mon 02/03/2015

Sarah Kent

sarah.kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles by Sarah Kent

theartsdesk in Calais: Simon Faithfull – To the Bottom of the World and Back

The sea is the theme uniting Simon Faithfull’s mid-career retrospective. It makes the port of Calais the perfect host for this splendid exhibition and, to put you in the mood, ideally you should make...

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Sotto Voce, Dominique Lévy

Sotto Voce is a collection of white paintings, sculptures and reliefs made by European, British and North and South American artists from the 1930s to 1970s. An accompanying book explains why this...

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History is Now: 7 Artists Take On Britain, Hayward Gallery

A Bloodhound Mark 2 surface-to-air missile points to the sky from the terrace outside the Hayward Gallery. From 1963–1990, the missiles were stationed along the east coast, from Humberside to the...

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Christian Marclay, White Cube

Christian Marclay is best known as the author of Video Quartet, 2002 the most exciting artist’s video ever made. The four-screen extravaganza juxtaposes more than 700 clips from Hollywood movies of...

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Marlene Dumas: The Image as Burden, Tate Modern

"My fatherland is South Africa, my mother tongue is Afrikaans, my surname is French, I don’t speak French. My mother always wanted me to go to Paris. She thought art was French because of Picasso. I...

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Olga Chernysheva, Pace Gallery

Printed large in glorious colour is a row of photographs of Russian women wearing bobble hats (main picture and pictured below). There’s a fuzzy red one, a woolly brown one, one with red stripes...

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The Institute of Sexology, Wellcome Collection

There is nothing erotic or titillating about The Institute of Sexology, an exhibition the Wellcome Collection plans to keep open for a year. Those expecting a display of fertility symbols, fetish...

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Allen Jones, Royal Academy

There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up...

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Russian Avant-Garde Theatre, Victoria & Albert Museum

Installed in the main exhibition space, this could have been a blockbuster show introducing a large audience to an important moment in Russian Theatre; but tucked away in the Department of...

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Andrew Logan’s Alternative Miss World, Globe Theatre

On Saturday at Shakespeare’s Globe, the Alternative Miss World was staged for the 13th time. Having launched this gloriously tacky event in his Hackney studio in 1972, artist Andrew Logan promises to...

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Steve McQueen: Ashes, Thomas Dane Gallery

Ashes is a two-part exhibition. The darkened gallery at 3 Duke Street, St James’s is filled with the onscreen image of a young black man sitting on the prow of a small boat with his back to us (main...

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Glenn Ligon: Call and Response, Camden Arts Centre

“I was a nigger for twenty-three years. I gave that shit up. No room for advancement.” This astute joke, by American comedian Richard Pryor, is stencilled in black capitals on the gold ground of a...

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Listening, BALTIC 39, Hayward Touring

Traditionally, art exhibitions have been about looking, but as more and more artists cross boundaries to engage with sound, touch and movement or to use film and video, work that is static and silent...

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Constructing Worlds, Barbican Art Gallery

“The minute I touched New York,” wrote Berenice Abbott, “I had a burning desire to photograph the city of incredible contrasts, the city of stone needles and skyscrapers, the city that is never the...

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Horst: Photographer of Style, Victoria & Albert Museum

If events in the Middle East, the prospect of the school run or the onset of autumn are conspiring to lower your spirits, then escape to the V&A and immerse yourself in the dreamy elegance of...

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First Person: Curating Shelagh Wakely

I’ve curated nearly 70 exhibitions in my time. The most challenging was Elizabeth Frink’s retrospective at the Royal Academy. Weighing in at several tons, the large bronzes are virtually impossible...

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