The poster for Sucker Punch, Roy Williams [3]'s ambitious new play about boxing and race during the schism-prone age of Margaret Thatcher, promises a sort of black British Raging Bull: There in one graphic image are the blood and sweat, the bravado and the pain, of a sport that for self-evident reasons makes it to the stage relatively rarely.
The poster for Sucker Punch, Roy Williams [3]'s ambitious new play about boxing and race during the schism-prone age of Margaret Thatcher, promises a sort of black British Raging Bull: There in one graphic image are the blood and sweat, the bravado and the pain, of a sport that for self-evident reasons makes it to the stage relatively rarely. How do you set actors' juices flowing eight times a week (and risk their jawbones dislocating) in a way that the cinema can manage with comparative ease? One answer arrived at by the director Sacha Wares is to ramp up the atmosphere, in conjunction with a designer, Miriam Buether, who evidently never met a space that she hasn't wanted in some way or other to transform.
Links
[1] https://theartsdesk.com/users/matt-wolf
[2] https://www.addtoany.com/share_save
[3] https://theartsdesk.com/theatre/theartsdesk-qa-playwright-roy-williams
[4] https://theartsdesk.com/print/1714?page=0,1
[5] http://www.royalcourttheatre.com/whatson01.asp
[6] https://theartsdesk.com/node/82060/view
[7] https://theartsdesk.com/theatre
[8] https://theartsdesk.com/topics/reviews
[9] https://theartsdesk.com/topics/royal-court
[10] https://theartsdesk.com/topics/race-issues
[11] https://theartsdesk.com/topics/sport