sat 29/02/2020

Scott and Sid review - self-absorbed vanity project | reviews, news & interviews

Scott and Sid review - self-absorbed vanity project

Scott and Sid review - self-absorbed vanity project

Two first-time writer/producer/directors make a movie about - well, themselves

Tom Blyth (Sid) and Richard Mason (Scott): creditable if somewhat flat performances

There’s a Big Reveal that comes right at the end of this new indie movie from first-time writer/producer/directors Scott Elliott and Sid Sadowskyj (whose names, in retrospect, should have given the game away right from the start). For (complete spoiler alert!) this is Elliott and Sadowskyj’s own story, dramatised and put up on the big screen, with two young newcomers playing them as the movie’s leads. The film escorts us through their journey from York sixth-formers to successful young entrepreneurs, guided by a list of dreams they plan to pursue. One of which is – you guessed it – to make a movie. Scott and Sid is that very movie.

You might be starting to imagine some kind of postmodern, self-referential, Charlie Kaufman-esque conceptual mindbender. Don’t bother. Scott and Sid feels more like a simple vanity project. It might aim to inspire young people to follow their dreams, and to imagine what they can achieve with self-belief. But with its meandering structure, its sometimes questionable morals and its often implausible plotting, it falls far short of those noble intentions. By the end of its draining 100 minutes, it feels instead like little more than a self-indulgent celebration of Elliott and Sadowskyj’s own wheeler-dealing.

It can't have been easy being directed by the two guys you're supposed to be playing

Implausible, however, is a tricky word to use in this particular context. There’s plenty that’s implausible about a head teacher showing a miscreant pupil his pay cheque, or gangsters picking on a nerdy schoolboy to flog illegal alcohol, or even launching a successful print magazine business today. No doubt all these things did actually happen in Elliott and Sadowskyj’s real lives, but unexplained and unexamined in the context of the movie, they simply fail to convince.

But autobiography aside, Scott and Sid even feels unconvincing as a straightforward drama. Tom Blyth and Richard Mason give creditable if somewhat flat performances as the pair, but they never seem entirely sure about how far they should go with their characterisation. But to give them credit, it can't have been easy being directed by the two guys you're supposed to be playing. Their school is a place that crushes dreams, and their brief taste of university lasts just a few frames. Instead, they get by on some miraculously successful business ventures – taking advantage along the way of the stupidity of a couple of local gangsters, and also inadvertantly supplying a garage’s worth of free booze to Sid’s long-term alcoholic mother.

There’s potential here – for an exploration of male friendship, or of the hard graft needed for success in any field, or of resilience and adaptability. But none of these themes gets much of a look-in. Watching Scott and Sid is an extremely bizarre (possibly uniquely bizarre) experience, like someone talking you through their Twitter feed of how great their life is, all the fantastic things they’ve achieved, all the obstacles they’ve overcome. In their own self-curated reality, of course. What Scott and Sid’s leads achieve, however, is rarely shown to benefit anyone but themselves. Perhaps that’s the point. In fulfilling their ambition to create a movie, and then making it about their own lives, Elliott and Sadowskyj have pretty much closed their own self-absorbed circle.

Overleaf: watch the trailer for Scott and Sid

Watching 'Scott and Sid' is like someone talking you through their Twitter feed of how great their life is


Editor Rating: 
Average: 1 (1 vote)

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Just watched the york premier and couldn’t disagree more with the review! The film portrayed both dark reality of what life is for many of our children today, contrasted with what you can achieve permitting you dare to believe, peppered with a fair few funny quips!

I was at the York premiere also, however must agree with the article above. It seemed overly exaggerated at every opportunity and to say it was based on a true story and then be told it's based 'loosely' for me loses a lot of its edge for the inspirational movie it is meant to be. Agreeably, I think there were some funny quips, and more positively, the dare to believe attitude and the aversion to formal education opens up a valid question that many sixth-formers should be wondering: Whether you really need a formal education to achieve the career path you want in life. What disappointed me most however was to sadly see a plainly dressed Scott and Sid then come out at the end of the film for a Q&A, where none of the audience members were allowed to ask the questions. Instead we heard about their grind of working 7 days a week, of how being a dream chaser involves buckling down 24/7 and not participating in social media "Instagram etc" and yet ironically we are then politely asked to follow their journey on Facebook, despite everything that the film was about! I am confused: Should I be viewing them on a pedestal for their dream chaser attitude, whilst I browse Facebook or am I meant to be inspired to complete my own list. I went hoping to be inspired by a Yorkshire-indie version of a 'Pursuit of Happyness' and yet left feeling like I've have just lined two guys' pockets.

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