fri 19/12/2014

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles by Marina Vaizey

Constable: The Making of a Master, Victoria & Albert Museum

This revelatory exhibition goes in search of the revolutionary magnificence which infused Constable’s compelling landscapes through an unusual prism. The narrative spine is clear. It follows...

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Jungle Atlantis, BBC Two

Angkor Wat in Cambodia is the biggest religious complex ever built. It is also one of the most beautiful and awe-inspiring structures ever created, even now still a working temple with both Buddhist...

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Anthony Caro: The Last Sculptures, Annely Juda

Late Titian, Late Rembrandt, Late Picasso, Late Matisse…. What is it with Late that seems to give some artists a Golden Age irradiated by a kind of sublime carelessness, a genuine sense of anything...

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Francesca Woodman: Zigzag, Victoria Miro

Francesca Woodman killed herself at the age of 22, the biographical fact that colours her work and which it is de riguer to mention. She left behind paintings, it is said, as yet publicly unseen, and...

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British Art at War: Bomberg, Sickert and Nash, BBC Four

At the end of this absorbing documentary about the art – and life – of Paul Nash we visited his tombstone in a Buckinghamshire churchyard, accompanying writer and presenter Andrew Graham-Dixon as he...

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The Rules of Abstraction with Matthew Collings, BBC Four

Artist and critic Matthew Collings purported to set out the rules of abstraction through taking the viewer on a very bumpy ride through 20th century painting, with a nod to Cézanne to get us started...

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Constable: A Country Rebel, BBC Four

Presenter Alastair Sooke looked alarmingly fit, careering round the British countryside and the streets of Paris on his bicycle, talking all the while (and never out of breath) as he described the...

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First World War Galleries, Imperial War Museum

The Imperial War Museum is one of the most extraordinary museums in the world. Its contents and presentation triumph over the three words of its title, each usually causing dread rather than...

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Virginia Woolf: Art, Life and Vision, National Portrait Gallery

Do we need more? Over the past 60 years thousands of books and bibliographies about Virginia Woolf (1882-1941) and the group of friends, lovers, spouses, partners, children, and houses with which she...

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Body & Void: Echoes of Moore in Contemporary Sculpture, Henry Moore Foundation

The lawns, fields, meadows and sheds of the Henry Moore Foundation themselves exemplify the notion of in-and-out, exterior-interior and are thus the ideal setting for exploring the notion of body and...

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William Kent: Designing Georgian Britain, Victoria & Albert Museum

Initiating the tercentenary of the arrival of the Hanoverians and thus the foundation of our German royal family, this startling and beguiling exhibition of  the work of the polymath William...

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Veronese: Magnificence in Renaissance Venice, National Gallery

The National Gallery has produced a revelatory and unprecedented exhibition which shows us an array of paintings from cabinet size to mammoth by a long acknowledged star: Veronese, probably  the...

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Bailey's Stardust, National Portrait Gallery

Several hundred photographs, of varying scales and most of them newly printed gelatin silver prints in superb tones of greys blacks and whites, take us into a world that has been subliminally...

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Yuletide Scenes 5: Winter

Russia is the largest country on earth, unimaginably vast. Its people naturally have a great attachment to their country – and its landscape – in spite of their turbulent history, and in the late...

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Yuletide Scenes 2: The Adoration of the Kings

Jan Gossaert’s The Adoration of the Kings, painted in 1510-15, is a sumptuous, richly detailed and even, to us today, slightly hilarious painting. It’s the large central panel of a Flemish altarpiece...

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Matisse: The Essence of Line, Marlborough Fine Art

The photographs of Henri Matisse at work show, over the years, a sober, suited, bearded and dignified figure; there is also a charming series of Matisse in a white coat, as though he were a doctor,...

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