thu 23/11/2017

matt wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Dessert, Southwark Playhouse review - undercooked and overwrought

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The Beguiled review - silly but seriously well-made

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The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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Gloria, Hampstead Theatre review – pretty glorious

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Hampstead review - Diane Keaton deserves better and so does London

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My Cousin Rachel review - du Maurier remake too florid by half

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Annie review - a 12-year-old star is born

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Lettice and Lovage, Menier Chocolate Factory review - Peter Shaffer's star vehicle sags

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The Secret Scripture review - Jim Sheridan's turgid homecoming

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Occupational Hazards, Hampstead Theatre review - vivid outline in search of a fuller play

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Angels in America, National Theatre review - Andrew Garfield and company soar in seismic revival

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A Quiet Passion, review - 'Cynthia Nixon is an indrawn Emily Dickinson'

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42nd Street, Theatre Royal Drury Lane, review - 'sheer synchronised splendour'

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The Salesman

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Rosencrantz and Guildenstern Are Dead, Old Vic

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latest in today

Everybody's Talking About Jamie, Apollo Theatre review...

Everybody’s been talking about Everybody’s Talking About Jamie since its Sheffield Crucible debut earlier this year. It’s unusual to see...

Godless, Netflix review – a proper wild west ride

There’s a storm heading to La Belle, the small forgotten town in the heart of the...

Bad Roads, Royal Court, review – memorably unsettling

War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men to behave like animals. And the people who have...

Suburbicon review - George Clooney's jarring pastiche o...

If you’re hoping for an incisive look at Fifties American ...

CD: Martin Hayes Quartet - The Blue Room

Recorded at beautiful Bantry House in the far south-west of ...

Battle of the Sexes review - Emma Stone aces it as Billie Je...

This is a heartbreaking week for women’s tennis. The death from cancer of Jana Novotna at only 49 evokes memories of one of Wimbledon’s more...

Hough, Basle CO, Holliger, Cadogan Hall review - heavenly le...

Before the age of photography, people and places were recorded in ink or paint or sound. The process of recording was not instant, could not be...

The Machines of Steven Pippin, The Edge, University of Bath...

Our universe seems to be in a state of equilibrium, neither collapsing in on itself nor expanding ad infinitum. The metaphor used by...

CD: Noel Gallagher's High Flying Birds - Who Built The...

First, an admission. I've never quite got the appeal of the Gallagher brothers. In particular, I've found their claims...