Design Gallery: The Art Nouveau Dacha | reviews, news & interviews
Design Gallery: The Art Nouveau Dacha
Design Gallery: The Art Nouveau Dacha
Reproductions from Vladimir Story's historic dacha designs
Saturday, 27 March 2010
Vladimir Story's 1917 brochure for patterns for building Russia's traditional wooden country houses - called dachas - has been rescued from oblivion by the chance discovery of an ancient copy of it in Georgia. Now reprinted, The Art Nouveau Dacha: designs by Vladimir Story reveals with marvellous detail a unique house-building tradition full of details and requirements that are as modern nearly a century later. Read the story of this book in theartsdesk's Books/Art section, and enjoy a selection of reproductions from everything from a grand "English-style" mansion to a whimsical little children's pergola perched on a tree stump.
Click on a picture to enter the slideshow.
- Project No. 3: Basic dacha
- Project No. 4: "This type of house is best suited for summer use."
- Project No. 12: “Here we offer a building for construction over a period of several years.”
- Project No. 15: “Norwegian-style house”
- Project No. 17: Dacha mansion
- Project No. 22: “English-style house.” Exterior
- Ditto: interior side section
- Project No. 34: “Stable, Laundry Room and Servants Quarters.”
- Project No. 42: “Basic Swimming House on columns. This is built over existing water with a retractable privacy box, able to be lowered on chains.” Project No. 43: “Floating Swimming House. It stands on four floating boxed columns, attached to the river bank by cables.”
- Project No. 48: “Pergola on Tree Stump... The roof should appear like a straw hat.”
- Project No. 49: Fruit Storage Shed "Norwegian-style"
- The Art Nouveau Dacha: Designs by Vladimir Story Published 1917 St Petersburg, edited by Peter Nasmyth (MTA Publications 2010 - find it on Amazon or direct from MTA Publications
Explore topics
Share this article
more Visual arts
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology
The South African artist evokes the Finnish landscape in a multisensory installation
Add comment