe.muggs
Thursday was gentle – an easing into the festival experience – but yesterday is when Sónar Festival really kicked into gear. With tapas and Estrella coursing round their veins, the audience was thoroughly drawn into Barcelona's bohemianism and ready to go from the beginning of the day. Which is a good thing, as shameless, in-your-face rave music seemed to be the order of the day.The SonarDome stage throughout the weekend has entirely featured alumni from the Red Bull Music Academy, and while the yearly Academy has built a reputation for nurturing sophisticated and intricate electronica, it Read more ...
bruce.dessau
The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his reputation as one of music's most fascinating post-punk provocateurs, giving the world Joy Division, Happy Mondays and more. It was also a reminder of his reputation, as poet Mike Garry put it, as a "knobhead". As someone who appeared on regional news programmes quoting Wordsworth while hang-gliding, Wilson could be spectacularly uncool.Proceedings, hosted Read more ...
Thomas H. Green
Dubstep has now permeated pop. Drum and bass was the last British underground bass music to rub up against the mainstream but back in the mid-Nineties the major labels didn't know what to do with it. Apart from launching Goldie's career and leading David Bowie up another excruciating dead end, it failed commercially. Dubstep, on the other hand, has been eagerly embraced by US stars - Jay-Z, Rihanna and Britney Spears, to name three - and UK acts such as Chase and Status, Skream, and Magnetic Man have stormed the charts. This assimilation is invigorating but sometimes, when the latest Read more ...
Thomas H. Green
At one level the day of the single is gone - the 7-inch, the CD, the physical format - and yet, at another it's more relevant than ever. Sure, any track can now be downloaded from an album and hit the charts but singles, downloads - chosen representative songs - still give the best snapshot of what an artist is capable of. With this in mind, theartsdesk gleefully tucked into the latest batch of releases which includes Depeche Mode, Arctic Monkeys, pop, rave, folk and a whole lot more besides.Wiley, Numbers in Action (Big Dada)
Sometimes it's hard to separate tracks by the jester-king of Read more ...
Thomas H. Green
Hip-hop soul, chart rave and Balearic beach-pop with a 1990s flavour, synthesiser-led space-rock, a localised Goth-electronic revolution, Kenyan Kamba beats, an eccentric attempt at bringing opera into pop, and vibrations from dubstep's deep roots. As ever, theartsdesk's singles round-up takes you round the houses, up some dead-end alleys, down the docks and along sweeping avenues you never knew existed, hopefully dropping you home exhausted but happy with a selection of strange and evocative new music in your pockets. We aim to please.Aloe Blacc, I Need a Dollar (Epic)
The potential Read more ...