sun 21/04/2019

gay

Bohemian Rhapsody review – all surface, no soul

If a Queen biopic called for drama, scandal and outrage, then Bohemian Rhapsody spent its fill in production. Several Freddies had been and gone, rumours swirling about meddling band members, and then director Bryan Singer’s assault accusations...

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Company, Gielgud Theatre review - here's to a sensational musical rebirth

The most thrilling revivals interrogate a classic work, while revealing its fundamental soul anew. Marianne Elliott’s female-led, 21st-century take on George Furth and Stephen Sondheim’s 1970 musical comedy Company makes a bold,...

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The Inheritance, Noël Coward Theatre review - tangled knot of gay fairy-tale and reality

Its roots are in an emotional truth: Matthew Lopez saw the film, then read the book, of Howards End when he was 15 and 11 years later came across Maurice. He joined the dots between an apparent period-piece offering timeless wisdom about the human...

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DVD: A Moment in the Reeds

Mikko Makela’s debut feature is as sheerly concentrated a piece of filmmaking as you can imagine. The Finnish director – previously better known as an actor – manages his principle cast of three immaculately as they play out a powerful drama that...

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The Bisexual, Channel 4 review - joyless comedy drama

Write about what you know, every nascent novelist is told. So you can't fault writer/director/actor Desiree Akhavan, Iranian-American creator of Appropriate Behaviour (2015) and The Miseducation of Cameron Post (2018), which explore divergent...

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DVD: Mario

Swiss director Marcel Gisler’s film tells a story that is hardly new – but neither, sadly, is it old, as in about a thing of the past. That professional football continues to be homophobic, a world in which it is virtually impossible for a star...

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The Miseducation of Cameron Post review - learning the right way

This is Desiree Akhavan’s second film, following on from her rather ironically titled Appropriate Behaviour of 2014. That was a coming-out drama about a bisexual, Iranian-American woman, whose story closely reflected the director’s own – and Akhavan...

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Edinburgh Festival 2018 reviews: La maladie de la mort / The End of Eddy

 La maladie de la mort ★★★  Toxic masculinity in all its appalling variety is a hot topic across Edinburgh’s festivals this year – just check out Daughter at CanadaHub and even Ulster American at the Traverse for two particularly...

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Jake Shears, Concorde 2, Brighton review - a blitz of glitz

One of the biggest crowd roars of the night comes right at the start when Jake Shears runs onstage. He is wearing a grey top hat, a white tail-jacket with glittered lapel-edging, silver glittery trousers, a tight black sequinned vest top, and a bow...

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Edinburgh Festival 2018 reviews: Orpheus / Bottom / Backup

 Orpheus ★★★★  This unashamedly sentimental storytelling show got its premiere a couple of years back in the back garden of a cheese shop in Cromarty, before touring the Scottish Highlands, we’re told. With its lo-fi, minimalist...

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DVD: Al Berto

There are plenty of reasons to be apprehensive about biopics of poets. The activity of writing is most often, after all, anything but cinematic, unless its moments of creativity are forced, while the “myth” of the poet all too easily becomes...

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Homos, or Everyone in America, Finborough Theatre review - a complex pattern of glee and profundity

I’m still not entirely sure what the full associations of the title of New York playwright Jordan Seavey’s new play – its second element, at least: the first speaks for itself – may be, but with writing this accomplished any such uncertainties fall...

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