sun 21/01/2018

veronica lee

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Bio
Veronica is an award-winning writer and critic who contributes on theatre and comedy to the Daily Telegraph, Sunday Telegraph, Observer and London Evening Standard.

Articles By Veronica Lee

Leicester Comedy Festival Gala Preview Show - going from strength to strength

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Best of 2017: Comedy

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300 Years of French and Saunders, BBC1 review - seasonal treat from the sketch duo

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The League of Gentlemen, BBC2 review - an anniversary to celebrate

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Aladdin, Richmond Theatre review - great Dame, weak script

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Jack and the Beanstalk, New Wimbledon Theatre review - Al Murray's panto debut

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Jack and the Beanstalk, Lyric Hammersmith review - great fun for all ages

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Barnum, Menier Chocolate Factory review - a big, blowsy spectacle

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Margaret Cho, Hen & Chickens Bristol review - sex and drugs, no holds barred

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Brakes review - dysfunctional relationships laid bare

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The Elvis Dead, Soho Theatre review - schlock horror told through Elvis songs

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Natalie Palamides, Soho Theatre review - delightful and disturbing show about motherhood

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John Bishop, O2 review - Everyman comedy with a hint of subversion

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Kerry Godliman, Touring review - affable and down-to-earth humour

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A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned

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Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

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latest in today

Bruno Maçães: The Dawn of Eurasia review - middle of nowhere

Part travelogue and part broad analysis of the current and future challenges facing the EU, the premise of Bruno Maçães’s new book The Dawn of...

CD: Hollie Cook - Vessel of Love

If sunny tunes that put a spring in your step and a positive spin on the day are what you are looking for to blast away the Arctic-powered January...

Reissue CDs Weekly: Television Personalities

How much of someone else’s despair is it possible to take? What are the limits on putting a  sense of desolation or isolation into a song?...

Lumiere London review - London in a different light

It seems they’re having trouble with the lights. Thirty-five past five and they’re not yet on. “Typical,” laughs a woman, surveying the huddle of...

Giselle, Royal Ballet review - beautiful dancing in a produc...

The run of Giselle that opened at the Royal Opera House last night was completely sold out before it even started, and no wonder. Pair...

Rebecka Martinsson: Arctic Murders, More4 review - Swedish s...

Sara Lund and Saga Norén have a lot to answer for. Their adventures in the murk of murder as they grapple with their own dysfunctional psychology...

BBCSO, Pons, Barbican review - love hurts in vivid Spanish d...

This was an evening of Iberian highways re-travelled, but with a difference. At the beginning of 2016, the centenary of Spanish master Enrique...

DVD/Blu-ray: I Am Not a Witch

Rungano Nyoni’s debut feature premiered at last year’s Directors' Fortnight in...

The Birthday Party, Harold Pinter Theatre review - starry ca...

Is modernism dead and buried? Anyone considering the long haul of...