tue 13/11/2018

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Dramatic Exchanges review - a brilliant slice of theatre history

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

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The new V&A Photography Centre review - a new museum to make us proud

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Michael Caine: Blowing the Bloody Doors Off review - an actor's handbook, annotated by experience

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Julian Baggini: How the World Thinks review - a whirlwind tour of ideas

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Barneys, Books and Bust Ups, BBC Four review - the Booker Prize at 50

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Simon Sebag Montefiore: Written in History review - epistolary high points

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Queen of the World, ITV review - born to run and run

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Courtauld Impressionists: From Manet to Cézanne review - much loved treasures, seen afresh

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Neil MacGregor: Living with the Gods review - focuses of belief

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Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?

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Grayson Perry: Rites of Passage, Channnel 4 review - making meaning in death

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Roger Scruton: Music as an Art review - how to listen?

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Kelleigh Greenberg-Jephcott: Swan Song review - Capote redux

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Frank Gardner: Ultimatum review - topical terrorism

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Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

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latest in today

Thibaudet/Batiashvili/Capuçon Trio, Barbican review – a supe...

Even in a large hall, very good things can come in small packages. In advance, partisans of the Wigmore Hall or some other dedicated chamber space...

The Simon & Garfunkel Story, Vaudeville Theatre review -...

What to make of The Simon & Garfunkel Story, which began a week-long residency at London’s...

theartsdesk on Vinyl 44: Thom Yorke, Primal Scream, Elvis, N...

Enough hyping! This month, without further ado, let’s head straight to the reviews…

VINYL OF THE MONTH

LOR...

CD: Imogen Heap - The Music of Harry Potter and the Cursed C...

London’s Palace Theatre this week celebrated the thousandth...

They Shall Not Grow Old, BBC Two review - Peter Jackson...

Peter Jackson has form when it comes to re-examining cinema history. In 1995 he made Forgotten Silver, a...

Robert Hastie: 'a seam of love runs through the play...

Robert Hastie is a little late for our meeting. Directing ...

LSO, Roth, Barbican - not enough pathos, but a remarkable st...

Missa in Angustiis. Mass in troubled times. There was a logic in...

Edward Burne-Jones, Tate Britain review - time for a rethink...

When, in 1853, Edward Burne-Jones (or Edward Jones as he then was) went up to Exeter College, Oxford, it could hardly have been expected that the...

Widows review - feminist crime pays

Steve McQueen’s progress from video artist to...