Visual Arts Reviews
Isamu Noguchi, Barbican review – the most elegant exhibition in townFriday, 01 October 2021
Isamu Noguchi may not be a household name, yet one strand of his work is incredibly familiar. In 1951 he visited a lamp factory in Gifu, a Japanese city famous for its paper lanterns. This prompted him to design the lampshades that, for decades, have adorned nearly every student’s bedsit. Read more... |
Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminationsWednesday, 29 September 2021
In 2015, an abstract painting by Gerhard Richter broke the world record for contemporary art by selling at auction for £30.4m, and the octogenarian is often described as the most important living artist. Read more... |
Mixing it Up, Hayward Gallery review - a glorious celebration of diversityWednesday, 22 September 2021
The 31 artists in Mixing it Up all live in this country, but a third of them were born elsewhere – in countries including Belgium, China, Columbia, Germany, Iraq, Zambia and Zimbabwe – and they’ve brought with them immeasurable cultural riches. Read more... |
Helen Frankenthaler: Radical Beauty, Dulwich Picture Gallery review - adventures in printFriday, 17 September 2021
When you stand in front of Helen Frankenthaler’s Freefall, 1993, in your mind you drop into its gorgeous, blue abyss. It is enveloping, vertiginous, endless and yet there’s none of the terror of falling into a void, only intense, velvety comfort as the bluest blue melts into emerald green. Read more... |
The Lost Leonardo review - an incredible tale as gripping as any thrillerTuesday, 14 September 2021
It’s been described as “the most improbable story that has ever happened in the art market”, and The Lost Leonardo reveals every twist and turn of this extraordinary tale. In New Orleans in 2005, a badly-damaged painting (pictured below left) sold at auction for $1,175. Read more... |
Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no boundsMonday, 09 August 2021
Sophie Taeuber-Arp gave her work titles like Movement of Lines, yet there’s nothing dull about her drawings and paintings. In her hands, the simplest compositions sizzle with tension and dance with implied motion. Animated Circles 1934 (main picture), consists of blue, grey and black circles on a white ground. Read more... |
Paula Rego, Tate Britain review - the artist's inner landscape like never beforeFriday, 06 August 2021
It is conventional for artists to reflect their surroundings, experiences and inspirations, whether this be in a subliminal manner or overtly. But Paula Rego is by no means conventional. She is a rebel, a nonconformist, a freethinker. Rego doesn’t simply reflect the world around her, but soaks it in like an emotional sponge, before squeezing every last feeling out onto the canvas with passion and vigour. Read more... |
Karla Black, Fruitmarket, Edinburgh review - airy free-for-allFriday, 16 July 2021
As Karla Black’s first retrospective opens to the public, the institution she has paired with, Fruitmarket, also reopens with a new £4.3 million extension. In lockdown, the Edinburgh gallery has had the builders in. Read more... |
Ben Nicholson: From the Studio, Pallant House Gallery, Chichester review - domestic blissWednesday, 14 July 2021
The domestic realm has moved to the forefront of our lives in recent times. It’s been doing service as our place of work and our place of entertainment. Eating in has replaced eating out. Our hopes and dreams have been largely limited to what’s attainable within our four walls. Read more... |
Afterness, Orford Ness review - a breath of fresh air, literallyMonday, 28 June 2021
The boat ride lasts only a few minutes, but it takes you to another world. Orford Ness is an island of salt marsh and shingle banks off the Suffolk coast inhabited by birds, rabbits, hares and a few small deer. Read more... |
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