fri 01/08/2014

Sam Marlowe

sam.marlowe

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Bio
Sam trained as an actor, and began her writing career as a critic and features writer for What's On In London magazine. She later became the magazine's theatre editor, before going on to work at The Independent, where she regularly contributed arts features. She is now a freelance arts journalist and regular theatre critic for The Times and Time Out, and judge for Theatre Awards UK (formerly the TMA Awards).

Articles by Sam Marlowe

King Charles III, Almeida Theatre

The Royal Family: politically irrelevant anachronism? Fodder for tourism? Or enduring symbol of what it means to be British? Mike Bartlett’s shrewd new drama, in a taut, economical and strongly acted...

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Let The Right One In, Apollo Theatre

Flying masonry put the Apollo in the headlines late last year when part of the theatre’s ceiling collapsed; now an airborne vampire and an impressive refurbishment give it new life. A cyclorama of...

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Chimerica, Harold Pinter Theatre

It’s as dazzling as a neon-lit cityscape and nearly as sprawling: Lucy Kirkwood’s epic new drama is rich, riveting and theatrically audacious. A co-production with Headlong, the tirelessly inventive...

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The Drowned Man: A Hollywood Fable, Temple Studios

A decaying London outpost of the Hollywood movie-making machine, where dreams are spun on celluloid, and reality and fantasy intertwine in a nightmarish danse macabre of desperation and dark desire...

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The Color Purple, Menier Chocolate Factory

A joyful noise? Hell, yes. Alice Walker’s Pulitzer-winning 1982 feminist novel set in Georgia and spanning more than 30 years is crammed with suffering, injustice and cruelty. But in its characters’...

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Private Lives, Gielgud Theatre

A champagne cocktail with a hefty dash of bitters, Jonathan Kent’s production of this exquisite Noël Coward comedy of impossible passions is as wince-inducing as it is delightfully effervescent. A...

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Charlie and the Chocolate Factory, Theatre Royal Drury Lane

It’s all stick and no lollipop, a chocolate box stuffed with nothing but empty wrappers: what a walloping letdown this intensely anticipated musical based on Roald Dahl’s perennially popular 1964...

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Sweet Bird of Youth, Old Vic Theatre

A town called St Cloud, a girl named Heavenly and a faded star who feels she’s living on the Moon: the imagery of Tennessee Williams’ drama is celestial, yet he puts his characters through hell. Amid...

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Strange Interlude, National Theatre

“My three men,” declares the deeply compromised heroine of this 1928 experimental drama by Eugene O’Neill. “I am whole.” Nina Leeds – hungry for love, ruthless with her own heart and those of others...

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The Victorian in the Wall, Royal Court Theatre Upstairs

The past: it’s etched into the fabric not just of our lives, but of the architecture that surrounds us – the streets we tread, the buildings where we work or make our homes. In this whimsical,...

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Passion Play, Duke of York's Theatre

What’s the price of betrayal? In Peter Nichols’s 1981 play it’s a painful splintering of the psyche. The betrayer mentally compartmentalises in order to be both affectionate husband and ardent lover...

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Othello, National Theatre

It’s apt that a drama set among soldiers should be presented with military precision; but corruption, cruelty and perversion can lurk amid the human innards of the machine of war, and in Nicholas...

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The Life of Stuff, Theatre503

A severed toe, a shotgun, copious blood, vomit and snot, and a live snake. Sprinkle them liberally with Shake’n’Vac masquerading as cocaine, douse in booze, piss and petrol, set the whole lot alight...

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Peter and Alice, Noël Coward Theatre

What becomes of children “born out of sadness and loneliness”, exiled from Wonderland or Neverland, longing for remembered golden afternoons, but forced to confront the chilly twilight of adulthood?...

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The Book of Mormon, Prince of Wales Theatre

It’s one of the most anticipated theatrical openings of the year, with tickets allegedly changing hands for astronomical sums and some pundits rushing to issue dire warnings of the depths of its...

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Watt, Barbican Pit Theatre

It begins with a tall, thin man walking out of light and into darkness. There is much that remains murky in Barry McGovern’s adaptation of this novel by Samuel Beckett, written between 1941 and 1945...

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