wed 26/07/2017

thomas h green

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Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

Articles By Thomas H Green

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CD: The Isley Brothers & Santana - Power of Peace

In media coverage of Woodstock Santana always seems to be overshadowed by the oft-mentioned cultural significance of Hendrix’s “Star Spangled...

Don Quixote, Mariinsky Ballet review - gentle charm, impress...

One of the most Russian things you can do in ballet is dance Don Quixote, which is 100 percent set in Spain. Don't think too hard about...

h.Club 100 Awards: Publishing and Writing - it's not al...

For more than three decades I reported on the publishing industry as a business journalist. The books, the deals, the authors and the publishers,...

Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller...

"Maggie the cat is alive: I am alive," or so remarks the feline, eternally frustrated heroine of...

Prom 13 review: Rana, BBCSO, Davis – Malcolm Sargent tribute...

Ten days ago I reviewed the First Night of the 2017 Proms....

Blu-ray: Terror in a Texas Town

Many of the best Westerns, that quintessentially American...

Olivia Williams interview: 'Are you on drugs?'...

Olivia Williams’s first film was, (in)famously, seen by almost no one. The Postman, Kevin Costner’s expensive futuristic misfire, may...

Prom 10 review: Aurora Orchestra, Collon – a revolution take...

When a trail-blazing orchestra takes on a world-transforming work, it would be pointless to leave the staid old rules of concert etiquette intact...

12 Stone Toddler, Green Door Store, Brighton review – experi...

Ten years ago Brighton band 12 Stone Toddler burst onto...