America
Guy Oddy
There can’t be many bands who have been around (on and off) for almost 40 years and who choose to play the whole of their latest album as their live set. That kind of thing is more often reserved for 10- or 20-year anniversary tours. No one could accuse Al Jourgensen and Ministry (or any of his many bands, for that matter) from having ever taken the easy route at any point in their career though. Fortunately for a heaving O2 Institute, Uncle Al is still not playing “the game” today.To celebrate this year’s Fourth of July, Ministry played two sets on the Birmingham leg of their first UK tour Read more ...
Saskia Baron
A rambling portrait of 24 hours in the life of Double Whammies, an American sports bar where the waitresses entertain their TV-watching patrons by dressing in skimpy tops and tiny shorts. Apparently this is categorised as a ‘breastaurant’ (my spell-checker reels at this portmanteau, but there are several well-established chains in the US). Written and directed by Andrew Bujalski, acclaimed as the godfather of the mumblecore genre after winning praise for Funny Ha Ha back in 2002, Support the Girls works best if you don’t expect too much story development or a lot of fast-paced gags Read more ...
Marianka Swain
This well-meaning biographical jukebox musical about icons Gloria and Emilio Estefan, which did two years on Broadway and a US tour, is good summer scheduling, what with its Latin-pop bangers, infectious dance routines and “Dreams come true” messaging. Yet its awkward housing at the austere Coliseum exacerbates this 2015 work’s major flaw: reaching for profundity in a skin-deep, conflict-lite tale, instead of enjoying the party.Gloria (Christie Prades, reprising the role from the US tour) is a talented but shy songwriter. Her grandmother (Karen Mann) eagerly pushes her into the band – Read more ...
Tom Baily
How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of original record. The result is a gripping non-fiction experience that sits in a unique space between documentary, art, drama and dream.In collaboration with Nasa, Miller has unearthed hours of previously untouched film stock recorded during the first lunar mission in 1969. He has whittled the material down to a film of 93 minutes and combined it with Nasa audio recordings and an original synth-driven score by composer Matt Morton. No talking heads. No Read more ...
graham.rickson
Al Reinert's For All Mankind isn't quite what it seems. In a famous 1962 speech, President Kennedy spoke of the knowledge to be gained and the new rights to be won on the moon to be "for all people", though the plaque left on the lunar surface by the crew of Apollo 11 states that the voyage was made "for all mankind". Reinert's 1989 film cleverly dubs "mankind" into Kennedy's speech in the film, not that you'd notice. What purports to be footage of a single Apollo voyage is actually a collage assembled from film shot on all six missions, plus a pre-Apollo space walk and a glimpse of the Read more ...
Stephanie Sy-Quia
Ocean Vuong’s debut novel is written as a letter to his mother, who cannot read. She cannot read because, when she was five, her schoolhouse was burnt to the ground in an American napalm raid. “Our mother tongue, then,” writes Vuong, is the “mark of where your education ended, ashed. Ma, to speak in our mother tongue is to speak only partially in Vietnamese, but entirely in war.”Vuong, whose debut poetry collection, Night Sky with Exit Wounds, won the 2017 T.S. Eliot Prize, was born in Ho Chi Minh City in 1988 and emigrated with his mother and grandmother to Hartford, Connecticut via a Read more ...
Saskia Baron
Making it to the fourth film in a series and maintaining quality is a feat pulled off by very few franchises, (see last week’s dreary Men in Black: International). But Pixar has done it with Toy Story 4. It might not have quite as many nifty gags without its originator John Lasseter at the helm, but the quality of animation has reached new heights and the story reduced me both to tears and helpless laughter. The original Toy Story was the first animation feature created entirely digitally; almost 25 years later computer technology has made another huge leap forward. The opening Read more ...
Katherine Waters
According to their mother, Luda (played by Madeleine Worrall, pictured below), each of the three sisters (pictured top) in Napoli, Brooklyn, bears one of their father’s admirable traits. Tina (Mona Goodwin), the oldest, who left school early to earn money for the family in a factory job, has his strength. Vita (Georgia May Foote), who is smart but has been banished to a convent school for crossing her father, has his tongue. Francesca (Hannah Bristow), who by cutting her hair short precipitated the violent row, has his spirit. But really, the attributes Luda is describing belong to her, Read more ...
Saskia Baron
I’m sure there’s an anthropologist out there writing a thesis on American teenagers’ coming-of-age rituals as performed in movies, from American Graffiti to this year’s Booksmart. Such a study would be rich with observations about how the genre has evolved from 1973, when the leads were white, male and straight, through to 2019 when one of the leading ladies is a lesbian and the other one has a crush on a mixed-race heart-throb. Somewhere in between those two extremes falls Richard Linklater’s Dazed and Confused, made in 1992 (but set in 1976). There’s only one black Read more ...
Owen Richards
Producer extraordinaire Mark Ronson has set his sights on soundtracking the summer once again, with his latest collaborative collection of pop gems. It's a seductive album, packed with enough hooks to conquer the charts for the next few months.The lead singles set the tone for the album's raison d'être: bittersweet pop. "Nothing Breaks Like a Heart" with Miley Cyrus is an immediate standout dancefloor filler, country sensibilities thrown through nightclub drama. The Lykke Li-led "Late Night Feelings" doubles down on this mood, evoking a night time drive through Miami. Its magic lies in a Read more ...
Tim Cumming
Willie’s new album opens with the singer calling out to all the tired old horses saved from the knackers and put out to pasture. It’s not just something he does in song, but in life. It’s co-written with Sonny Throckmorton, an old mucker of the Zen cowboy who lives next to Nelson’s Luck studio in Texas – and next door, too, to the stud of 60 or so retired horses saved by Nelson from the slaughterhouse and given a retirement home on his ranch. It’s hard not to love a man for that kind of act of kindness to the world’s beasts of burden, and the song’s a good-un, too, sweet, tender, and direct. Read more ...
Tom Birchenough
There’s a joke early on in Sweat, Lynn Nottage's superlative drama about American working lives, in which a lively bar-room conversation turns to the seemingly unlikely subject of NAFTA. It’s 2000, the Bush presidency just around the corner, and the impact of the acronymic North American Free Trade Agreement is about to hit the country's industrial heartlands. It sounds like a laxative, one character jokes – a throwaway remark that proves to have a bitter truth behind it. By the end of her 2015 Pulitzer prize-wining drama, now transferred from the Donmar to the West End, Nottage will Read more ...