thu 25/04/2024

Dance

Ailey 2, Marlowe Theatre, Canterbury review - young, black and fabulous

Dance lovers with no access to a major city could feel genuinely hard done by were it not for Dance Consortium. This sainted organisation works to bring a company from overseas each autumn to a dozen or so large-scale theatres across the UK and...

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Alvin Ailey American Dance Theatre, Sadler's Wells review - exhilarating display of a full deck of dance styles

A big welcome awaited the Alvin Ailey dancers at the Wells, on their first international tour since lockdown. The company has scheduled four different mixed bills over 10 days, each with its signature piece, Revelations, as the finale. This is a...

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Matthew Bourne's Romeo + Juliet, Sadler's Wells review - exhilarating dancing, inventive moves

Matthew Bourne regularly revamps the first version of a new piece so that by the second go-round it really zings. For the return of his 2019 Romeo + Juliet, though, very little has changed, yet it feels refreshed.Dramaturgically, it’s still a bit...

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Jewels, The Australian Ballet, Royal Opera House review - a sparkling parade of great dancing

Every time you see Jewels, George Balanchine’s masterpiece from 1967, something new emerges from its treasure trove. What the Australian Ballet pleasurably bring to the fore is its playful, and play-acting, side.The story of how Balanchine came to...

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Carlos at 50, Royal Opera House review - lovingly designed gala from a still impressive star

On the day Mick Jagger turned 80, that spring chicken Carlos Acosta, 50 this year, returned to the stage of the Royal Opera House, which he had left in 2015 after 17 years. Carlos at 50 was a wonderfully sunny, warm embrace of a return: the audience...

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theartsdesk at the Ravenna Festival - invisible cities and possible dreams

Came for the music, returned for the theatre. I oversimplify: Riccardo Muti’s Roads of Friendship events, meetings of his Luigi Cherubini Youth Orchestra with players from other places – since 1997, they have included Sarajevo, Lebanon, Kenya, Iran...

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Ballet Flamenco Sara Baras, Sadler's Wells - a roaring start to the Flamenco Festival

When flamenco first came out of the shadows and started to fill big theatres, it was like something out of a historical pageant. The shows that played London in the early 1990s harked back to an imagined gypsy past where old men hammered rhythms on...

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Untitled, 2023 / Corybantic Games / Anastasia Act III, Royal Ballet review - a magnificent end to the season

Is it a cop-out for an artist to label a piece of work “Untitled”? Painters and sculptors make a habit of it, reasoning that they want to leave the viewer free to bring to the experience what they will, unhampered and unlimited by prior information...

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Requiem, Opera North review - partnership and diversity

Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance.Partnership and diversity are the buzz...

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Nederlands Dans Theater (NDT1), Sadler's Wells review - an extinction rebellion in dance

The timing was impeccable, though almost certainly accidental. As protesters lay prostrate in The Mall in a mass “die-in” on the day designated as Earth Day, and as many thousands more urged action against climate change outside the Houses of...

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Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023

As any archaeologist knows, digging up a sarcophagus is a nailbiting business. How small are the chances that inside the shredded linen wrappings will lie a recognisable body with some vestiges of its former life upon it?Enough DNA and bone to...

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Jungle Book reimagined, Sadler's Wells review - a doomy revision of the Kipling stories

Akram Khan Company promises “a magical dance-theatre retelling of Kipling’s classic”, and that’s more or less what you get. The choreography is striking and inventive, the dancing and staging superb.What work less well is the overall tone, which,...

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