mon 26/09/2016

Matt Wolf

matt.wolf

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Bio
Matt is London theatre critic of The International New York Times (formerly The International Herald Tribune) and London correspondent for the broadway.com website; he spent 21 years as London arts and theatre critic for the Associated Press and over 13 years as Variety's UK drama critic. He has been on the judging panel of the Evening Standard Theatre Awards since 2009.

Articles by Matt Wolf

Two Women

Ralph Fiennes has long felt at home in the Russian repertoire, whether onstage in Fathers and Sons near the start of his career or, in 1997, taking the Almeida's Ivanov to Moscow as the first UK...

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Café Society

Whatever one thinks of Café Society - and responses to Woody Allen's latest as ever are likely to be divided - few will dispute the visual lustre that the legendary cameraman Vittorio Storaro...

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Groundhog Day, Old Vic

The New York theatre is so consistently awash in "star is born" moments when one or another British actor crosses the Atlantic to copious praise that it's lovely for a change to be able to reverse...

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The Shallows

Forty-one years since Jaws chomped its way into celluloid history comes a new addition to the shark film genre with The Shallows, in which Gossip Girl star Blake Lively plays a Texan surfer who goes...

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Yerma, Young Vic

Billie Piper vaults to the top rank of British theatre actresses with Yerma, Australian writer-director Simon Stone's rabidly free rewrite of Lorca's 1934 play that posits its young star as the sort...

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Young Chekhov, National Theatre

"Yes, from life," Nikolai Ivanov (Geoffrey Streatfeild) says in passing of a painting midway through the early Chekhov play that bears his name. But the phrase could serve as the abiding achievement...

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Harry Potter and the Cursed Child, Palace Theatre

Harry Potter lives to see another day. The Hogwarts wizard has made his stage debut in Harry Potter and the Cursed Child, a two-part play that pushes JK Rowling’s world-beating franchise beyond the...

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The BFG

Two cultural giants from different spheres align to occasionally sublime results in The BFG. Steven Spielberg's film locates the beatific in its (literally) outsized star, Mark Rylance, but lapses...

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Into the Woods, Menier Chocolate Factory

"Children will listen," or so goes a lyric to one of the most heart-rending numbers in Into the Woods, the Stephen Sondheim/James Lapine musical that seems rarely to be long-absent from the British...

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The Meddler

Susan Sarandon's natural radiance papers over a considerable number of cracks in The Meddler, writer-director Lorene Scafaria's loving, largely autobiographical tribute to the kind of mum you might...

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Hobson's Choice, Vaudeville Theatre

Harold Brighouse's time-honoured English comedy from a century ago survives, its virtues mostly intact especially once attention shifts away from the snarling patriarch of the title, Henry Horatio...

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Richard III, Almeida Theatre

"I can add colours to the chameleon," Richard III remarks of himself early in his anguished, marauding ascent to the throne, and the description could equally apply to the electrifying actor, Ralph...

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Where to Invade Next

There are a lot of cheerful people in the world, most of them outside the United States. That's the startling conclusion of Michael Moore's pointed comic jeremiad Where to Invade Next, in which...

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Me Before You

If you're disabled, it certainly helps to be as indecently rich as you are handsome while you make plans to end your life: that, in short, is the preposterous take-away message from Me Before You,...

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A Midsummer Night's Dream, BBC One

Theseus was a tablet-carrying dictator, Lysander a sweet-faced asthmatic, and Peter Quince rechristened Mistress Quince in the agreeably unexpected presence of Elaine Paige: those were among the...

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The Hollow Crown: The Wars of the Roses - Richard III, BBC Two

Benedict Cumberbatch, it turns out, was born to play the blasted, blighted Richard III, as one might expect from an actor whose long-term apprenticeship to both classical theatre and television...

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