Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
The Book of Clarence review - larky jaunt through biblical e...
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...
Lisa Kaltenegger: Alien Earths review - a whole new world
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...
All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...
An Actor Convalescing in Devon, Hampstead Theatre review - o...
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...
First Persons: composers Colin Alexander and Héloïse Werner...
For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...
Album: Paraorchestra with Brett Anderson and Charles Hazlewo...
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...
Anthracite, Netflix review - murderous mysteries in the Fren...
Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...