thu 18/01/2018

jasper rees

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Bio
Jasper has written about the arts, books, the media and sport for many broadsheets and magazines. He currently writes for the Telegraph and the Spectator. In the 1990s he also wrote about football for The Independent on Sunday. He is the author of I Found My Horn and co-author of the play of the same name. Bred of Heaven, his book on Wales and Welshness, was published in August 2011 and read on BBC Radio 4's Book of the Week. His latest book is a biography of Florence Foster Jenkins

Articles By Jasper Rees

The Post review - Spielberg's glorious paean to print

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Downsizing review - little things please little

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Kiri, Channel 4 review - transracial adoption drama muddies the waters

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Three Billboards Outside Ebbing, Missouri review - Frances McDormand is on fire

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Girlfriends, ITV review - Kay Mellor helps the middle-aged

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Eric, Ernie and Me, BBC Four review - he brought them sunshine

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The Miniaturist, BBC One review - a lovely supernatural soap

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Agatha Christie's Crooked House, Channel 5 review - actresses chew furniture for fun

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Bancroft, ITV review - Sarah Parish's very cold case

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DVD/Blu-ray: Terminator 2 - Judgment Day

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Howards End finale, BBC One review - who isn't going to miss the Schlegel sisters?

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'She has escaped from my Asylum!': The Woman in White returns

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Battle of the Sexes review - Emma Stone aces it as Billie Jean King

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I Know Who You Are, series 2 finale, BBC Four review - Spanish drama literally took no prisoners

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Love, Lies & Records, BBC One review - Ashley Jensen too good to be true

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Douglas Henshall: 'You can get stuck when you’ve been in the business for 30 years' - interview

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latest in today

The Post review - Spielberg's glorious paean to print

It beggars belief that The Post took 10 months to travel from soup to nuts, from...

Alexander Melnikov, Wigmore Hall review - three pianos, four...

Living-museum recitals on a variety of historic instruments pose logistical problems. Telling The Arts Desk about his award-nominated CD of mostly...

All's Well That Ends Well, Sam Wanamaker Playhouse revi...

It's the people who are problematic, not the play. That's one take-away sentiment afforded by Caroline Byrne's sparky and provocative take on ...

Selma Parlour: Upright Animal, Pi Artworks review - incandes...

In the dark days of January, white cube galleries are luminous spaces. This is especially true of Pi Artworks right now: the Fitzrovia gallery is...

The best TV to watch this week

Cure the January blues with our guide to the pick of the best dramas and documentaries coming to a TV near you or already available for streaming...

Feng, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review...

Say what you like about Mirga Gražinytė-Tyla’s partnership with the ...

CD: Tune-Yards - I Can Feel You Creep Into My Private Life

Growing up with the music of David Bowie is probably not the best grounding for being a music critic because it raises expectations unreasonably...

Art UK, Art of the Nation review - public art in a private s...

Art fairs are vaguely promiscuous. So much art, so many galleries, so very many curators. They’re a glut for the eye yet curiously anodyne — the...

The Commuter review - trouble on the main line

Nobody is more sensitive about the notion of becoming a geriatric action hero than Liam Neeson (“guys, I’m sixty-fucking-five,” as he points out...