Dance
Ismene Brown
2011 at Covent Garden launches with two much-anticipated world premieres in February: Christopher Wheeldon's first full-length storyballet, Alice's Adventures in Wonderland, and Mark-Anthony Turnage's Anna Nicole, written by Richard Thomas (of Jerry Springer, the Opera), and dealing with the tragic modern life of a Playboy model. The Turnage is one of eight world premieres at the Royal Opera during 2010-11, which also fields two UK premieres, five new productions and 14 revivals. The Royal Ballet listings offer eight full-length ballets and five mixed programmes. Details of all events below. Read more ...
Ismene Brown
Five people stand in the dark. A bleak gantry descends with a rumble onto their heads. They scuttle under it and flatten themselves to escape a crushing, but then they get up and start building. The platform is stripped of planks, rebuilt at crazy angles, refashioned while decorating the tasks with acrobatic surprises. At a steep tilt a plank is both a slide and human catapult, or makes a terrific wobbling noise if slapped right; as an upright it’s perfect for a girl to shin up and then array herself in a bouffant Boucher Pompadour dress of crumpled paper, later to be elegantly torn off in Read more ...
Ismene Brown
The puppets appearing in LIMF this year are by no means all child-friendly - after the mild kiddy-horror of Teatro Corsario and their hand-manipulated Bunraku creatures, the return of the much more disturbing imagination of Patrick Sims, founder and governing mad scientist of Buchinger’s Boot Marionettes, was my most-looked-for event. The unhinged strangeness of Armature of the Absolute and of Shellachrymellaecum still rattles discomfitingly around in the darker corners of my memory from time to time, scratchy, dusty flutterings of skeletal critters, tiny fairy babies sobbing in jars of Read more ...
Ismene Brown
The return of the Royal Ballet’s Swan Lake production coincides with the tumult over the film Black Swan, about which the company’s marketing department must be pretty pleased, even if some of the dancers aren’t. The chief surprise for any newcomers drawn to the ballet by the film, obsessing as it does about the leading ballerina, must be how long it takes to meet the Swan Queen at all.An entire act goes by of the Prince having a party before the scene changes to the lake of swans, and it’s in this first act, long before the Swan Queen herself must step on stage, that a company proves its Read more ...
Ismene Brown
The up - which I’m sorry not to have reported on before it ended last night - was the Spanish puppetry troupe Teatro Corsario, who made their hour’s strut and fret upon the stage in the Southbank Centre’s Purcell Room a pleasingly diverting wee horror tale, La Maldición de Poe (The Curse of Poe), filled with gory corpses and spectral lighting and awful bloodthirsty characters.Mashing up three Poe stories - The Black Cat, The Murders in the Rue Morgue and the ditty Annabel Lee - the little team of five came up with an impressively populated narrative where Edgar fell in love with sick Annabel Read more ...
Ismene Brown
Mahler, Mahler and anyone who even remotely knew Mahler. There is, of course, more to the South Bank's 2011 season listings than this but the great symphonic agoniser (and his many chums) forms the bedrock of the classical programming as we all go wild for the centenary of his death this year. In contemporary music big names such as Rumer, Elaine Paige and Brian Wilson will pack them in, while newcomers like Josh T Pearson and Melissa Laveaux have first Southbank exposure. The London International Mime Festival in January leads off dance and performance, which has a child-friendly look this Read more ...
Ismene Brown
In 2011 the Barbican offers eminent theatre directors Robert LePage and Peter Brook along with the diversions of London International Mime Festival. Music includes composer focuses on Unsuk Chin, Brian Ferneyhough and Peter Eötvös, and high-profile visits by great conductors Sir Simon Rattle, Bernard Haitink, Sir Colin Davis and Barbican resident guest Valery Gergiev. Joan as Police Woman, the Waterboys, Ladysmith Black Mambazo and Marianne Faithfull are among contemporary music performers while video and media art is featured from Ryoji Ikeda and Cory Arcangel. Full season listings below. Read more ...
Ismene Brown
Colin Jones was part of a legendarily painful triangle. Married to one of the greatest of ballerinas, Lynn Seymour, but constantly edged aside by the brilliant choreographer who was obsessed with her, Kenneth MacMillan, Jones left ballet to become a photographer, and used his unique access and friendships with people such as Rudolf Nureyev to document in unheard-of intimacy and freshness the golden era of the Royal Ballet. Ballet stars in the 1960s were as huge as pop stars, but behind even the most dazzling fame, they were leading the earthy, practical, hardworking lives of touring dancers. Read more ...
Ismene Brown
The chasm between the top-class ballet available to London-area ballet-goers and the low-grade stuff peddled in the regions is the field where the battle to save ballet’s soul is nightly won or lost. Nothing could be more dispiriting than to see the Russian State Ballet of Siberia’s Swan Lake in Oxford one night, and the Royal Ballet’s Giselle in London the next, knowing that for many unaware Brits without easy access to the capital, Birmingham or Edinburgh the phrase “Russian ballet” implies some shamanic edict of unchallenged natural superiority. Far from it.One can start with the Read more ...
Ismene Brown
English National Ballet's 2011 season listings pivot largely on the populist Strictly Gershwin dansical before returning to The Nutcracker for next Christmas. In between there are two intriguing programmes given brief but welcome London viewings, highlighting two French masters almost never shown in the UK, Roland Petit and Serge Lifar. Both were young radicals in their time, Lifar as Diaghilev's star who went on to lead Paris Opera Ballet, and Petit, the post-war rebel who oozed French chic, sexuality and modern style in his ballets.Petit has a triple bill to himself, including the Read more ...
David Nice
Busy, busy, busy tends to have been the watchword of Rudolf Nureyev’s elaborate choreographies. Prokofiev, as the most direct of musical dramatists, demanded streamlining from Sergey Radlov’s complicated scenario in 1935, but Nureyev tends to have jammed extra plotlines back in with un-Shakespearean knobs on. Thank heavens Patricia Ruanne, his Juliet for the initial four-week run back in 1977, and his first Tybalt, Frédéric Jahn, have returned to work so hard on the staging's fiddly bits as to make most of this accomplished revival seem like easy storytelling.Some of it has never served the Read more ...
Ismene Brown
The 2011 season at Sadler’s Wells features attractions including horses and mass nudity on stage, the Pet Shop Boys' first ballet, William Forsythe, New York's American Ballet Theatre, the usual hip hop, flamenco and tango seasons, and generous helpings of Belgian and Catalan contemporary dance. Full listings guide below. Winter-Spring 2011Matthew Bourne's Cinderella, 30 Nov-23 Jan 2011, Sadler's Wells TheatreSet in London during the Second World War, Bourne's 1997 interpretation of Prokofiev's haunting score has, at its heart, a true wartime romance. Completely revised, this brand-new Read more ...