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Bavouzet, Manchester Camerata, Takács-Nagy, Stoller Hall, Ma...
There’s a sense of cheerful abandon about Manchester Camerata’s ...
Album: Barry Adamson - Cut to Black
Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the...
Carmen, Glyndebourne review - total musical fusion
It’s what you dream of in opera but don’t often get: singers feeling free and liberated to give their best after weeks of preparation with a...
The Great Escape Festival 2024, Brighton review - a dip into...
Before reviewing The Great Escape, we must first deal with the elephant in the room. Or, in this case, the room that’s crushing the elephant, like...
Fawlty Towers: The Play, Apollo Theatre review - lightning s...
There are many definitions of bravery, and taking on the challenge of embodying John Cleese as Basil Fawlty in Cleese’s own stage...
Laufey, Royal Albert Hall review - fans in heaven
In many ways, Laufey’s emotionally charged, sold-out...
Bermondsey Tales: Fall of the Roman Empire review - dirty de...
What with the likes of Sexy Beast, Layer Cake, The Hatton Garden Job and the oeuvre of Guy Ritchie, the...
Album: Billie Eilish - Hit Me Hard and Soft
So Billie Eilish’s new album has had its worldwide midnight release,...
Dunedin Consort, Mulroy, Wigmore Hall review - songs of love...
The sixteen voices of the Dunedin Consort raided the large store of music inspired by the Song of Songs and the sonnets of Petrarch in a sensual...
People, Places and Things, Trafalgar Theatre review - a scin...
It’s unusual for a play to be revived with its original director and star, let alone a decade after they premiered the piece. But here we are,...
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The Great Escape Festival 2024, Brighton review - a dip into day one and the elephant-in-the-room
An opening snapshot of Brighton's multi-venue showcase