mon 27/09/2021

Josh Spero

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Bio
Josh is the editor of Spear's magazine. He has written for The Times, The Independent, The Guardian, the Economist and the National Theatre. He is a regular guest on CNBC and has been interviewed on the BBC World Service and other TV and radio channels.

Articles By Josh Spero

latest in today

Iestyn Davies, Aurora Orchestra, Collon, Kings Place review...

Music in London has faced down plagues, puritans, philistines and planners over the four centuries spanned by the Aurora Orchestra’s season-opener...

Album: Catherine Graindorge - Eldorado

Catherine Graindorge is a Belgian violinist and composer. Her second album explores the collateral damage of Covid. The grim sounds she produces...

The Midsummer Marriage, LPO. Gardner, RFH review – Tippett’s...

British opera’s attempted answer to The Magic Flute, and its presentation as the opening gambit of Edward Gardner’s eminent position as...

Reissue CDs Weekly: Spiritualized - Ladies and Gentleman We...

Looking for answers to what qualifies an album for a makeover and its attendant return to record shop racks can cause heads to spin. Multiple...

The Last Five Years, Garrick Theatre review - bittersweet mu...

Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years...

Gagarine review - hazy cosmic jive in a Paris banlieue

This is the story of a boy and a building. Sixteen-year-old Youri (newcomer Alseni Bathily) lives, with his telescope, in Cité Gagarine, a vast...

Album: Black Dice - Mod Prog Sic

There’s a strand of music that a friend of mine once referred...

Nicola Benedetti, Barbican Hall review – from Bach to the Hi...

If a standard-sized recital hall can be a lonely place for a solo violinist, playing an auditorium of Barbican dimensions must feel like crossing...

Creature, English National Ballet, Sadler's Wells revie...

If a new ballet can be doomed by the weight of expectation, then...