tue 24/10/2017

sarah kent

sarah.kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

Read more...

Basquiat: Boom for Real, Barbican review - the myth explored

Read more...

Rachel Whiteread, Tate Britain review – exceptional beauty

Read more...

Final Portrait review - utterly convincing portrayal of an artist at work

Read more...

Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

Read more...

Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

Read more...

Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

Read more...

The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

Read more...

Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

Read more...

A Handful of Dust, Whitechapel Gallery review - grime does pay

Read more...

Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

Read more...

Geta Bratescu, Camden Arts Centre

Read more...

Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'

Read more...

How To Be a Surrealist with Philippa Perry, review - 'exhilarating'

Read more...

DVD: Revolution - New Art for a New World

Read more...

Paula Rego: Secrets and Stories review - 'in pictures you can let all your rage out'

Read more...

Pages

latest in today

W1A, Series 3 Finale, BBC Two review - the satire gets to th...

Repetition can help clarity. It emphasises significance, and shines a light more directly onto something hidden. It can guide us gently into an...

Sleaford Mods, Manchester Academy review - laptop punks stil...

Sleaford Mods are not just those two sweary guys with a laptop from Nottingham. Their unique mix of acerbic, politically conscious lyrics and lo-...

Newnight: Grenfell Tower - The 21st Floor, BBC Two review -...

The streets around Grenfell Tower on the morning after it was consumed by fire heaved with people. A stream of donors brought food, clothes and...

Witness for the Prosecution, London County Hall review - fav...

Some site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. Agatha Christie’s 1953...

DVD/Blu-ray review: Land of Mine

Danish director Martin Zandvliet brilliantly explores a little-known...

Soutine's Portraits, Courtauld Gallery review - a super...

This is the latest in a line of beautifully curated, closely focused exhibitions that the...

Listed: 20 Punk Moments that Shook the World

Never Mind the Bollocks Here’s the Sex Pistols was issued on 28 October...

Total Immersion: Julian Anderson, Barbican review - BBC ense...

Julian Anderson’s 50th birthday this year was the prompt for the latest of the BBC’s Total Immersion days, devoted to the work of a...

Jacqueline du Pré: A Gift Beyond Words, BBC Four review - od...

Hyperbole be damned. The most iconic English classical recording was made on 19 August 1965 in Kingsway Hall, London. Like Maria Callas singing...