It’s been 15 years since UK rap pioneer Dizzee Rascal released his smash hit “Bonkers”. Love it or hate it, there’s no denying the impact it had on UK culture, and the slightly embarrassing nostalgia it brings to this day. The 2010s were a wild time for music in general, the charts saw massive indie albums like AM by Arctic Monkeys sat next to both club anthems by Calvin Harris and some of Adele’s most timeless songs. Throughout all of that, Dizzee Rascal was there to flying the grime flag and competing in the big leagues. Although my experience of his music is limited to his chart toppers, his playful, witty character is as apparent on We Want Bass as ever.
Dizzee Rascal’s music always brought a mischievous energy that’s rare to find, no self-importance, no taking things too seriously, yet absolutely no lack of confidence. This chaotic mix finds its way into We Want Bass seamlessly. As the title states, bass is the foundation for the whole album. “What U Need” has a classic grime feel with basslines that sound designed to make you feel more disorientated as the song goes on. Both “Hit The Spot” and “So Hot” bring a house angle, sampling 50 Cent’s “Candy Shop” and Nelly’s “Hot in Herre” respectively for some extra club nostalgia. “On Rpt” then takes that house style and adds an R&B flare, reminiscent of the over melodic festival filler DJ’s that dominated the 2010’s. The remaining tracks cycle through other manifestations of Dizzee’s clear bass addiction, “Foxtrot Oscar” and “Muy Bien” standing out as potential wider favourites.
We Want Bass feels like a well-rounded homage to the dance music that sat alongside Dizzee as he made his way to the mainstream. It is full of energy, humour and expression, and its identity is clear. Dizzee Rascal has continued to be himself, and has directly answered fans calls for more of the same.
