disco
Thomas H. Green
Tracey Thorn’s solo career in the 21st century has veered between contemplative adult music and the pop dancefloor. With her latest, we’re definitely on the pop dancefloor, but, despite delicious synth-led production from Ewan Pearson, ignore the lyrics at your peril. It’s unlikely the likes of Dua Lipa or Rita Ora would start a song with the lines “Every morning of the month you push a little tablet through the foil/Cleverest of all inventions, better than a condom or a coil” as Thorn does on the pithily crafted motherhood-themed “Babies”. Her smart, sharp lyrics give these nine numbers a Read more ...
theartsdesk
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why.SIMPLY THE BEST: THEARTSDESK'S FIVE-STAR REVIEWS OF 2017Alan Broadbent: Developing Story ★★★★★ The pianist's orchestral magnum opus is packed with extraordinary thingsArcade Fire: Everything Now ★★★★★ A joyous pop album that depicts a world in tragic freefallAutarkic: I Love You, Go Away ★★★★★ Tel Aviv producer Nadav Spiegel's latest collection is a triumph of head and heartBrian Eno: Reflection ★★★★★ Slow-motion cascades Read more ...
Jasper Rees
One New Year’s Eve in the 1970s, hot young session musicians Nile Rodgers and Bernard Edwards were assured by Grace Jones that they could penetrate the inner sanctum of Studio 54 by dropping her name at the door. A doorman thought otherwise and invited them to "fuck off". Making alternative arrangements, they bought a couple of bottles of Dom Perignon – “rock’n’roll mouthwash”, in Rodgers’ phrase – and went home to jam.The doorman’s valediction kept running through their heads and came out in a rhythmic disco riff. “Fuck off. Fuck Studio 54.” The tune was more radio-friendly than the verbatim Read more ...
Barney Harsent
It’s telling that, on their 2014 debut LP, Ballad of the Ice, Dori Sadovnik and Niv Arzi covered Bauhaus’ epic proto-gothic ode “Bela Lugosi’s Dead”. The 1979 single, with its incessant shuffle, dubbed-out tape delay and post-punk guitars, straddled the worlds of rock and dance with perfect balance and fine judgment. It has, quite clearly, been an influence on Tel Aviv’s Red Axes, who, with their second full-length offering, The Beach Goths, have delivered a collection that shares a similar sense of poise and purpose. After a slew of single releases on labels including their own Garzen Read more ...
Veronica Lee
Peter Kay’s love – and extensive knowledge – of pop music is well known. He has often spoofed misheard song lyrics in his shows, and has released various charity singles over the years. Now, with this series of shows to raise funds for Stand Up to Cancer and Cancer Research, he displays his DJing skills with shows of three hours of non-stop dance music – a wonderful kind of school disco (for those who remember such things).That is, if the school discos you attended back in the day took place in an arena that holds several thousand and had a video and light show that frequently Read more ...
Thomas H. Green
Right Said Fred, in the wave of global fame that followed their 1991 mega-smash “I’m Too Sexy”, were unlikely celebrities. The two shaven-headed Fairbrass brothers seemed to have accidently wandered into pop and were laconic, likeable stars. There was something parochially British about them, even as Madonna claimed she wanted to shag them. Success of that calibre disappeared after a series of jolly hits, and the last this writer heard of them was when some thug drew blood attacking Richard Fairbrass at a gay rights rally in Russia a decade ago. Which only made them more likeable.Apart from Read more ...
joe.muggs
Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants fused with the avant-garde experiments of Europeans who were first getting their hands on synthesisers and drum machines, went on to change the world. It seeded the UK's rave explosion, jungle, drum'n'bass and all the electronic experiments that came after. It created a futurist aesthetic, which managed to be somehow both optimistic and dystopian, Read more ...
Thomas H. Green
Anyone remember the Boobahs? They were the less successful cousins of the Teletubbies, from the same production house. They were puffy, fat, primary-coloured humanoids who bounced endlessly around in bizarre choreographed dance routines. They were psychedelic infantilism incarnate, and very funny.Towards the end of Pet Shop Boys’ set the stage fills with what appears to be a Leigh Bowery-esque reimagining of the Boobahs. As the five spectacular tiers of the Royal Opera House, filled to capacity with dancing fans, revel in the chart-topping Catholic guilt anthem “It’s A Sin”, these strange Read more ...
Barney Harsent
The EU referendum isn’t the only thing causing polarised opinion over European issues. The question of what constitutes Balearic Beat looms large over the music community. For some, it’s a fixed point, namely celebrated DJ Alfredo’s record box in the mid-80s. For others it’s built on more shifting sands, a sentiment DJ and author Bill Brewster summarises with trademark élan: “Balearic Beat today is the same as it was in 2011, 1999 and 1984. It’s shit pop records and brilliant EBM records. It’s everything and nothing.”International Feel record label boss and producer Mark Barrott’s take is Read more ...
Barney Harsent
Before the resurgence in vinyl, and the resultant pursuit of audiophile perfection on pointlessly expensive sound systems, was the musician’s fetish for vintage equipment and analogue synths. Live, this makes sense: sounds go direct into the audience's ear, air its only conduit. After the painstaking pathway that most recorded music has to take – downloaded onto a phone and compressed to flux through headphones made entirely out of snidely weighted plastic reputations – you wonder why they’d bother. Generator, the second album from Berlin-based producer Rodion, shows exactly why, boasting a Read more ...
joe.muggs
The deadpan duo of Tennant and Lowe have never been easy to suss out at the best of times: maybe their way of layering wackiness on deep seriousness, eyebrow-flickering subtlety on roaring camp, giddy frivolity on erudition, has been their way of staying fresh. The Gilbert & George of British pop, they live to perplex even into middle age and beyond. But even given all that, quite what they're doing starting an album with “Happiness”, a hokey country and western hoedown mixed into the thumping EDM of modern American raves – sounding like Major Lazer going crazy on the chewin' tobacco – is Read more ...
Kieron Tyler
Disco was about the dancefloor: a music that delivered the goods in one-song bursts which made assembled revellers move. The album was not its natural home. Of course, the compilation thrives and albums with side-long tracks hit the right note, but an album entirely dedicated to disco by a single artist would struggle to have the impact of a single, killer cut. Jimmy Somerville’s Homage is, then, a brave release. The album is his tribute to the music he grew up with and which had always been an influence. It is his disco album.Somerville has always explicitly acknowledged the influence. The Read more ...