sat 29/08/2015

Igor Toronyi-Lalic

igor.toronyilalic

Igor Toronyi-Lalic's picture
Bio
Igor is the editor of Culture House at The Spectator. He's a co-director of the London Contemporary Music Festival and author of Benjamin Britten (2013) for Penguin.

Articles by Igor Toronyi-Lalic

The Barber of Seville, English National Opera

There is only one rule by which one should ever judge a Barber of Seville. If your eyes (and possibly also your trouser legs) aren’t moist by the time the interval arrives, you might as well leave....

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Joyce DiDonato, Il Complesso Barocco, Barbican Hall

It may look like a sure-fire hit to let Kansas mezzo Joyce DiDonato rip through the drama-queen repertoire of the Baroque. But last night’s exploration of the dustiest, most overgrown byways of 17th...

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Total Immersion: Sounds from Japan, Barbican

“Improvisation? That?” whispered a Japanese lady to her friend at the end of the afternoon concert. She was making a good point. Half the performers in this programmed jam were glued to their scores...

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The Minotaur, Royal Opera

Flesh-tearing, woman-raping, body-goring brute he may be, but he's misunderstood, that Minotaur. It's a bold argument to make, but this is the contention of Harrison Birtwistle and David Harsent...

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10 Questions for Opera singer Rolando Villazón

Few singers provoke more debate than Rolando Villazón. His off-piste projects - from his Romantic exploration of the Baroque to his spell as a talent contest judge - have been much discussed over the...

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Robert le Diable, Royal Opera

My phone's predictive text posed an interesting question. Robert le Doable it insisted on calling last night's opera. And it's often been asked of this and other grands opéras. Are they doable? Such...

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Music of Today - November: Sonica, HCMF, Oliver Knussen, the Arditti Quartet and Heiner Goebbels

Arditti String Quartet, Wigmore Hall, 31 October ****November is always a good month for new music. This year saw the interest begin a day earlier. Whichever wag chose to hand over Halloween at the...

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Hahn, LPO, Skrowaczewski, Royal Festival Hall

Stanislaw Skrowaczewski. That's quite a mouthful. Bruckner's symphonies can be too. But this is one of the reasons why Skrowaczewski has acquired quite a cult following for his Bruckner performances...

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In a Locked Room/ Ghost Patrol, Linbury Studio Theatre

There's no guaranteed route to success with contemporary opera but, ever since Nixon in China, topicality and realism have become the most favoured and trusted paths to some kind of favourable...

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Northern Sinfonia, Zehetmair, The Sage Gateshead

Sting, Debbie Harry, the Pet Shop Boys, Brahms, Mozart, Schumann. This is the kind of thing an average year throws up for the Gateshead-based Northern Sinfonia. Their visits to London are mostly to...

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Jansen, London Symphony Orchestra, Gergiev, Barbican

Janine Jansen had every right to be nervous. The last time most of us saw the London Symphony Orchestra the audience spent the whole time laughing at their star soloist. But then Mr Bean has a very...

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BBC Proms: Cameron Carpenter/ Znaider, Leipzig Gewandhaus Orchestra, Chailly

I'd love to see the stats on the last time a Prom was this packed for an afternoon organ recital. Were it not for the fact that organist Cameron Carpenter was sporting spandex trousers encrusted...

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DVD: RoGoPaG

Even though their names are bound together in the portmanteau title, the directors of the four short films that make up RoGoPaG - Rossellini, Godard, Pasolini and Gregoretti - don't go for any sort...

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BBC Proms: Berlin Philharmonic, Rattle

It's not completely unheard of what Rattle did at the start of last night's Prom, where he elided two familiar works - Ligeti's colouristic classic Atmosphères and the Prelude to Act One of...

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BBC Proms: Peter Grimes, English National Opera/ BBC Symphony Orchestra, Knussen

After the all-singing, all-dancing, all-helicoptering brilliance of Stockhausen Mittwoch aus Licht, the dry routine of an opera in concert didn't seem a very enticing prospect.  That's the...

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Mittwoch aus Licht, Birmingham Opera Company

Singing camels, paddling trombonists, airborne string quartets and a libretto so barmy it makes David Icke sound like Richard Dawkins. Birmingham, welcome to the world of Karlheinz Stockhausen. The...

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latest in today

Prom 57: Pires, COE, Haitink

Perfection within limits from a great conductor, pianist and chamber orches...

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The Magic Flute, Komische Oper Berlin, Edinburgh Festival Th...

A magical Flute, but an insufficiently human one

CD: The Naturals - On the Way (To the Laughing Light of Plen...

An exercise in musical archaeology unearths a modern classic

Classical CDs Weekly: Hugi Guðmundsson, Schubert, Les Siècle...

Contemporary repertoire from Iceland, Viennese symphonies and Spanish music...

45 Years

Charlotte Rampling and Tom Courtenay shine in Andrew Haigh's wintry ma...

McGregor/Spuck, Ballett Zürich, Edinburgh Playhouse

Contemporary dance formula ticks boxes, but fails to inspire

Entanglement/ That Man Stephen Ward, Presteigne Festival

An arresting new psychodrama from Charlotte Bray, and Thomas Hyde revival

Edinburgh Fringe 2015: Joseph Morpurgo/ Daphne/ Tom Parry

Counting down at the world's biggest and best arts festival

You Won't Succeed On Broadway If You Don't Have An...

Jumbled revue is salvaged by its bright young things