sun 19/04/2015

Matt Wolf

matt.wolf

Matt Wolf's picture
Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles by Matt Wolf

Enemy

Filmgoers will either find Denis Villeneuve's latest art-house thriller to be a tantalising head trip or so much celluloid posturing, but there's no denying its contribution to the rise and rise of...

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Best of 2014: Theatre

That old canard about there being no good roles for women needed revising time and again in the theatre year just gone, so much so that end-of-year judging panels for the year's best faced far more...

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Annie

A lot of harsh words have been and will continue to be written about the new movie musical remake of Annie, the Broadway mainstay about the Depression-era tyke who exists to teach her elders a few...

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Big Eyes

The worlds of marital abuse and artistic fraud collide to eye-opening if also frustrating effect in Big Eyes, Tim Burton's film about the unmasking of an elaborate deception that ruptures a family...

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Cats, London Palladium

The musical that defined an era is back on the West End, allowing a new generation to see what all the fuss was about 33 years ago when a non-narrative extravaganza as heavy on dance and scenic...

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St Vincent

God love Bill Murray. Just when you think you can't take yet another film about the cross-generational divide that finds crotchety older person transformed by the company of youth (and vice-versa),...

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My Old Lady

An Off Broadway play that largely passed without notice in 2002 is now a movie poised to suffer the same fate, notwithstanding the fact that this starry three-hander marks the film directing debut of...

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Mike Nichols, 1931-2014

He was at home with screen newcomers like Dustin Hoffman and Cher and knew how to handle such old pros as Richard Burton and Elizabeth Taylor, while his stage work gave a leg up to then-unknowns...

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Behind the Beautiful Forevers, National Theatre

Behind the Beautiful Forevers, David Hare's adaptation of Katherine Boo's Pulitzer Prize-winning book, works as both play and portent. Viewed on its own terms, the evening grips throughout in its...

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White Christmas, Dominion Theatre

What ought to be a featherweight holiday confection emerges as a charmless slog in the belated West End bow of White Christmas, a title that at this point in November may induce panic in those...

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Mr Turner

There's been much talk about Late Turner, to co-opt the name of the exhibition now on view at Tate Britain covering the last 16 years in the English artist JMW Turner's singular career. And as if...

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Our Town, Almeida Theatre

A template of the American theatre gets dusted off to quietly devastating effect in Our Town, the 1938 Thornton Wilder play that has never been especially beloved in Britain even as it gets performed...

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LFF 2014: A Little Chaos

Alan Rickman returns to film directing 17 years after he first stepped behind the camera with a film as pulpy and bodice-ripping as his debut feature, The Winter Guest, was chilly and austere....

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Here Lies Love, National Theatre

The National Theatre's new Dorfman auditorium gets off to a kick-ass start with Here Lies Love, the Off Broadway musical transplant that does for the closing months of Nicholas Hytner's tenure as...

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Effie Gray

A peculiar slice of 19th-century cultural life is mined to minimal effect in Effie Gray, a stillborn labour of love that doesn't justify the long slog from screenwriter and supporting player Emma...

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Urinetown, Apollo Theatre

It's tempting with this show less to write a review per se than to simply pile on the puns, but that would be to piss on - sorry, I meant do a disservice to - both the musical that is Urinetown...

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