sat 25/06/2016

Matt Wolf

matt.wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles by Matt Wolf

The Meddler

Susan Sarandon's natural radiance papers over a considerable number of cracks in The Meddler, writer-director Lorene Scafaria's loving, largely autobiographical tribute to the kind of mum you might...

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Hobson's Choice, Vaudeville Theatre

Harold Brighouse's time-honoured English comedy from a century ago survives, its virtues mostly intact especially once attention shifts away from the snarling patriarch of the title, Henry Horatio...

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Richard III, Almeida Theatre

"I can add colours to the chameleon," Richard III remarks of himself early in his anguished, marauding ascent to the throne, and the description could equally apply to the electrifying actor, Ralph...

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Where to Invade Next

There are a lot of cheerful people in the world, most of them outside the United States. That's the startling conclusion of Michael Moore's pointed comic jeremiad Where to Invade Next, in which...

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Me Before You

If you're disabled, it certainly helps to be as indecently rich as you are handsome while you make plans to end your life: that, in short, is the preposterous take-away message from Me Before You,...

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A Midsummer Night's Dream, BBC One

Theseus was a tablet-carrying dictator, Lysander a sweet-faced asthmatic, and Peter Quince rechristened Mistress Quince in the agreeably unexpected presence of Elaine Paige: those were among the...

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The Hollow Crown: The Wars of the Roses - Richard III, BBC Two

Benedict Cumberbatch, it turns out, was born to play the blasted, blighted Richard III, as one might expect from an actor whose long-term apprenticeship to both classical theatre and television...

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Florence Foster Jenkins

The Florence Foster Jenkins industry reaches newly giddy heights with Stephen Frears's film of the same name, which cleverly casts a great talent - who else but Meryl Streep? - as the cheerfully self...

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I Saw the Light

The sad, short life of country legend Hank Williams makes for a surpassingly dour biopic in I Saw the Light, which does at least prove that its protean star Tom Hiddleston can do a southern American...

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Show Boat, New London Theatre

The Cotton Blossom looks mighty fine in its latest London iteration, Daniel Evans's winning Sheffield Theatre revival of Show Boat joining the ongoing runs of Guys and Dolls and Funny Girl to offer...

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Boy, Almeida Theatre

Contemporary London life in all its forbidding, faceless swirl makes for a visually busy evening at Boy, the Leo Butler play that finally isn't as fully arresting as one keeps wanting it to be. An...

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The Man Who Knew Infinity

The extraordinary workings of an unusual mind are reduced to TV-movie proportions in The Man Who Knew Infinity, the latest and least re-telling of the too-short life of the self-taught Indian...

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Anomalisa

"Girls just wanna have fun," or so we're told in the exuberant signature song from Cyndi Lauper making a surprise appearance midway through Anomalisa. But try telling that to the sad-eyed folk who...

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Motown the Musical, Shaftesbury Theatre

Shorter feels longer in the West End iteration of Motown the Musical, a minor-league jukebox venture that became a Broadway hit courtesy of an unbeatable back catalogue – keep those hits coming! –...

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I See You, Royal Court Theatre

An innocently-intended Friday night out turns into something fearsome indeed in I See You, a Royal Court co-production with the Market Theatre, Johannesburg, that puts the tensions of post-apartheid...

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Time Out of Mind

Richard Gere is a quiet knockout in Time Out of Mind, the Oren Moverman film that has for some reason remained as below the radar as its invisible (to the rest of society anyway) central character....

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