Tate gallery
mark.hudson
Henry Moore is said to have first encountered the image of the reclining figure in Paris in 1925 in a plaster cast of an ancient Mexican Toltec-Maya figure in the Trocadero Museum. It was to become probably his most frequently explored theme, revisited hundreds of times over the following 60 years before his death in 1986. From the relatively realistic to the almost totally abstract, Moore’s reclining figures can be seen in galleries and public spaces all over the world. Here we give you 11 particularly glorious examples, all to be seen at Tate Britain's magnificent exhibition Henry Moore. Read more ...
mark.hudson
Who gives a **** about Henry Moore? The standing of the craggy-faced Yorkshire miner’s son who dominated British art for half a century has declined massively since his death in 1986. Where once Moore was British art, most people in this country have now probably never heard of him. Those pin-headed, slab-like forms that once seemed universal in their embodiment of utopian modernity now feel so of their time you expect to see Muffin the Mule come clopping round the corner at any moment.If the watchword of contemporary culture has become "difference" – the compunction to accommodate the "other Read more ...
mark.hudson
Afro Modern: Journeys through the Black Atlantic is without doubt one of the year’s most enterprising and original exhibitions. Attempting to trace the impact on art of black cultures from around the Atlantic – in Africa, Europe and the Americas – from the early 20th century to today, it takes on a massive swathe of culture and experience. Or perhaps that should be several massive swathes. Beginning with the first earnest gropings towards a black modern style in inter-war Harlem and Brazil, the exhibition moves through Africa’s rediscovery of its own culture in the Negritude movement of the Read more ...
sue.steward
Dazzling and surprising, this Tate Britain retrospective by the 1998 Turner Prizewinner Chris Ofili should erase memories of the media sniping about him making money from using the so-called "gimmick" of incorporating elephant turds in his paintings. It will also confirm his status as one of the greatest contemporary British artists.A chronological journey through his relatively brief career charted from the early 1990s, the exhibition leads visitors along his painting time-line into three final rooms devoted to work produced since he moved to Trinidad in 2005. Astonishingly different and Read more ...
mark.hudson
2010 begins with a worldbeating blockbuster capable of breaking all attendance records – and it ends with another. It’s more than 40 years since Britain saw a major exhibition of the work of Vincent van Gogh; 40 years in which the tormented Dutch genius has gone from being merely an extremely famous and influential painter to, by common consent, the world’s favourite artist, the man who sacrificed himself for his art, whose light-filled canvases tell us most about what we think art should be – never mind that many of them are of dark, rain-drenched Dutch fields.The Royal Academy’s The Real Read more ...
sheila.johnston
Richard Wright's work celebrates impermanence but his election last night as the 2009 Turner Prize winner - an award which brings with it a purse of £25,000 - has guaranteed it a sort of immortality. The Glasgow-based painter's major piece currently on display at Tate Britain is an enormous, luxuriant and ornate symmetrical fresco painted in shimmering gold leaf which commands the otherwise virtually empty room it occupies. Wright's is the most traditional of the four shortlisted shows at the Tate Britain. Conceived in response to the parameters of each individual space (a video on view at Read more ...
mark.hudson
Anyone who has had their sensibilities battered by Tate Modern’s Pop Life show is likely to be equally taken aback if they wander along the Thames to this year’s Turner Prize exhibition at Tate Britain – but for completely different reasons. If Pop Life leaves you feeling that art can only progress through ever greater acts of outrage – that if you’re not actually having sex on camera you hardly count as creative – the tone over at Tate Britain is measured, cool, even academic. Do these exhibitions even reflect the same world, let alone the same art world?While Tate has been happy to harness Read more ...