tue 16/01/2018

sarah kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

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Basquiat: Boom for Real, Barbican review - the myth explored

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Rachel Whiteread, Tate Britain review – exceptional beauty

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Final Portrait review - utterly convincing portrayal of an artist at work

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Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

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Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

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Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

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The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

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Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

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A Handful of Dust, Whitechapel Gallery review - grime does pay

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Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

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DVD/Blu-ray: Hounds of Love

Hounds of Love is the latest in a long line of...

The best TV to watch this week

Cure the January blues with our guide to the pick of the best dramas and documentaries coming to a TV near you or already available for streaming...

Leicester Comedy Festival Gala Preview Show - going from str...

In the early 1990s, a group of students at Leicester Polytechnic (now De Montfort University) staged an end-of-year comedy project. Three of them...

CD: Phil Campbell and the Bastard Sons - The Age of Absurdit...

Many hard rock aficionados say that Motörhead’s greatest...

David Lodge: Writer’s Luck - A Memoir 1976-1991 review - lit...

Metaphor, metonymy, simile and synecdoche, anyone? FR Leavis, Roman Jakobson, Jacques Derrida, Frank Kermode? If any of this, and more, turns you...

Reissue CDs Weekly: Butterfly Child

The critic Simon Reynolds characterised Butterfly Child’s debut album Onomatopoeia as the sound of “vitrified everglades in J.G. Ballard’...

Nick Coleman: Voices - How a Great Singer Can Change Your Li...

Readers familiar with Nick Coleman’s 2012 memoir The Train in the Night will know before embarking on this book that the author suffered...

CD: The Limiñanas - Shadow People

The Limiñanas are considered something of a musical jewel across the Channel but, like many fine mainland European bands before them, have been...

Rita, Sue and Bob Too, Royal Court review - iconic 1980s tit...

The revival that almost didn't make it into town has got the...

Lortie, BBC Philharmonic, Gardner, Bridgewater Hall, Manches...

Edward Gardner was back on familiar ground when he conducted in...

sarah.kent | The Arts Desk

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