tue 09/02/2016

Matt Wolf

matt.wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles by Matt Wolf

Ma Rainey's Black Bottom, National Theatre

"One... Two... You know what to do": that coolly delivered rehearsal intro from a trombonist called Cutler (Clint Dyer) could serve as a synoptic appraisal of the simply overwhelming National Theatre...

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Spotlight

Communities function in different ways depending on their constituencies, to note just one of the many salient points made by the deeply compelling and equally disturbing Spotlight. The Catholic...

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Room

A copy of Lewis Carroll can be glimpsed amongst the otherwise grim, begrimed array of possessions made visible at the start of the extraordinary Room, and small wonder: Lenny Abrahamson's rightly...

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Grey Gardens, Southwark Playhouse

One of the more unusual Broadway offerings of recent times crosses the Atlantic with considerable style in an Off West End premiere of 2006 New York entry Grey Gardens that punches well above its...

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Guys and Dolls, Savoy Theatre

The seemingly eternal British love affair with Guys and Dolls continues apace with the (somewhat recast) transfer to London of the Chichester production from two summers ago, and a more buoyant way...

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Best of 2015: Theatre

Say what you will about London theatre during 2015, and by my reckoning it was a pretty fine year, there certainly was a lot of it. I can't recall a year that brought with it a comparable volume of...

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In the Heart of the Sea

A host of pictorially arresting, even painterly images can't make a satisfying whole out of In the Heart of the Sea, Ron Howard's film that doesn't dig very deep, its penetrating title notwitstanding...

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Dr Seuss's The Lorax, Old Vic

You'll feel guilty for having bothered with a programme after seeing The Lorax, the Dr Seuss adaptation that puts saving the environment centre-stage at the Old Vic just as the recent climate change...

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The Dazzle, FOUND111

The proverbial pond that separates the New York and London theatres has had a seismic effect on The Dazzle, Richard Greenberg's ironically titled play from 2002 that in every way seems darker,...

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Peter Pan Goes Wrong, Apollo Theatre

The pleasures to be found in the pitfalls that are part of live performance rear their accident-prone head yet again in Peter Pan Goes Wrong, the latest exercise in controlled (or is it?) chaos from...

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Hapgood, Hampstead Theatre

A supposed Stoppardian footnote gets a first-class reclamation in Howard Davies's sizzling revival of Hapgood, the espionage-themed drama from 1988 that resonates intellectually and emotionally...

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Here We Go, National Theatre

The great Caryl Churchill careers down a blind alley in Here We Go, and the results aren't pretty, especially within the cavernous confines of the National Theatre's Lyttelton – this writer's...

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Evening at The Talk House, National Theatre

A lot of people are going to be enraged, frustrated, or confused by Evening at The Talk House, and in the authorial world of Wallace Shawn, wasn't it ever thus? This is the playwright who gave pride...

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The Dressmaker

What begins as a would-be exercise in camp devolves into perfervid tosh and ultimately tedium in The Dressmaker, a belligerently over-the-top revenge drama that might just about have squeaked by as...

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The Lady in the Van

Maggie Smith is in her element as Miss S in the film version of Alan Bennett's 1999 play The Lady in the Van, her partnership with the playwright-actor one of the defining components of the storied...

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The Dresser, BBC Two

The prospect of Ian McKellen and Anthony Hopkins acting together for the first time in their storied careers in Richard Eyre's BBC adaptation of The Dresser was one of those mouth-watering...

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Forget Evel Knievel: a well-crafted stunt is more about precision than dari...

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