tue 15/10/2019

Art Gallery: Terry Setch - Lavernock | reviews, news & interviews

Art Gallery: Terry Setch - Lavernock

Art Gallery: Terry Setch - Lavernock

Sumptuous paintings of the post-industrial Welsh coastline from an underrated master

If the idea of a Londoner moving to Wales suggests a retreat from the real world into a perpetual holiday of Celtic myth and elemental landscape, nothing could be further from the truth in Setch’s case. His subject since the early 1970s has been the post-industrial coastline around Cardiff, where the second highest and lowest tides in the world wash household detritus and chemical swill over limestone beaches and endless miles of gelatinous mud. Rather than observing this from the comfort of a cliff-top, Setch drags his canvases out onto the mud, putting himself physically in the picture in the manner of Jackson Pollock, while commenting on the process with an ironic wit worthy of Robert Rauschenberg. Except that where Rauschenberg seemed to scarcely move on from the glories of the early 1960s, Setch’s work has continually evolved. From early paintings of walls that are a fascinating, but little known aspect of British Pop Art, he created epic works on ecology in the 1980s embedding found objects in sumptuously layered oil and wax paint – as in Tate’s Once Upon a Time There Was Oil – while his current works take a superficially more traditional approach to landscape.




As the proposed Severn Barrage threatens to change Setch’s chosen land and seascape for ever, his Lavernock series looks at this dynamic confluence of man, land and sea with a sideways glance at the Impressionist Alfred Sisley, who painted on the cliffs at Lavernock, a few miles south of Cardiff. If the paintings show a touch of Turner too in their lavish but ethereal encrustations of paint, these are the works of an artist who has gone almost to the end of painting, and come back with a wealth of experience behind him. The exhibition at Islington’s Art Space Gallery makes a worthy introduction to an endlessly intriguing artist.  

Click on a picture to enter the slideshow.

[bg|/ART/mark_hudson/Terry_Setch]

  1. Lavernock 11, 2009.
  2. Lavernock Sun Up, 2009.
  3. Lavernock 16, 2009.
  4. Lavernock 2, 2009.
  5. Teasels, 2010.
  6. Lavernock Cliffs, 2010.

Share this article

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.