mon 11/12/2017

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Reza Aslan: God - A Human History review - on being 'sapiens', and believing

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Lake Keitele: A Vision of Finland review, National Gallery - light-filled northern vistas

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Impressionists in London, Tate Britain review - from the stodgy to the sublime

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ArtReview Power 100 - an artist tops the list

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Cézanne Portraits, National Portrait Gallery review - eye-opening and heart-breaking

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Oliver Sacks: The River of Consciousness review - a luminous final collection of essays

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Chris Packham: Asperger's and Me, BBC Two review - 'like an alien from another planet'

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Niall Ferguson: The Square and the Tower review - of groups and power

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Henning Mankell: After the Fire review - of death and redemption

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Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

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Claire Tomalin: A Life of My Own review - the biographer on herself

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Jasper Johns, Royal Academy review - a master of 50 shades

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Cinema Through the Eye of Magnum, BBC Four review - moving pictures

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John le Carré: A Legacy of Spies review - the master in twilight mood

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DVD: Every Picture Tells a Story

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Val McDermid: Insidious Intent review - dark and expert crime writing

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latest in today

Jack and the Beanstalk, Lyric Hammersmith review - great fun...

Pantomime may be a very old art form, but the Lyric Hammersmith has been injecting some freshness into it each year since 2009, and this year's...

CD: Gaspard Royant - Wishing You a Merry Christmas

French stylist Gaspard Royant has recorded at London’s...

Bolshoi's controversial Nureyev ballet opens – to ovati...

Nureyev, the most notorious new production at the Bolshoi Ballet’s modern history, premiered last night in Moscow to a 15-minute standing...

Blue Planet II, BBC One review - just how fragile?

The eel is dying. Its body flits through a series of complicated knots which become increasingly grotesque torques. Immersed in a pool of brine —...

Rachel Hewitt: A Revolution of Feeling review - from passion...

Utopias have a way of going up in flames. Rachel Hewitt’s new book, A Revolution of Feeling: The Decade that Forged the Modern Mind,...

Reissue CDs Weekly: Pentangle

A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight...

CD: Cheap Trick - Christmas Christmas

It’s been a busy year for veteran power poppers Cheap Trick. Christmas Christmas is their second album in six months, after June’s We...

Robert Plant, Royal Albert Hall review - the voice remains t...

“Back in the Sixties, before I was born…” Robert Plant has always been as amusing a raconteur as he is a deft weaver of different musical styles,...

The Box of Delights, Wilton's Music Hall review - child...

Theatreland is currently awash with pantomimes and...