wed 28/01/2015

Nick Hasted

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Bio
Nick Hasted has been a film journalist since 1986. As well as The Arts Desk, he currently writes about film, music, books and comics for The Independent, Sight & Sound, Uncut, Jazzwise and Classic Rock. He has published two books: The Dark Story of Eminem (2002), and You Really Got Me: The Story of The Kinks (2011), both from Omnibus Press.

Articles by Nick Hasted

Ex Machina

Alex Garland’s directorial debut is spare, clever s.f. Ever since he began his now abandoned novelist’s career with The Beach, he has known how to drive high-concept narratives home, viscerally...

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DVD: Trans-Europ-Express/Successive Slidings of Pleasure

Still best-known in Britain for scripting Alain Resnais’ Last Year in Marienbad (1961), Alain Robbe-Grillet’s films as sole auteur develop that landmark work’s slippery reality. Like the novels with...

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American Sniper

First there’s an “Allahu Akbar”, then an American tank’s rumble and clank. It’s an ominous and wearying start, the sound of Islam and invasion intermingled in the Iraq War, a violent conflict that...

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DVD: Lucy

This has been Scarlett Johansson’s defining year. Previously seeming a slightly dazed, limited beauty, she bravely abandoned her comfort zone in Jonathan Glazer’s gruelling and strange Scottish s.f....

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DVD: Sin City 2: A Dame to Kill For

The Sin City comics were where their once brilliant creator Frank Miller’s development stopped. The high style of his graphic novel The Dark Knight Returns (1986), which inspired the Batman films’...

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DVD: Dawn of the Planet of the Apes

The original Planet of the Apes series was Hollywood’s most ingeniously extended franchise, surviving the obliteration of Earth in its first sequel to loop back on itself and spin out a further three...

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DVD: Human Capital

Italy’s nominee for next year’s Foreign Language Oscar is an ambitious satire on the ruinous machinations of the super-rich, symbolised by the overworked waiter clipped by a speeding SUV in the...

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The Possibilities are Endless

Rock music excessively rewards its pretty young corpses. Edwyn Collins’ survival, like Wilko Johnson’s, is much more remarkable. Two massive strokes in 2005, when he was only 44, should really have...

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The Babadook

Mother love is mangled, yanked inside-out and tested almost to destruction in Australian writer-director Jennifer Kent’s heartfelt horror debut. The Babadook enthusiastically fulfils its remit to...

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DVD: Blacula - The Complete Collection

Blaxploitation, like Krautrock, is an early Seventies term that sounds faintly uneasy now. Begun by Hollywood studio hits such as Shaft, the craze for films with mostly black casts and often black...

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LFF 2014: Germany, Pale Mother

When can Nazi Germany be humanised? Never, many German critics believed on Germany, Pale Mother’s 1980 release, when it was apparently despised for its “subjective” account of one woman and her...

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LFF 2014: Winter Sleep

Nuri Bilge Ceylan’s Cannes Palme d’Or winner is an epic chamber piece by a contemporary great. From the moment a stone suddenly smashes the car window of landlord Aydin (Haluk Bilginer), physical...

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DVD: I Clowns

Circuses were a regular touchstone for Fellini, and clowns, as this 1970 TV movie confirms, their troubling core. I Clowns’ first 25 minutes are a dry run for Amarcord’s raucous flashback to Fascist...

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LFF 2014: Phoenix

Director Christian Petzold avoided Germany’s grim version of heritage cinema – the war, the Wall – until last year’s Cold War hit Barbara. His fascination with his country’s present suppressions,...

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LFF 2014: It Follows

Few films this frightening are also so kind. David Robert Mitchell’s second feature starts with a pretty teenage girl suffering inexplicable, bone-snapping terror. He makes us wait to find out why,...

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LFF 2014: Goodbye to Language

Jean-Luc Godard is still masterfully riding new waves, more than 50 years after Breathless. Following Film Socialisme’s epic engagement with digital cinema, here 3D becomes a dazzling illusionist’s...

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Glasgow International Comedy Festival 2015 launch

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