tue 26/03/2019

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Only Human: Martin Parr, National Portrait Gallery review - relentlessly feelgood

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Kader Attia / Diane Arbus, Hayward Gallery review - views from the margins

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Fiona MacCarthy: Walter Gropius review - a master of modernism

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Sam Bourne: To Kill the Truth review - taut thriller of big ideas

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Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable

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John Ruskin: The Power of Seeing, Two Temple Place review - inside the mind of a visionary

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Don McCullin: Looking for England, BBC Four review - a hard look at home

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The Last Survivors, BBC Two review - living on

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Kristen Roupenian: You Know You Want This review - twisted tales

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Michael Peppiatt: The Existential Englishman review - we'll always have Paris

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Nolan: Australia's Maverick Artist, BBC Four review – a lust for life in all its aspects

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American History's Biggest Fibs with Lucy Worsley, BBC Four review - rewriting history in the Land of the Free

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On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

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The Sound of Movie Musicals with Neil Brand, BBC Four review - genius of song and dance

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Boris Akunin: Black City review - a novel to sharpen the wits

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Louis Theroux's Altered States: Choosing Death, BBC Two review - profound and moving

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latest in today

The Phlebotomist, Hampstead Theatre review - thought-provoki...

Contemporary British theatre loves time travel — and not just to the past. It also enjoys imagining the future, especially the bad stuff ahead. So...

Elizabeth I/Macbeth, English Touring Opera review - elegance...

A crash, a scurry, a long, lilting serenade – the overture to Rossini’s Elizabeth I sounds oddly familiar. Not to worry....

Mary's Babies, Jermyn Street Theatre review - rollercoa...

Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatment of childless women and, back...

Biss, Philharmonia, Boyd, RFH review – compulsive life-force

Mozart in E flat (the Overture to The Marriage of Figaro...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic...

No successor has yet been named to Vladimir Jurowski as Principal Conductor of the...

The Life I Lead, Park Theatre review - pleasant enough but l...

I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead,...

Victoria, Series 3, ITV review - can Her Maj cope with the A...

 ITV has an enviable knack for creating populist historical...

My Baby, Castle & Falcon, Birmingham review – the Dutch/...

Balsall Heath’s Castle & Falcon is one of the newer live music venues in...

CD: Steve Earle & The Dukes - Guy

Guy Clark is among the favourite songwriters of...