thu 24/05/2018

marina vaizey

marina.vaizey's picture
Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four review - unexpected facts aplenty

Read more...

William Trevor: Last Stories review - final intimations

Read more...

Christie Watson: The Language of Kindness review - tender memoir, impassioned indignation

Read more...

Rodin and the Art of Ancient Greece, British Museum review - magnificence of form across the millennia

Read more...

John Gray: Seven Types of Atheism review - to believe, or not to believe

Read more...

Monet and Architecture, National Gallery review - a revelation in paint

Read more...

The Queen's Green Planet, ITV review - right royal arboreals

Read more...

Barbara Ehrenreich: Natural Causes review - counterintuitive wisdom on the big issues

Read more...

America's Cool Modernism, Ashmolean Museum review - faces of the new city

Read more...

Big Cats About the House, BBC Two review - irresistible feline-human bonding

Read more...

Victorian Giants, National Portrait Gallery review - pioneers of photography

Read more...

Agnès Poirier: Left Bank review - Paris in war and peace

Read more...

Civilisations, BBC Two review - no shocks from Schama

Read more...

Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

Read more...

Mick Herron: London Rules review - hypnotically fascinating, absolutely contemporary

Read more...

Andreas Gursky, Hayward Gallery review - staggering scale, personal perspective

Read more...

Pages

latest in today

CD: Snow Patrol - Wildness

Few bands divide opinion quite like Snow Patrol. Their fans see their slow, intense anthems as cathartic friends. Others - myself included - tend...

Big Sky, Big Dreams, Big Art: Made in the USA, BBC Four revi...

“Oh say, can you see, by the dawn’s early light” was a vision of the...

The Rolling Stones, London Stadium review - only rock'n...

As the veteran combo roll around one more time, five years after they last performed in the UK, many a ticket-buyer for their No Filter tour has...

A Change is Gonna Come, Brighton Festival review - lively, w...

Watching this band in action is a treat. They gel absolutely and play off one another in a manner that’s easy and mellow, yet also sparks by...

Edie review - Sheila Hancock gets summit fever

There have been plenty of films about mountains, and they are mainly about men. The plot tends not to vary: man clambers up peak because, as...

Manchester: The Night of the Bomb, BBC Two review - devastat...

“I thought she maybe had superpowers to go that high.” Emilia Senior, 12, watched her sister Eve, 15, thrown into the air by the force of the...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

CD: Chvrches - Love Is Dead

When bands move to the US, some find themselves drawn into the commercial machine; when...

Ian Rickson: 'I'm an introvert, I want to stop tal...

Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student...