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latest in today

'We are bowled over!' Thank you for your messages of love and support
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Lear, Pitlochry Festival Theatre review - mad queen reminds us of the 'No Kings' man
“Trump Arrangement Syndrome”, my propensity to see the world refracted through the lens of the omnipresent ogre’s cult, raised its head…
'Different When It's Silent' is a beguiling new collection from Tricky
Ever since he crashed into the world with that eerie masterpiece, Maxinquaye (1995) – an album that has never aged – Bristol-born Tricky,…
Gnarly guitar threesome Mould are wordily world-weary on debut 'Hoping as a Coping Mechanism'
Mould are a post-punk sounding trio from Bristol. The press release says that their debut album is “13 tracks that explore the horrors of…
Rosebush Pruning review - lurid journey into the dark heart of family dysfunction
The regular scriptwriter for Yorgos Lanthimos’s films, Efthimis Filippou, has worked with another director, Karim Aïnouz, on Rosebush…
Bonfire Radicals, Hare & Hounds, Birmingham review - a new chapter for the untraditional folkies
This week saw something of a landmark gig for Birmingham’s ever-exuberant folkies, Bonfire Radicals. New album, Spaghetti Junction was…
Songs of the Bulbul, Sadler's Wells East review - beautiful melding of kathak moves and Sufism
A voice at the start of dancer Aakash Odedra’s performance speaks out of the darkness about the Sufi myth behind what we are going to see,…
Panda Bear & Sonic Boom blur cathedral and kindergarten on 'A ? of When'
Pyschedelic music has always encouraged intergenerational influence. Thus West Midlander Pete “Sonic Boom” Kember, in his 1980s Spacemen 3…
Jesus Christ Superstar, London Palladium review - febrile classic captures the burning energy of the original
A febrile energy powers Timothy Sheader’s production of Jesus Christ Superstar, which arrives in the West End with an edgy vibe that…
Though beautifully crafted, US-based Australian duo Luluc's 'Sweet Thief' is intrinsically aloof
The most up-front factor defining the 10 tracks of Sweet Thief’s 26 minutes is Zoë Randell’s voice. Figuratively, she does not – vocally,…

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