The music of Hype Williams is the definition of an acquired taste. It sounds ramshackle, thrown together, deliberately awkward – either deeply contrarian or the work of very, very messed-up people just playing around with archaic home recording equipment. But immersion in it reveals all kinds of layers of strangeness, and particularly a rich and emotionally resonant sense of melody that weaves through all the clashing rhythms and crackly recordings. Even the arrangements, it becomes apparent, are not random, but show real complexity – although what is deliberate and what not is hard to pick apart. It slowly becomes apparent why a label as respected and aesthetically rigorous as Hyperdub might have picked them up as they have recently.