sun 30/08/2015

Ismene Brown

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Bio
Ismene designed and launched the original version of The Arts Desk, after spending 15 years as the Daily Telegraph's dance critic. She was TAD's Site Coordinator and director for two years, and dance editor for four. She is an MA in Russian Studies and is presently Spectator dance critic. A trained musician, she also writes for TAD on classical music and theatre.

Articles by Ismene Brown

Bolshoi Ballet acid attack leader loses his job

Sergei Filin, the Bolshoi Ballet artistic director whose sight was maimed two years ago by an acid attack organized by a disgruntled dancer, will lose his job when his contract expires next spring....

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Richard II, Shakespeare's Globe

The earthy contact with groundlings that Shakespeare’s Globe offers in its stagings makes a comical but telling context for Richard II, a play largely about political point-scoring between kings. The...

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Q&A Special: Pianist Lucas Debargue

Last week the 15th International Tchaikovsky Competition in Moscow was rung down with a sigh of relief for the home team, with once again a Russian pianist in possession of the gold medal, Dmitry...

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King Lear, Northern Broadsides, Touring

Jonathan Miller’s new King Lear is rustic to its core, spoken in broad Northern accents, and the whole production could be packed onto a travelling theatre’s wagon and taken around Britain pulled by...

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Maya Plisetskaya, 1925-2015

The great Russian ballerina Maya Plisetskaya, renowned for her deathless Dying Swan and a performing career that lasted more than 60 years, died suddenly of a heart attack at home in Munich at the...

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Three Men in a Boat, The Original Theatre Company, Touring

It’s a hostage to fortune really to create a play on one of the funniest books ever written, and a Victorian one at that. Still, Jerome K Jerome’s Three Men in a Boat is regularly mined for stage and...

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Leonskaja/ Pires, Dumay, Meneses, Wigmore Hall

What a day for piano-lovers and Beethoven-lovers – Elisabeth Leonskaja for lunch, Maria João Pires for supper. Beethoven from both, stupendous playing from both, all in all generating a general...

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Single Spies, Rose Theatre, Kingston

Alan Bennett’s 80th birthday last May deserves celebrating not just as a point of respect for a formidable playwright but with awe at his continuing liveliness. More than 40 years after 40 Years On,...

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King Charles III, Wyndham's Theatre

Prince Charles’s “black spider letters” - his attempts to influence or change government policy - are real, as is the government’s long collusion with Clarence House to keep them from the public,...

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Firebird/ Marguerite and Armand/ Concerto DSCH, Mariinsky Ballet, Royal Opera House

This was the most eagerly anticipated programme of the Mariinsky visit - something old, something borrowed and something new. The old, that colourful fairytale of Stravinsky’s lush, melodious youth,...

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Apollo/ A Midsummer Night's Dream, Mariinsky Ballet, Royal Opera House

The ballerina claque wars that generally accompany visits here by the Mariinsky Ballet are raging particularly feverishly this year, but it all falls silent when Uliana Lopatkina makes one of her...

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Extracts: John Tusa - Pain in the Arts

In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a...

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Don Giovanni, Glyndebourne Festival Opera

Sex farce, class comedy, crime thriller, existential tragedy, supernatural shocker - Don Giovanni is, as Jonathan Kent notes about his production in the Glyndebourne programme, a cabinet of...

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Bakersfield Mist, Duchess Theatre

When a big star meets a small play, they go one of two ways - they step up to it like a believer, or they clue in the audience that this is all a bit low, throwing everything they have in the toolkit...

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Wolf Hall/ Bring Up the Bodies, Aldwych Theatre

Hilary Mantel’s two Thomas Cromwell novels have captured an enormous new readership for history with their crackling sense of place and immediacy of tension - the plays created on them, now brought...

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theartsdesk Q&A: Lighting Designer Michael Hulls

Last night the Olivier Awards handed their top honour for dance not to a dancer but to the man who shines the lights on the dancers. Michael Hulls, winner of the Outstanding Achievement in Dance...

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How to contact Ismene Brown

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A magical Flute, but an insufficiently human one

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