mon 25/07/2016

Jasper Rees

jasper.rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles by Jasper Rees

Grayson Perry: All Man, Channel 4

You are a massive cock. A gigantic tool. You are a monumental prick. Grayson Perry did not mince his message as he concluded his portrait of modern maleness with a tour of the City of London. At the...

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A Hologram for the King

Tom Hanks is reaching world treasure status, like some third-century heritage site protected by UNESCO. His everyman allure makes him today’s only equivalent to James Stewart. Stewart shocked fans...

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BBC Young Musician 2016

What makes a musical performance? The final of Young Musician 2016 presented five judges with this philosophical teaser to ponder. For the previous 90 minutes three contestants with three radically...

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Undercover, Series Finale, BBC One

In its final episode Undercover tied up a lot of loose ends and introduced a number of new ones. The biggest loose end to remain unaddressed was pretty big. Nick Johnson was the alias of a policeman...

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Mum, BBC Two

The comedy of widowhood is the brave territory of Mum. Lesley Manville plays Cathy, whom we meet on the day she is burying her husband Dave – although not literally doing it herself, as has to be...

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10 Questions for Playwright Joe Penhall

Joe Penhall first thwacked his way to the attention of British theatregoers more than 20 years ago with a series of plays about schizos and psychos and wackos. An iconoclastic laureate of lithium,...

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DVD: Youth

The fountainhead of creativity is at the heart of Paolo Sorrentino’s English-language follow-up to the Oscar-winning The Great Beauty. The film is set in a Swiss hotel-cum-sanatorium whose summer...

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Our Kind of Traitor

John Le Carré made it quite clear what he thinks of the new world order in The Night Manager. All together now: a nexus of corrupt money and sinister establishment interests make for cynical...

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10 Questions for Artistic Director Emma Rice

In his last minutes as the artistic director of Shakespeare’s Globe, Dominic Dromgoole took to the stage to reflect on his years at the helm. Behind him was the cast of Hamlet, home after two years...

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DVD: Room

The concept of Room as a home entertainment is freighted with irony. Emma Donoghue’s 2010 novel, which she adapted for Lenny Abrahamson to direct, tells of a young woman who, abducted at 17 and held...

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Who was St Clair Bayfield?

This week Stephen Frears's film about Florence Foster Jenkins opens. It will bring to the widest attention yet the story of a New York socialite who couldn’t sing and yet did sing, infamously, to a...

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Q&A Special: Sir Mark Elder on Dvořák

This May the Hallé is celebrating Dvořák. The orchestra’s music director Sir Mark Elder has previously mounted a festival of the Czech composer’s work in Chicago, but now brings him home to...

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Line of Duty, Series 3 Finale, BBC Two

At last, after three series, Line of Duty delivered a denouement that felt like a satisfying jackhammer to the solar plexus. In the first series the bent copper under investigation escaped justice by...

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Victoria Wood: 'Please could you repeat the question?'

Victoria Wood was a very private national treasure. Not for her the tawdry catwalk of Twitter nor the klaxon of the confessional memoir. She wasn't comfortable talking to journalists and when she...

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Normal for Norfolk, BBC Two

In 2014 the Channel 4 series Confessions looked at the changing face of the old professions. In the programme about doctors, one GP remembered the standard practice of deploying acronyms on patient...

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Arnold Wesker: His Life and Career in 10 Scenes

Of all the dramas with the name Arnold Wesker attached to them, the most absorbing ran as long as The Mousetrap, but offstage rather than on. It was in the style of a remorselessly black farce, in...

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Young band's posthumous release is a fitting epitaph

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William Eggleston Portraits, National Portrait Gallery

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