fri 22/09/2017

matt wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles By Matt Wolf

Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

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Victoria and Abdul review - Judi Dench's Queen Victoria retread battles creaky script

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Peter Hall: A Reminiscence

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Una review - 'Blackbird' adaptation loses its stage intensity

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h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?

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Maudie review - intriguing and irritating in turn

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Road, Royal Court review - poetry amidst the pain

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Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excess

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Cat on a Hot Tin Roof, Apollo Theatre review - Sienna Miller lets rip

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Dessert, Southwark Playhouse review - undercooked and overwrought

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The Beguiled review - silly but seriously well-made

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The Last Word film review - Shirley MacLaine's spit and vinegar remain intact

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Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuff

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Gloria, Hampstead Theatre review – pretty glorious

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Hampstead review - Diane Keaton deserves better and so does London

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My Cousin Rachel review - du Maurier remake too florid by half

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Pages

latest in today

Stravinsky Ballets, LSO, Rattle, Barbican review - the big t...

“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of...

Basquiat: Boom for Real, Barbican review - the myth explored...

Beautiful, shy, charming and talented, Jean-Michel Basquiat was a shining star who streaked across the...

DVD/Blu-ray: Journey to the Centre of the Earth

Oh dear. I thought that this was going to be one of those exciting...

Akram Khan's Giselle, Sadler's Wells review - the...

Of the many good reasons for seeing Akram Khan’s 2016 remake of Giselle – his work is often a headline event, for one – the most...

Bad Move, ITV review - Jack Dee resettles in the middle of t...

That the countryside is a dump where all good things come to a dead end is hardly a new punchline. There are plenty of novels and memoirs, and...

CD: The Horrors - V

The Horrors have always had a penchant for churning out pop...

Neil Sedaka, Royal Albert Hall review - sparkly veteran defi...

As pretty much everything but a plague of locusts is visited upon this grim old world, an evening in the company of Neil Sedaka is the greatest of...

Senza Sangue/Bluebeard's Castle, Hackney Empire - uneve...

Has Hackney ever seen or heard such a spectacle – a full ...

We're Still Here, National Theatre Wales review - power...

Port Talbot (population 38,000) is a town on the south Wales...