tue 17/10/2017

marina vaizey

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Bio
Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors. She's currently a freelance art critic and lecturer. This drawing of Marina as a character from Jane Austen is 40 years old.

Articles By Marina Vaizey

Niall Ferguson: The Square and the Tower review - of groups and power

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Henning Mankell: After the Fire review - of death and redemption

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Basquiat: Rage to Riches review, BBC Two – death rides an equine skeleton

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Claire Tomalin: A Life of My Own review - the biographer on herself

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Jasper Johns, Royal Academy review - a master of 50 shades

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Cinema Through the Eye of Magnum, BBC Four review - moving pictures

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John le Carré: A Legacy of Spies review - the master in twilight mood

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DVD: Every Picture Tells a Story

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Val McDermid: Insidious Intent review - dark and expert crime writing

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Fred Vargas: The Accordionist review - intriguing Gallic sleuthing yarn

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Utopia: In Search of the Dream, BBC Four review - the best of all possible documentaries?

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James Hamilton: Gainsborough - A Portrait review - an artistic life told with verve and enthusiasm

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Matisse in the Studio, Royal Academy review - a fascinating compilation

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Queer as Art, BBC Two review - showbusiness and the gay revolution

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Grandad, Dementia and Me, BBC One review - no easy solutions to terrifying mental condition

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Michael Connelly: The Late Show review - mesmerising and believable characters

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latest in today

Ensemble InterContemporain, Pintscher, RFH review - a visit...

The Royal Festival Hall rather belied its name for a visit to London on Saturday of France’s premier...

Dina review - a poignant treat

Director Dan Sickles has known Dina her entire life. He knows her engaging personality, and he knows her tragic past. It’s the former which he and...

DVD/Blu-ray: A Man Called Ove

It takes a while to get going, and doesn’t altogether evade sentimentality but overall this black...

Jonas Kaufmann: Tenor for the Ages, BBC Four review - a musi...

Now we know who sent Jonas Kaufmann the Union Jack boxer shorts for the Last Night of the...

The World's Wife, Wales Millennium Centre, Weston Studi...

How many dead female composers can you name? Tom Green, the composer of this stunning one-woman show, could initially only think of five (I...

David Oakes: 'I haven’t done anything as bad as my char...

“He has something of Dillane about him.” Thus Patrick Marber on David Oakes. “I rate him very highly indeed. One of the very best of his...

Mat Ewins, Soho Theatre review - multimedia show with twists...

Mat Ewins comes on stage with a bullet belt slung across his chest. Indiana Jones he ain't, but what follows is a spoof on that film genre, a...

CD: Mark Kozelek With Ben Boye and Jim White

"I’m a person who, knock on wood, hasn’t suffered a lot of writer’s block," speaks/sings...