fri 28/11/2014

Matt Wolf

matt.wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles by Matt Wolf

My Old Lady

An Off Broadway play that largely passed without notice in 2002 is now a movie poised to suffer the same fate, notwithstanding the fact that this starry three-hander marks the film directing debut of...

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Mike Nichols, 1931-2014

He was at home with screen newcomers like Dustin Hoffman and Cher and knew how to handle such old pros as Richard Burton and Elizabeth Taylor, while his stage work gave a leg up to then-unknowns...

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Behind the Beautiful Forevers, National Theatre

Behind the Beautiful Forevers, David Hare's adaptation of Katherine Boo's Pulitzer Prize-winning book, works as both play and portent. Viewed on its own terms, the evening grips throughout in its...

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White Christmas, Dominion Theatre

What ought to be a featherweight holiday confection emerges as a charmless slog in the belated West End bow of White Christmas, a title that at this point in November may induce panic in those...

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Mr Turner

There's been much talk about Late Turner, to co-opt the name of the exhibition now on view at Tate Britain covering the last 16 years in the English artist JMW Turner's singular career. And as if...

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Our Town, Almeida Theatre

A template of the American theatre gets dusted off to quietly devastating effect in Our Town, the 1938 Thornton Wilder play that has never been especially beloved in Britain even as it gets performed...

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LFF 2014: A Little Chaos

Alan Rickman returns to film directing 17 years after he first stepped behind the camera with a film as pulpy and bodice-ripping as his debut feature, The Winter Guest, was chilly and austere....

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Here Lies Love, National Theatre

The National Theatre's new Dorfman auditorium gets off to a kick-ass start with Here Lies Love, the Off Broadway musical transplant that does for the closing months of Nicholas Hytner's tenure as...

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Effie Gray

A peculiar slice of 19th-century cultural life is mined to minimal effect in Effie Gray, a stillborn labour of love that doesn't justify the long slog from screenwriter and supporting player Emma...

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Urinetown, Apollo Theatre

It's tempting with this show less to write a review per se than to simply pile on the puns, but that would be to piss on - sorry, I meant do a disservice to - both the musical that is Urinetown...

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The Riot Club

Britain's young male elite behaves badly (to put it mildly) in The Riot Club, playwright Laura Wade's screen adaptation of her Royal Court stage hit Posh, and the result is even more difficult to...

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Pride

Buried deep in the final credits for theatre director Matthew Warchus's second feature film, Pride, is a shout-out to his late father for teaching his son the twin virtues of compassion and comedy....

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LFF 2014: Programme Launch

A pair of Oscar hopefuls that take wildly divergent perspectives on World War II were confirmed today as the opening and closing night films of the 58th annual BFI London Film Festival, running 8-19...

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If I Stay

Beethoven went deaf at 26, we're helpfully informed near the start of If I Stay in a bit of information that pales next to the tin ear on display in this late-summer romantic tragedy, which aims to...

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The Lion, St James Theatre Studio

This has been a busy season for Off Broadway musicals crossing the pond to London, from Dessa Rose and Dogfight to Forbidden Broadway and See Rock City. But for simplicity of approach coupled with...

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Into the Storm

One isn't long into the latest weather-related doomsday movie before a nagging question occurs: did the script for this late-summer image of elemental Armageddon at some point blow away? We all know...

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