fri 27/02/2015

Ismene Brown

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Bio
Ismene designed and launched the original version of The Arts Desk, after spending 15 years as the Daily Telegraph's dance critic. She was TAD's Site Coordinator and director for two years, and dance editor for four. She is an MA in Russian Studies and is presently Spectator dance critic. A trained musician, she also writes for TAD on classical music and theatre.

Articles by Ismene Brown

Leonskaja/ Pires, Dumay, Meneses, Wigmore Hall

What a day for piano-lovers and Beethoven-lovers – Elisabeth Leonskaja for lunch, Maria João Pires for supper. Beethoven from both, stupendous playing from both, all in all generating a general...

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Single Spies, Rose Theatre, Kingston

Alan Bennett’s 80th birthday last May deserves celebrating not just as a point of respect for a formidable playwright but with awe at his continuing liveliness. More than 40 years after 40 Years On,...

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King Charles III, Wyndham's Theatre

Prince Charles’s “black spider letters” - his attempts to influence or change government policy - are real, as is the government’s long collusion with Clarence House to keep them from the public,...

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Firebird/ Marguerite and Armand/ Concerto DSCH, Mariinsky Ballet, Royal Opera House

This was the most eagerly anticipated programme of the Mariinsky visit - something old, something borrowed and something new. The old, that colourful fairytale of Stravinsky’s lush, melodious youth,...

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Apollo/ A Midsummer Night's Dream, Mariinsky Ballet, Royal Opera House

The ballerina claque wars that generally accompany visits here by the Mariinsky Ballet are raging particularly feverishly this year, but it all falls silent when Uliana Lopatkina makes one of her...

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Extracts: John Tusa - Pain in the Arts

In the midst of ferment as the arts world faces fast-shrinking public subsidy, Sir John Tusa, former managing director of the BBC World Service and the Barbican Arts Centre, publishes this week a...

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Don Giovanni, Glyndebourne Festival Opera

Sex farce, class comedy, crime thriller, existential tragedy, supernatural shocker - Don Giovanni is, as Jonathan Kent notes about his production in the Glyndebourne programme, a cabinet of...

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Bakersfield Mist, Duchess Theatre

When a big star meets a small play, they go one of two ways - they step up to it like a believer, or they clue in the audience that this is all a bit low, throwing everything they have in the toolkit...

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Wolf Hall/ Bring Up the Bodies, Aldwych Theatre

Hilary Mantel’s two Thomas Cromwell novels have captured an enormous new readership for history with their crackling sense of place and immediacy of tension - the plays created on them, now brought...

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theartsdesk Q&A: Lighting Designer Michael Hulls

Last night the Olivier Awards handed their top honour for dance not to a dancer but to the man who shines the lights on the dancers. Michael Hulls, winner of the Outstanding Achievement in Dance...

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Coriolanus, Donmar Warehouse

In his later life Shakespeare, who never ducked ways to define a hero, offered the public a challenge: Coriolanus is a professional warrior, deaf to reason, patrician hater of people power. To beat...

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Opinion: How can the Bolshoi rise again?

Money, love, professional jealousy - the three undying motives for personal crime, and all three were present in the Bolshoi Ballet acid trial. An international public that scoffed happily at the OTT...

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Love Tomorrow

Feature films about ballet are rarities - are the memorable ones those that are realistic about their strenuous world or are they the expressionistic shockers that let rip with the red eyes and OTT...

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The Bolshoi acid trial begins - vitriol promised

Even by the grand Guignol standards of Russian ballet 2013, this week has been eventful. The trial of the Bolshoi dancer for attacking his boss with acid finally began on Tuesday, and with incredible...

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The Culture Show: Sylvie Guillem - Force of Nature, BBC Two

The ballerina Sylvie Guillem was always out on a limb, even when she was the classical star at the Royal Ballet in the '90s and early '00s. She was French, she was tall, she was unbelievably flexible...

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Ghosts, English Touring Theatre

A young man eaten up by fears of inherited disease, a mother who hid the facts of her awful marriage from her son to spare him, but is rewarded with even worse pain: the emotional plotlines of Henrik...

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How to contact Ismene Brown

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Teen spirit, stirred but not deeply shaking

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Barn-dance friendly Scandinavians find their own groove

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