tue 23/08/2016

Sarah Kent

sarah.kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles by Sarah Kent

William Eggleston Portraits, National Portrait Gallery

American photographer William Eggleston is famous for dedicating himself to colour photography at a time when it was still considered kitsch – acceptable for wedding and Christening photos, but not...

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Ragnar Kjartansson, Barbican Art Gallery

A neon sign over the Barbican’s Silk Street entrance reads Scandinavian Pain. Following its victory over us in Euro 16, it seems that Iceland is now drenching us with its special brand of melancholy...

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Georgia O’Keeffe, Tate Modern

It's 100 years since Georgia O’Keeffe first showed at Alfred Stieglitz’s 291 Gallery in New York, a hub of avant-garde activity, and the opening room of this major retrospective revisits the 1916...

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Alex Katz, Serpentine Gallery

Black Brook, 2014, is sublime. Two bands of acid-green grass frame a horizontal band of deep-violet water that appears to have hidden depths. Dotted randomly over the darkness are clusters of light...

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Found, The Foundling Museum

Cornelia Parker invited over 60 fellow artists to join her in exhibiting at the Foundling Museum in London. Titled Found, the show spills out from the basement gallery to infiltrate every room in the...

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Jeff Koons: Now, Newport Street Gallery

The second exhibition staged by Damien Hirst in his stunning Newport Street Gallery is of work from his collection by the American artist, Jeff Koons. Hirst was still a student at Goldsmiths when, in...

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Mona Hatoum, Tate Modern

Mona Hatoum was born in Beirut of Palestinian parents. She came to London to study at the Slade School in 1975 and got stuck here when civil war broke out in Lebanon, preventing her from returning...

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Mapplethorpe: Look at the Pictures

“Look at the pictures”, yells apoplectic Senator Jesse Helms as he brandishes a clutch of photographs by Robert Mapplethorpe, “a known homosexual who died of AIDS”. It's 1989 and Senator Helms is...

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Conceptual Art in Britain 1964-1979, Tate Britain

The exhibition starts promisingly. You can help yourself to an orange from Roelof Louw’s pyramid of golden fruit. Its a reminder that, for the conceptualists, art was a verb not a noun. Focusing on...

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Magical Surfaces: The Uncanny in Contemporary Photography, Parasol Unit

Magical Surfaces: The Uncanny in Contemporary Photography focuses on two contrasting generations. Beginning in the 1970s, Stephen Shore and Joel Sternfeld travelled America photographing things that...

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Franciszka & Stefan Themerson, Camden Arts Centre

Bertrand Russell’s History of the World is a charming little booklet that carries a chilling message: “Since Adam and Eve ate the apple, man has never refrained from any folly of which he is capable...

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Paul Strand, Victoria & Albert Museum

Once you’ve seen him, you can’t forget him. Taken in 1951, Paul Strand’s black and white portrait of a French teenager sears itself onto your retina. He stares unflinchingly back, and looking into...

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Hilma Af Klint, Serpentine Gallery

Celebrating the four ages of man, eight huge, semi-abstract paintings create a carnival atmosphere in the Serpentine’s central gallery. The freshness of Childhood is characterised by flowers, petals...

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Performing for the Camera, Tate Modern

The earliest known selfie is as old as the medium itself – literally. Hippolyte Bayard, one of the inventors of photography, pictured himself as a drowned man. His technique of photographic printing...

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Saul Leiter, Photographers' Gallery

One of the great joys of being a critic is discovering someone remarkable you’ve never heard of before. By the time he died in 2013 aged 90, the American photographer Saul Leiter had gained a degree...

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Yuletide Scenes: Piero della Francesca's Nativity

At first sight Piero della Francesca’s The Nativity appears to be a simple picture, especially when compared with more flamboyant depictions of the scene by artists such as Gentile de Fabriano,...

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