thu 22/06/2017

sarah kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

latest in today

Who Should We Let In? Ian Hislop on the First Great Immigrat...

Immigration…immigration… immigration… that’s what we need! Not the words of record-breaking, tap-dancing trumpeter Roy Castle, rather it’s the...

Otello, Royal Opera review — Kaufmann makes a pretty Moor

Recorded on disc, this cast would be extraordinary for much of the time — to look at, not so much....

Hampstead review - Diane Keaton deserves better and so does...

Do the makers of the essentially unnecessary Hampstead have a secret vendetta against north London and its citizenry? The thought...

The National Gallery of Ireland review - bigger and better

The marvellous National Gallery of Ireland, founded in the 1860s, has opened its doors to its brilliantly revamped, updated and expanded galleries...

CD: Beth Ditto - Fake Sugar

Gossip – the trio fronted by Beth Ditto from 1999 until last year – always felt a bit overshadowed by their 2006 breakthrough hit “Standing in the...

theartsdesk on Vinyl 29: The Beatles, Kraftwerk, Sikth, ESG,...

Reviewed this month with the windows open, in weather hot enough to warp records, this month theartsdesk on...

Bat Out of Hell, Coliseum review - Jim Steinman's rocki...

Opera-lovers coming to St Martin's Lane may feel confused to be confronted by an unrecognisable...

Ensemble InterContemporain, Wigmore Hall

The Paris-based Ensemble InterContemporain brought a wide-ranging programme to the...

Coming soon: trailers to the next big films

Summer's here, which can only mean Hollywood blockbusters. But it's not all Spider-Man, talking apes and World War Two with platoons of thespians...