fri 23/02/2018

matt wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Young Frankenstein review - Mel Brooks musical is blissfully bonkers

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The Glass Castle review - Woody steals the film by a wide margin

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Home Again review - Reese Witherspoon romcom is divorced from reality

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Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

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Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

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Peter Hall: A Reminiscence

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Una review - 'Blackbird' adaptation loses its stage intensity

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h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

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Maudie review - intriguing and irritating in turn

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Road, Royal Court review - poetry amidst the pain

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Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excess

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Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller lets rip

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Dessert, Southwark Playhouse review - undercooked and overwrought

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The Beguiled review - silly but seriously well-made

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The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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latest in today

La Vie Parisienne, Royal Birmingham Conservatoire review - v...

Don’t you just love that new concert hall smell? The main hall at the Royal ...

Tony Banks: ‘You either do it by diplomacy or you do it by v...

In a career that began in 1967 and may yet have further life in it...

DVD/Blu-ray: The Party

Take one of the strongest casts in British cinema...

I, Tonya review - Margot Robbie shines in over-complicated o...

Tonya Harding and the kneecapping of Nancy Kerrigan – what a story it was, back in 1994. Even if you knew nothing about figure skating, you...

John Tusa: 'the arts must make a noise' - intervie...

In our era of 24/7 news, downloadable from anywhere...

Rose Matafeo, Soho Theatre review - sassy and she knows it

New Zealand comic Rose Matafeo is a fan of...

CD: Moby - Everything Was Beautiful, and Nothing Hurt

After two albums of battle anthems for Trump-addled times, raging against the machine with his “Void Pacific Choir”, Moby’s fifteenth long-player...

Frozen, Haymarket Theatre review - star cast explores the re...

Whatever the weather, this week is Frozen. On Broadway, the Disney musical of that name begins previews, but let’s let that go. In the...

Dead Man Walking, Barbican review - timely and devastating m...

You have to wonder why it has taken this long. Jake Heggie’s Dead Man Walking premiered in San Francisco back in 2000 and has since been...