mon 03/08/2015

Graham Fuller

graham.fuller

Graham Fuller's picture
Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles by Graham Fuller

Man With a Movie Camera

Dziga Vertov’s narrativeless “city symphony” Man With a Movie Camera celebrates the modernity and energy of the post-Bolshevik Revolution metropolis – a composite of Kharkov, Kiev, Moscow and Odessa...

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The Salt of the Earth

Had Wim Wenders not used the title Until the End of the World for his most ambitious road movie, it would have suited his biographical portrait of Sebastião Salgado. Since 1973, the Brazilian...

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The second coming of The Third Man

What happened to Harry Lime during the war that he slid into iniquity, or was he always a swine? What cracked in him so badly that he sold diluted penicillin that gave children meningitis? What rat-...

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Station to Station

Station to Station documents the transcontinental American rail trip taken by a group of musicians, visual artists, and performers in 2013. Local artists and marching bands also contributed to the...

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DVD: Forty Guns

Marlene Dietrich and Joan Crawford camped it up superbly as 1950s Western matriarchs in Rancho Notorious and Johnny Guitar respectively. Yet they were outflanked by the steelier Barbara Stanwyck, an...

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DVD: Wild

Wild is solid, but Reese Witherspoon wasn’t necessarily the best choice to play a woman who took a 1,100-mile hike on the Pacific Crest Trail – from the Mojave Desert to the Bridge of Gods, which...

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DVD: Birdman

Michael Keaton – like Cary Grant, Bill Murray, and George Clooney – is one of those stars who frequently convey their awareness that the situations they’re in are preposterous. He tautens his jaw...

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A Fuller Life

A master of visceral cinema, Samuel Fuller (1912-97) directed 23 features during his exemplary career, writing 21 of them and an unquantifiable number of others. Clips from many appear in A Fuller...

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Phoenix

Although the shadows of the Holocaust and German guilt hang over Christian Petzold’s sixth outing with his formidable muse Nina Hoss, Phoenix is more concerned with the essence of female...

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DVD: Darling

Julie Christie ushered in the swinging sixties as Liz, the girl whom Billy (Tom Courtenay) loves but isn’t man enough to accompany to London in Billy Liar (1963); director John Schlesinger introduced...

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Altman

Ron Mann’s laid-back documentary about the career vicissitudes and family life of Robert Altman (1925-2006) takes its cue from the tone of the director’s films. It was Altman’s habit to observe his...

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DVD: The Tales of Hoffmann

Michael Powell and Emeric Pressburger’s film of Jacques Offenbach’s 1881 opera The Tales of Hoffmann was the Archers duo’s crazily ambitious attempt to create a synaesthetic magical realm abstracted...

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DVD: Man of the West

The 19 films directed by Anthony Mann between 1950 and 1960 included all 11 of his Westerns – five of them psychologically nuanced vehicles for James Stewart as an irascible loner scourged or...

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DVD: Spring in a Small Town

The release of pent-up desire in a movie drains it of interest. Its withholding keeps the plot boiling, especially if moral considerations come into play. In Fei Mu’s Spring in a Small Town, the...

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The Duke of Burgundy

At last, it’s here – the female-friendly BDSM movie that no grownups should restrain themselves from seeing. The one with the designer clothes and kinky accoutrements. The one with the “special” room...

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theartsdesk Q&A: Actress Liz Fraser

One of the tacit jokes in John and Roy Boulting’s I’m All Right, Jack concerns the parentage of Liz Fraser’s Cynthia. How could the lugubrious communist shop steward Fred Kite (Peter Sellers) and his...

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