mon 27/04/2015

Sarah Kent

sarah.kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles by Sarah Kent

John Wood and Paul Harrison, Carroll/Fletcher

Described by the Tate as the Laurel and Hardy of the art world, John Wood and Paul Harrison are best known for appearing in superbly timed, comic videos using their own bodies to explore spatial...

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Sonia Delaunay, Tate Modern

In 1967 when she produced Syncopated Rhythm (main picture), Sonia Delaunay was 82; far from any decline in energy or ambition, the abstract painting shows her in a relaxed and playful mood. Known as...

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Jo Baer, Camden Arts Centre

At 86, Jo Baer is still painting vigorously. In the mid 1960s, she was an established New York Minimalist along with artists like Carl Andre and Sol Lewitt; but while they continued to explore...

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Alexander McQueen: Savage Beauty, Victoria & Albert Museum

Alexander McQueen designed some dresses to die for. Dominating a wood-panelled room dedicated to Romantic Nationalism, in acknowledgement of his Scottish origins, is a crimson cape worn over a simple...

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theartsdesk in Calais: Simon Faithfull – To the Bottom of the World and Back

The sea is the theme uniting Simon Faithfull’s mid-career retrospective. It makes the port of Calais the perfect host for this splendid exhibition and, to put you in the mood, ideally you should make...

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Sotto Voce, Dominique Lévy

Sotto Voce is a collection of white paintings, sculptures and reliefs made by European, British and North and South American artists from the 1930s to 1970s. An accompanying book explains why this...

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History is Now: 7 Artists Take On Britain, Hayward Gallery

A Bloodhound Mark 2 surface-to-air missile points to the sky from the terrace outside the Hayward Gallery. From 1963–1990, the missiles were stationed along the east coast, from Humberside to the...

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Christian Marclay, White Cube

Christian Marclay is best known as the author of Video Quartet, 2002 the most exciting artist’s video ever made. The four-screen extravaganza juxtaposes more than 700 clips from Hollywood movies of...

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Marlene Dumas: The Image as Burden, Tate Modern

"My fatherland is South Africa, my mother tongue is Afrikaans, my surname is French, I don’t speak French. My mother always wanted me to go to Paris. She thought art was French because of Picasso. I...

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Olga Chernysheva, Pace Gallery

Printed large in glorious colour is a row of photographs of Russian women wearing bobble hats (main picture and pictured below). There’s a fuzzy red one, a woolly brown one, one with red stripes...

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The Institute of Sexology, Wellcome Collection

There is nothing erotic or titillating about The Institute of Sexology, an exhibition the Wellcome Collection plans to keep open for a year. Those expecting a display of fertility symbols, fetish...

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Allen Jones, Royal Academy

There’s no escaping it; Hat Stand, 1969, is a beastly object. The blank-faced mannequin is too literal to succeed as a sculpture, and the conceit is too nasty to be ignored. Her position – holding up...

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Russian Avant-Garde Theatre, Victoria & Albert Museum

Installed in the main exhibition space, this could have been a blockbuster show introducing a large audience to an important moment in Russian Theatre; but tucked away in the Department of...

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Andrew Logan’s Alternative Miss World, Globe Theatre

On Saturday at Shakespeare’s Globe, the Alternative Miss World was staged for the 13th time. Having launched this gloriously tacky event in his Hackney studio in 1972, artist Andrew Logan promises to...

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Steve McQueen: Ashes, Thomas Dane Gallery

Ashes is a two-part exhibition. The darkened gallery at 3 Duke Street, St James’s is filled with the onscreen image of a young black man sitting on the prow of a small boat with his back to us (main...

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Glenn Ligon: Call and Response, Camden Arts Centre

“I was a nigger for twenty-three years. I gave that shit up. No room for advancement.” This astute joke, by American comedian Richard Pryor, is stencilled in black capitals on the gold ground of a...

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