fri 21/09/2018

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

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Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

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Roger Scruton: Music as an Art review - how to listen?

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Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

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Frank Gardner: Ultimatum review - topical terrorism

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

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William Trevor: Last Stories review - final intimations

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Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

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Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

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John Gray: Seven Types of Atheism review - to believe, or not to believe

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Monet and Architecture, National Gallery review - a revelation in paint

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The Queen's Green Planet, ITV review - right royal arboreals

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Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

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America's Cool Modernism, Ashmolean Museum review - faces of the new city

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Big Cats About the House, BBC Two review - irresistible feline-human bonding

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Victorian Giants, National Portrait Gallery review - pioneers of photography

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latest in today

Henry V, Tobacco Factory Theatres, Bristol review - the pity...

Henry V is a play shot through with martial energy and the terrible chaos of...

Katherine Ryan, Garrick Theatre review - feminism with extra...

Katherine Ryan was making her West End debut – a big moment...

DVD/Blu-ray: The Breadwinner

Animation fans have rarely had it so good, though it’s...

Faces Places review - Agnès Varda's enchanted journey

On the eve of her tenth decade, the marvellous ...

James Graham: 'the country of Shakespeare no longer rec...

Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously...

The Outsider, Print Room at the Coronet review - power in re...

As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman –...

Heathers The Musical, Theatre Royal Haymarket review - a sar...

This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010...

CD: Prince - Piano and a Microphone 1983

Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit...

Agnès Varda: 'You think I'm finished?!' - int...

At a time when the issue over the scarcity of opportunities for female...