Features
Tim Cumming
In a little over two week’s time, the three remaining ones will kick-start their 60th year as The Rolling Stones by taking to the stage at a stadium on the edge of Madrid on June 1, around the same time that Elizabeth Windsor marks her own @70 jubilee across the UK.The Stones will stop by in Munich’s old Olympic Stadium, which dates, like quite a chunk of their set list, from the early Seventies, before SIXTY’s opening UK date in Liverpool, the band’s first gig there since 1971. That was the year they bade farewell to Britain before decamping to the south of France to make Exile on Main Read more ...
Christian Forshaw
The idea of recording an album with Tenebrae has been bubbling away for a number of years. Nigel Short and I first worked together in 2007 when I asked him to direct the vocal consort for a UK tour I was doing with my own group. Since then we have worked together on a number of projects and regularly discussed the idea of a collaboration with Tenebrae.The juxtaposition of saxophone and voices has been central to my work as a composer, arranger and performer for almost 30 years. The way sound can morph from one to the other in an almost imperceptible way has fascinated musicians from all Read more ...
Naomi Wallace
The Breach is a coming of age story and an age-in-the-making story. The play takes place in the U.S. in the 1970s and 1990s, switching back and forth between teenagers in Louisville and their older selves 15 years later. The promise of the 1970s in the US (and UK) when inequality was actively being reduced, and the undoing of that potential, are played out amongst this group of young friends. What I wanted to examine in the play is how societal pressures divide us from one another and how, when a betrayal strikes - that's to say, betrayal of one another and of youthful Read more ...
Michael Price
There are lots of ways that we respond to great works of art – intellectually and emotionally, then visually, aurally and even by taste and smell, depending on the art in question. I have a habit of screwing my eyes tight shut and bringing to mind a piece of favourite music, or book, or person, and it seems a glowing imprint forms behind your eyelids. You could try it now!I’ve been fascinated with Bach’s Second Brandenburg Concerto since I was at school, mostly because I was a trumpet player, and Bach’s super-high trumpet part was regarded as the Mount Everest of brass playing – a peak I Read more ...
Daniel Hahn
Daniel Hahn began his translation of Jamás el fuego nunca, a novel by experimental Chilean artist Diamela Eltit, in January 2021. Considering the careful, difficult but not impossible “craft” of translation as he worked, Hahn kept a diary, describing the “discrete choices” made during the process of writing Never Did the Fire: an English version of Eltit’s original with Hahn’s “fingerprints” all over it.A record in real time of the translator’s pleasures and pitfalls, the diary is the first in Charco’s Untranslated Series. In the extract below, Hahn discusses how gender is encoded differently Read more ...
Chinonyerem Odimba
People often ask how long a play takes to make its way out of you. And it’s always a valid question because no matter how beautiful, soft, joyful, or short a play is, there is a wrestling match that takes place between the idea lodging itself somewhere in you, and it turning into words that actors can have fun getting to know. With Black Love, opening this week at the Kiln Theatre, that journey from the story embedding itself to a rehearsal script took almost seven years.When I was first commissioned in 2019 to write a play for Paines Plough, I had no idea what it was I wanted to write. Or Read more ...
duncan.minshull
I began work on Where My Feet Fall a few months into the pandemic of 2020. After lockdown was announced we all became better walkers, and the collection took on greater resonance.The writers I selected were invited to do one of two things – recall a past journey or go on a new one. Not only did they willingly set off, but I discovered that many were skilled snappers, mappers and sketchers, or their families were. Vivid images would be added to their words, and here is a sneak preview of five of them. “Lost” by Joanna KavennaThe wind howled. I was asleep when someone tugged at my foot. I Read more ...
Mason Bates
What do Beethoven and Pink Floyd have in common?Narrative – ingeniously animated by music.From the Ninth Symphony to The Wall, narrative music has brought a new dimension to the forms and genres it has touched.Musical storytelling is on my mind this month as the London Philharmonic Orchestra performs Liquid Interface, my first large-scale exploration of musical narrative in the form of a “water symphony”. Premiered at the Kennedy Center for the Performing Arts in 2007, the work features watery orchestral textures and electronic sounds that range from field recordings of glaciers calving, to Read more ...
David Nice
National sensitivities are running understandably high right now in the thick of an ever-escalating aggression. What a shame that the Southbank Centre has excluded Russian artists from performing alongside British and Ukrainian performers to bring a message of peace through the arts in their upcoming fundraiser. Not so "Dance for Ukraine" at the London Coliseum, including Natalia Osipova in its line-up.Other cases of discrimination are emerging. In Switzerland the Ittingen Charterhouse has just cancelled a cello-and-piano recital, claiming that "the reason is the Russian nationality of the Read more ...
David Nice
“You are told that we hate Russian culture,” President Zelenskyy of Ukraine informed Russians, using their language, in a speech for the ages just before the invasion, “But how can a culture be hated? Any culture? Neighbours are always enriching each other culturally. But that does not make them one entity, and does not separate people into ‘us’ and ‘them’ “.Russians have been culturally enriching the world for centuries, and continue to do so now – so long as they haven’t embraced the tyrant or refused to speak out against his brutal invasion of a sovereign nation. Let’s get the negatives Read more ...
Tim Walker
The divide between theatre critics and the theatrical profession has always been a chasm, but occasionally a wire has been thrown between the two and plucky or foolhardy individuals have attempted to traverse it. A three-times-unsuccessful applicant to the Royal Academy of Dramatic Art in my teens, I managed to turn actor in middle age in Top Hat and Spamalot in the West End. These were, however, merely stunts dreamt up by producers to promote their shows and my performances were unstartlingly overlooked in the Olivier Awards. Now I am on the tightrope once again as I make my Read more ...
Jimmy López
No, not your aperitif – and certainly not your digestif; your bona fide main dish, the one your audience yearns for, dresses up for, and looks forward to.It’s 2022; time for arts leaders to show the way into the future and to not underestimate the public’s thirst for what is new. Stop living in the past. You have heard that phrase before. Composers have been uttering it for over a century, ever since some mysterious force made time freeze around the premiere of Turandot. The exact date is irrelevant; what matters is that most opera companies worldwide rely on their warhorses (while relegating Read more ...