tue 22/05/2018

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

DVD/Blu-ray: The Mystery of Picasso

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Charles I: King and Collector, Royal Academy review - a well executed display of taste

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Great American Railway Journeys, Series 3, BBC Two review - edutainment despite shortage of trains

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Art, Passion and Power: The Story of the Royal Collection, BBC Four review - monarchs knew the power of the portrait

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David Lodge: Writer’s Luck - A Memoir 1976-1991 review - literary days, in detail

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Big Cats, BBC One review - how cats conquered the world

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Little Women, BBC One review - life during wartime with the March sisters

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Judi Dench: My Passion for Trees, BBC One review - an arboreal delight

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Jenny Uglow: Mr Lear - A Life of Art and Nonsense review - a lonely Victorian life, so richly illustrated

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Winnie-the-Pooh: Exploring a Classic, V&A review - nostalgic family fun

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Reza Aslan: God - A Human History review - on being 'sapiens', and believing

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Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

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Impressionists in London, Tate Britain review - from the stodgy to the sublime

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ArtReview Power 100 - an artist tops the list

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Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

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Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

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latest in today

Ian Rickson: 'I'm an introvert, I want to stop tal...

Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student...

DVD/Blu-ray: Coco

The brightness and colour are deceptive; at its heart, Lee Unkrich and Adrian Molina’s Coco is an affecting reflection on death,...

A Very English Scandal, BBC One review - making a drama out...

There was a time when Hugh Grant was viewed as a thespian one-trick pony, a floppy-haired fop dithering in a state of perpetual romantic confusion...

Bridget Christie, Brighton Festival review - politics throug...

Bridget Christie tells us at the top of the show that she is a heterosexual, able-bodied, privileged white female – so why is she feeling so...

The Handmaid's Tale, Series 2, Channel 4 review - it...

Not the least startling element of Bishop Michael Curry’s house-rockin’ sermon at the royal nuptials was his quotation from the old spiritual “...

The World Of Moominvalley, Brighton Festival review - a fasc...

It was no matter that journalist Daniel Hahn dropped out ill at the 11th hour of this "audience with" event. Author Philip Ardagh's deep knowledge...

CD: Gretchen Peters - Dancing with the Beast

Gretchen Peters arrived in Nashville in the late eighties from Bronxville, New York, where...

William Trevor: Last Stories review - final intimations

An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20...

Madama Butterfly, Glyndebourne review - perverse staging, ou...

Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they...