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latest in today

'We are bowled over!' Thank you for your messages of love and support
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Music Reissues Weekly: Evil Grave - Death From Malta
Evil Grave were from Malta. They were a going concern between December 1971 and around May 1977. Despite their longevity, they released no…
Avenue Q, Shaftesbury Theatre review - we need that puppet sex now, and the rest
Returning to the West End to celebrate two decades since those strange muppetty posters went up on London buses, I’m still laughing along…
Gerald Barry's Salome, NSO Ireland, Kuhn, National Concert Hall, Dublin review - funny-queasy genius
You know to expect a crazy ride, especially when Gerald Barry, greatest living Wildean and wild one among composers, has flagged up his…
The Rite by Heart, Aurora Orchestra, Multitudes Festival, RFH - exhilarating display of changing rhythms and moods
The Southbank Centre’s second Multitudes festival – which commissions artists ranging from filmmakers to acrobats to shine new light onto…
The Flying Dutchman, Welsh National Opera review - running, jumping and standing still
Just now, everything WNO does inevitably bears the mark of their Arts Council-imposed financial troubles, and this new Flying Dutchman…
Carsie Blanton & the Burning Hell, Hare & Hounds, Birmingham review - a fine revolutionary singalong
In these times of genocide, illegal invasions and a class war which the ultra-rich are emphatically winning, we clearly need a woman to…
Frang, LSO, Pappano, Barbican review - Los Angeles meets Leningrad
Antonio Pappano’s pairing for last night’s Barbican concert intrigued – and, initially, baffled – me. Shostakovich’s Fifth: a clear choice…
The Blue Trail review - take it to the river
“Since when was getting older an honour?” asks Tereza, rightly suspicious when she finds officials nailing up a cheap garland around her…
Judie Tzuke's 'Now or Never' sees the singer in great voice
This is, surprisingly, Judie Tzuke’s 24th album since her 1979 debut with Welcome to the Cruise.  After early stints with Elton John’s…

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