Gram Parsons: The Early Years Vol 1 & 2Without Gram Parsons, The Rolling Stones could not have transformed themselves into what they became in the late Sixties and early Seventies. The bond between the South Carolina-born walking encyclopaedia of the music of America’s south and Keith Richards changed the Stones. Without Parsons there would have been no Eagles. They emerged from what he developed with The Flying Burrito Brothers and turned it into platinum. Without Parsons, Emmylou Harris would not have had the opportunity to soar. Parsons died in 1973 and did not rejoice in the Read more ...

Lost in the Dream takes a while to make its presence felt. Four tracks in, with “An Ocean in Between the Waves”, it all falls into place. A frosted-glass take on the Bruce Springsteen of “I’m on Fire” washes out from the speakers and submerges the ears in a warm bath. Familiar-sounding yet just alien enough to attract attention, the song builds upon itself to climax with a crescendo which could easily win a stadium audience over.Although an early home for the pre-solo Kurt Vile, until Lost in the Dream The War on Drugs has largely been the one-man band of Philadelphia’s Adam Granduciel. He Read more ...

The history of computer games being turned into movies has not been a happy one (Max Payne, Battleship, Lara Croft), but the blockbusting Need for Speed car-racing franchise fares rather better. This movie version is of course simplistically plotted and completely ludicrous for almost every one of its 130 minutes. But the action is frantic and non-stop, the stunts are performed by stuntmen rather than computer software, and the cars are freakin' awesome.What's more, you have Aaron Paul in the lead role of Tobey Marshall, a poor boy from the nondescript blue collar town of Mt Kisco, New York Read more ...

If English Oceans is the Drive-By Truckers finest album since 2004’s The Dirty South - and I’d argue that it is - I doubt it was intentional. A little time away; more of a partnership of equals between founder members and songwriters Patterson Hood and Mike Cooley; and inspirations rooted as much in real life (“Grand Canyon”, dedicated to the memory of crew member and friend Craig Leiske) as in fiction (“Pauline Hawkins”, named for a character in a Willy Vlautin novel) find the southern-fried country rock veterans in a creative place that sounds both vibrant and effortless.What probably helps Read more ...

For almost 20 years, Drive-By Truckers have been one of Americana's most consistent and enduring voices  – and, since 2001’s breakthrough double album Southern Rock Opera, probably the quintessential southern roots rockers too. Formed in Athens, Georgia in 1996 by Alabama natives Patterson Hood and Mike Cooley, the five piece specialises in catchy melodies with more than a hint of the southern gothic, vivid characters and wickedly witty lyrics.The band are perhaps best known for a trio of concept albums: Southern Rock Opera, 2003’s Decoration Day and The Dirty South, released in 2004. Read more ...

Drawing colour from country and Appalachian traditions while echoing the world-weary moods of singer-songwriters like Karen Dalton, Kris Kristofferson, Willie Nelson and Townes Van Zandt, the third album from Oklahoma’s Samantha Crain doesn’t surprise musically. Kid Face constructs its world carefully and deliberately, but although like the disclosure of a private world still feels immediate.Kid Face follows up to 2010’s You (Understood) and is more sparse. It’s even more so than the album which preceded that, 2009’s Songs in the Night, recorded with her former band The Midnight Shivers. By Read more ...

May this be a New Year sign and a symbol of a revitalized concert scene to come: an eclectic programme of dazzling range to draw in the new pick-and-mix generation, full of segues that worked and executed with the right balance of poetry and in-your-face exuberance by a crack team of young players. The Aurora Orchestra’s American “Road Trip” nearly drove into a ditch with Kentucky singer-songwriter Dawn Landes on board, but even one or two of her numbers were fascinating and in any case the purely instrumental sequences were rich enough to make up a concert in themselves.So let’s get the dips Read more ...

In the right circles, Jason Isbell already has enough of a reputation as one of contemporary Americana’s finest songwriters - both solo and as part of the Drive-By Truckers - that for him to drop an album as subtly stunning as Southeastern shouldn’t really have been a surprise. But what edged this album - the songwriter’s fourth either under his own name or alongside his band the 400 Unit - above The Julie Ruin’s Run Fast in my choice of best of 2013 was its consistency. While previous Isbell albums have featured some of my go-to, favourite-ever songs, the sucker punches were usually held Read more ...

Many bands would pack it in after the departure of their lead singer, especially if he was their main songwriter. In Midlake’s case, the damage was compounded by Tim Smith leaving after work had begun on the band’s fourth album. Antiphon is what it became, and it’s not what had been started with Smith. One track aside, they began afresh with guitarist Eric Pulido stepping up to fill the gap.Nonetheless, Antiphon is recognisably a Midlake album, albeit one more languorous and soft-focus than ever before. The traces of folk, Americana and Neil Young which surfaced from time to time have largely Read more ...

Open letters are so passe. There’s a track on Back to Forever, the second album from folk-pop crossover star-in-the-making Lissie, that addresses the recent shenanigans of Miley Cyrus and her ilk as well as the singer’s own place in the music industry. “I stole your magazine, the one with the beauty queen on the front,” she sings in that glorious, smoky voice of hers, half mocking, half angry. “I don’t want to be famous if I got to be shameless.”And yet wouldn’t a Lissie take on “We Can’t Stop”, all midwest drawl and laidback swagger, be the greatest thing? It’s easy to imagine: the singer is Read more ...

If you think games are for kids, or not art, or beneath you – read on. Grand Theft Auto V, while flawed in many ways, proves you wrong. The latest in the controversial and 18-rated series has already broken first-day sales records for just about every artistic medium ever. Huge numbers of adults across the UK will be sitting down to play it tonight. Take that, Hollywood. Or, Vinewood, as the game would have it.Vinewood as GTA V is set in Los Santos – a virtual replica of Los Angeles and its surroundings. Like its predecessors it's a "freeroaming" or "sandbox" game. There is a spine of plot- Read more ...

It’s raining Bunyans, and since Britten’s early American operetta with its sights originally set on Broadway teems with song and invention that can’t be a bad thing. A fortnight after Welsh National Youth Opera commandeered Stephen Fry to voice-over the giant American folk hero of the title, their counterparts in BYO are offering London its first production for 15 years. There were singers at the starts of their careers in that Royal Opera special – remember Susan Gritton and Mark Padmore, anyone? – but not enough: it ought to be a paradise for the young, and here it truly was.In my books, Read more ...