mon 30/05/2016

Marina Vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles by Marina Vaizey

David Attenborough's Zoo Quest in Colour, BBC Four

What larks! The first run of Zoo Quest – itself the first of the wildlife programmes – started 62 years ago, in 1954. It was thought it had all been filmed in black and white, on small 16mm cameras,...

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The Silk Road, BBC Four

Terracotta warriors, Bactrian two-humped camels, Heavenly Horses, Buddhist caves, sand dunes, the world’s first printed book, a silk factory and temples galore including one that was the great mosque...

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Alberto Giacometti, Sainsbury Centre for Visual Arts, Norwich

An exceptionally wide-ranging exhibition of paintings, sculptures, drawings and lithographs by Alberto Giacometti (1901-1966) commemorates the 50th anniversary of his death. Amidst the flurry of...

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Mary Beard's Ultimate Rome: Empire without Limit, BBC Two

The world of antiquity, from Greece to Rome, is both so familiar and so unknown. So it was more than welcome when the immensely knowledgable Professor Mary Beard – the role of the academic, she...

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Elizabeth at 90: A Family Tribute, BBC One

If only the Duchess of York had waited two more days, Her Majesty Queen Elizabeth II could have shared her natal date with St George, Shakespeare and Turner.  But the Queen Mother did bequeath a...

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James McNeill Whistler: Prints, The Fine Art Society

It can be given to few commercial galleries to have sustained a relationship with the same artist for over 130 years, but such is the link between The Fine Art Society and James McNeill Whistler (...

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Europe: Them or Us, BBC Two

The BBC opened its examination of the history of European togetherness with presenter Nick Robinson beaming at us from the top of those White Cliffs, looking out at the glistening sea which made us...

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Strange and Familiar, Barbican

The Barbican has built a steady reputation for almost unclassifiable large-scale art exhibitions, particularly in architecture, design and photography: they have been underestimated pioneers, often...

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Highlights from the Portland Collection, Harley Gallery, Welbeck

Here be two modestly scaled masterpieces from the 1760s by George Stubbs, highlights of a centuries-old tradition of painting the horses owned by the Dukes of Newcastle and their lateral descendants...

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Opinion: Paintings with nothing to lose but their frames

The dazzling, controversial, fascinating exhibition In the Age of Giorgione at the Royal Academy inadvertently provides a striking example of an unavoidable and perhaps insoluble problem common to...

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Art of Scandinavia, BBC Four

Through the snowy wastes we crunched. The winter scenery was overwhelmingly beautiful and almost devoid of any human habitation: gorgeous mountains in the distance, the black waters of the fjords...

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Virtuoso Violinists at the BBC, BBC Four

Virtuoso Violinists was an hour of unalloyed informative pleasure that toured televised highlights of great violinists playing great music. Its painless excursion into the western classical canon...

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Land of Hope and Glory, BBC Two

The weekly magazine Country Life was founded in 1897, and is now perhaps improbably owned by Time Inc UK. Its popular image among people who do not necessarily ever look at it is defined by the...

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Avedon Warhol, Gagosian Gallery

It is an inspired pairing: iconic images by the American photographer Richard Avedon (1923-2004) and the painter, printmaker and filmmaker Andy Warhol (1928-1987), almost all of whose mature work was...

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The Renaissance Unchained, BBC Four

Waldemar Januszczak always has a provoking agenda to shape his now nearly countless forays into television art history. In this four-part series he's out to challenge what he sees as the unthinking...

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Vogue 100, National Portrait Gallery

When it got too hard to ship the original American edition across the Atlantic during the Great War, British Vogue appeared as a sister publication in the Condé Nast empire. The first issue in...

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