tue 25/07/2017

tom birchenough

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Bio
Tom has been based largely in Moscow since 1991, from where he has written for a range of publications. He has contributed to Variety since 1993, and was for many years the film critic for the main English-language publication in Russia, The Moscow Times. He has been associate producer on a number of television documentaries on Russian subjects.

Articles By Tom Birchenough

latest in today

Don Quixote, Mariinsky Ballet review - gentle charm, impress...

One of the most Russian things you can do in ballet is dance Don Quixote, which is 100 percent set in Spain. Don't think too hard about...

h.Club 100 Awards: Publishing and Writing - it's not al...

For more than three decades I reported on the publishing industry as a business journalist. The books, the deals, the authors and the publishers,...

Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller...

"Maggie the cat is alive: I am alive," or so remarks the feline, eternally frustrated heroine of...

Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute...

Ten days ago I reviewed the First Night of the 2017 Proms....

Blu-ray: Terror in a Texas Town

Many of the best Westerns, that quintessentially American...

Olivia Williams interview: 'Are you on drugs?'...

Olivia Williams’s first film was, (in)famously, seen by almost no one. The Postman, Kevin Costner’s expensive futuristic misfire, may...

Prom 10 review: Aurora Orchestra, Collon – a revolution take...

When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact...

12 Stone Toddler, Green Door Store, Brighton review – experi...

Ten years ago Brighton band 12 Stone Toddler burst onto...

Le nozze di Figaro, Clonter Opera review - a wedding full of...

Clonter Opera is a finishing school for young opera performers, with its own well appointed theatre and professional administration and artistic...