fri 30/09/2016

Mark Sanderson

Mark Sanderson

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Articles by Mark Sanderson

One of Us, BBC One

“One of us is crying/ One of us is lying/ In her lonely bed/ Staring at the ceiling/ Wishing she was somewhere else instead…” Poor Juliet Stevenson must have wondered how she’d ended up like the girl...

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Ripper Street, Series 4, BBC Two

H Division has a new home in Whitechapel that basks in the white heat of the technological revolution. The police station not only has a telephone but a “microreader” that allows the user to check...

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Versailles, Series Finale, BBC Two

So much has happened since the first of June when Versailles flounced on to our screens with its flowing locks and flashing cocks. The British people have voted to widen the Channel, the...

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19-2, Spike

Canada has been Uncle Sam’s body-double in countless drama productions. Shooting on location is easier and cheaper north of the border. One twinkly city skyline looks very much like another. 19-2 is...

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Versailles, BBC Two

In the middle of the last century the worst thing that could be said about a working-class housewife was that she had “run off with a black man”. Well, the Queen of France, no better than she ought...

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Love, Nina, BBC One

It’s not hard to see what attracted Nick Hornby to Nina Stibbe’s surprise bestseller: Love, Nina (BBC1) is about two boys who are mad about football. Set in the halcyon days of 1982 – no internet, no...

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Billions, Sky Atlantic

The pre-title sequence – in which a middle-aged man without any trousers lies trussed up on the floor – immediately tells us that we are not to take Billions too seriously. A woman in thigh-high...

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Thicker than Water, Series Finale, More4

Any drama in which a crazed crone stares silently at an urn containing the ashes of her murdered husband is not afraid of raising Shakespeare’s ghost. It doesn’t matter that Gunnar was a philanderer...

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Arena: All the World's a Screen – Shakespeare on Film, BBC Four

In the last century, when the BBC took arts documentaries seriously, Arena was one of the highlights of the week. Nowadays its appearance is as rare as that of a Midwich cuckoo. Money, or...

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Blue Eyes, Episode 5, More4

Diversity has replaced perversity as a staple of modern drama. Whereas once upon a time an unenlightened viewer might cry – on seeing two men kiss – that they were going to leave the country before...

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The Tunnel: Sabotage, Sky Atlantic

The pampered bureaucrats who commission television drama have suffered from tunnel vision for years. Today a thriller series must feature at least four of the following: a family in peril; a...

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Trapped, Series Finale, BBC Four

A crime drama that began in a blazing fish factory was bound to have lots of red herrings. Trapped, however, did not cheat and eventually revealed not only who set the fire but who was the...

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Eurovision: You Decide, BBC Four

It was all a far cry from the Leeds Piano Competition. Shunted on to BBC Four after the disappearance of BBC Three to online, Eurovision: You Decide nevertheless remained true to its new channel...

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Endeavour, Series 3 Finale

We have been here before – literally. Morse and his colleagues discreetly observe a gangster’s funeral in Kensal Green cemetery – just as they did in Promised Land, one of the best episodes of...

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Last Tango in Halifax, BBC One

The title says it all: Bertolucci’s landmark (if boring) French film has its last word changed from Paris to Halifax – where butter is only used for glazing parsnips. The very idea of Derek Jacobi...

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Southland, Series Four, More4

Each episode of Southland – the best American cop show since The Shield – begins frenetically and never lets up – except for a freeze-frame in the first minute which the rest of the show spools back...

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