Wednesday, 22 May 2013
Bob Rafelson’s 1972 The King of Marvin Gardens takes its title from the Atlantic City Monopoly property, connoting the New Jersey resort’s then imminent future as a board game for real-estate...
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Saturday, 18 May 2013
The first of the Dresden-born Robert Siodmak’s eight film noirs, Phantom Lady (1944) was adapted from a Cornell Woolrich novel that typically endows its heroine with traditional masculine energy and...
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Tuesday, 14 May 2013
For those familiar with Ginger Baker’s virtuosic musicianship, but not with his life, the biggest revelation of the warts-and-all documentary Beware of Mr Baker may be that next to drumming, playing...
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Friday, 19 April 2013
British film noir followed two courses in the 1980s. Whereas the American neo-noir revival of the 1970s prompted such contemporary crime thrillers as The Long Good Friday, Mona Lisa, and Stormy...
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Tuesday, 19 March 2013
Future writer-directors who cast their mothers in their first features should be as blessed as Barnaby Southcombe, who was able to cast his mum, Charlotte Rampling, in the title role of I, Anna. An...
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Thursday, 14 March 2013
Ken Loach’s first solo documentary since The Flickering Flame, The Spirit of ‘45 is an indispensable agitprop movie that might have been subtitled Days of Hope, after Loach and Jim Allen’s 1975 drama...
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Saturday, 02 March 2013
Let us go now to a foreign country. To the foreboding concrete tunnels and rooms of an RAF early-warning facility under the Sussex Downs in the early summer of 1973.The Lower Sixth has somehow...
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Thursday, 21 February 2013
Walter Salles was an obvious choice to direct the movie of Jack Kerouac’s roman à clef about his peripatetic life in 1947-50 and his worship of the dynamically dissolute Neal Cassady (Garrett Hedlund...
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Saturday, 16 February 2013
The great German-born director Max Ophüls admired Goethe, Stendhal, Arthur Schnitzler and Stefan Zweig, and the four films he made in France, following his unfulfilling post-war sojourn in Hollywood...
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Tuesday, 12 February 2013
Sally Potter has forged an admirable career as an independent British filmmaker. She has avoided formulas, made daring visual experiments, and been committed to a highly personal art cinema. Among...
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Friday, 18 January 2013
One of the triumphs of the decade so far, Leos Carax’s fifth feature, and his first since 1999’s Pola X, takes the form of a day-long limousine ride around a gloomy Paris. Before it starts, a dreamer...
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Tuesday, 15 January 2013
Like the Will Hay classic Oh! Mr. Porter and the droll BBC miniseries Love on a Branch Line, Charles Crichton’s 1953 Ealing comedy, the first shot in Technicolor, celebrates the English love of...
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Sunday, 13 January 2013
The movie version of the hardboiled, trenchcoated private eye, who, being “being neither tarnished nor afraid,” puts honour before personal gain in California’s 1940s noir cityscapes, was never as...
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Wednesday, 19 December 2012
Thanks to its unalloyed Dickensianism and Alastair Sim’s wondrous Ebenezer, 1951’s Scrooge is the definitive adaptation of A Christmas Carol – so richly atmospheric it has rendered all other versions...
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Saturday, 15 December 2012
Here’s a rancid little hors d’oeuvre for the holiday season. The deliciously loathsome Gothic horror film What Ever Happened to Baby Jane?, 50 years old and back in cinemas, never ceases to amaze as...
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Tuesday, 11 December 2012
Although Anthony Mann is best known for the five James Stewart Westerns (and one apiece starring Henry Fonda and Gary Cooper) he directed during the 1950s, it was the dour film noirs he made during...
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