thu 17/08/2017

sarah kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Final Portrait review - utterly convincing portrayal of an artist at work

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Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

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Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

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Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

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The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

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Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

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A Handful of Dust, Whitechapel Gallery review - grime does pay

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Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

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Geta Bratescu, Camden Arts Centre

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Mary Magdalene: Art's Scarlet Woman, review - 'lugubrious'

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How To Be a Surrealist with Philippa Perry, review - 'exhilarating'

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DVD: Revolution - New Art for a New World

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Paula Rego: Secrets and Stories review - 'in pictures you can let all your rage out'

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Gillian Wearing and Claude Cahun, National Portrait Gallery

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Revolution: Russian Art 1917-1932, Royal Academy

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Lubaina Himid, Modern Art Oxford and Spike Island, Bristol

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latest in today

Edinburgh Fringe 2017 reviews: Hannah Gadsby / Suzi Ruffell...

Hannah Gadsby ★★★★

This is Hannah Gadsby's last show, she tells us. Not because she...

King Lear, Shakespeare's Globe - Nancy Meckler's G...

Every play is a Brexit play. This much we have learnt in the year since the referendum. But in Nancy Meckler’s hands the Globe’s...

CD: Man Duo - Orbit

True to their name, Finland’s Man Duo are male and there...

No More Boys and Girls, BBC Two – baby steps lead to great l...

Whether it’s the £400,000 that separates Mishal Hussain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus...

Edinburgh Festival 2017 review: Andreas Haefliger

It was an intriguing, contrast-filled programme that Swiss-born pianist Andreas Haefliger brought to...

theartsdesk Q&A: Director Peter Kosminsky, Part 1

The name will never trip off the public tongue. Millions watch his work - most recently his superb realisation of Hilary Mantel's Wolf Hall...

CD: Gogol Bordello - Seekers and Finders

As a live phenomenon Gogol Bordello are unstoppable, a crowd-whipping Balkan-...

The Majority, National Theatre review – a minority interest

A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your visit to a venue is now...

Edinburgh Festival and Fringe 2017 reviews round-up

Wondering what on earth to choose between as you tramp the streets of the festival? These are our highlights so far.

STANDUP...