mon 11/12/2017

sarah kent

sarah.kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Human Flow review - two hours of human misery

Read more...

Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

Read more...

Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

Read more...

The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

Read more...

Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

Read more...

Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

Read more...

Basquiat: Boom for Real, Barbican review - the myth explored

Read more...

Rachel Whiteread, Tate Britain review – exceptional beauty

Read more...

Final Portrait review - utterly convincing portrayal of an artist at work

Read more...

Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

Read more...

Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

Read more...

Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

Read more...

The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

Read more...

Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

Read more...

A Handful of Dust, Whitechapel Gallery review - grime does pay

Read more...

Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

Read more...

Pages

latest in today

Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbi...

After Sakari Oramo's dazzling Sibelius rattlebag with the...

Bolshoi's controversial Nureyev ballet opens – to ovati...

Nureyev, the most notorious new production at the ...

Cell Mates, Hampstead Theatre review - intriguing yet opaque

The play that famously got away when one of its stars (quite literally) jumped ship is back. In 1995, Stephen Fry abandoned the...

From Life, Royal Academy review - perplexingly aimless

Dedicated to a foundation stone of western artistic training, this exhibition attempts a celebratory note as the...

Blue Planet II, BBC One review - just how fragile?

The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine —...

Jack and the Beanstalk, Lyric Hammersmith review - great fun...

Pantomime may be a very old art form, but the Lyric Hammersmith has been injecting some freshness into it each year since 2009, and this year's...

CD: Gaspard Royant - Wishing You a Merry Christmas

French stylist Gaspard Royant has recorded at London’s...

Rachel Hewitt: A Revolution of Feeling review - from passion...

Utopias have a way of going up in flames. Rachel Hewitt’s new book, A Revolution of Feeling: The Decade that Forged the Modern Mind,...

Reissue CDs Weekly: Pentangle

A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight...