thu 23/11/2017

matt wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Network, National Theatre review - Bryan Cranston’s searing London stage debut

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Howards End, BBC One review - EM Forster adaptation is finding its footing

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Call Me By Your Name review - a star is born in a heartbreaking gay romance

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Loving Vincent review - Van Gogh biopic of sorts lacks language to match its visuals

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Young Frankenstein review - Mel Brooks musical is blissfully bonkers

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The Glass Castle review - Woody steals the film by a wide margin

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Home Again review - Reese Witherspoon romcom is divorced from reality

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Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

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Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

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Peter Hall: A Reminiscence

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Una review - 'Blackbird' adaptation loses its stage intensity

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h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

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Maudie review - intriguing and irritating in turn

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Road, Royal Court review - poetry amidst the pain

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Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excess

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Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller lets rip

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Pages

latest in today

Remembering Dmitri Hvorostovsky (1962-2017)

A certain online scandalmonger and coffin-chaser likes to preface news of deaths in the musical world with "sadness" or "tragedy", usually when...

Everybody's Talking About Jamie, Apollo Theatre review...

Everybody’s been talking about Everybody’s Talking About Jamie since its Sheffield Crucible debut earlier this year. It’s unusual to see...

Godless, Netflix review – a proper wild west ride

There’s a storm heading to La Belle, the small forgotten town in the heart of the...

Bad Roads, Royal Court, review – memorably unsettling

War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men to behave like animals. And the people who have...

Suburbicon review - George Clooney's jarring pastiche o...

If you’re hoping for an incisive look at Fifties American ...

CD: Martin Hayes Quartet - The Blue Room

Recorded at beautiful Bantry House in the far south-west of ...

Battle of the Sexes review - Emma Stone aces it as Billie Je...

This is a heartbreaking week for women’s tennis. The death from cancer of Jana Novotna at only 49 evokes memories of one of Wimbledon’s more...

Hough, Basle CO, Holliger, Cadogan Hall review - heavenly le...

Before the age of photography, people and places were recorded in ink or paint or sound. The process of recording was not instant, could not be...

The Machines of Steven Pippin, The Edge, University of Bath...

Our universe seems to be in a state of equilibrium, neither collapsing in on itself nor expanding ad infinitum. The metaphor used by...