sat 02/08/2014

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She occasionally blogs as The Perpetual Picturehouse and is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles by Emma Simmonds

Sundance London 2014: The Voices

It's been four years since Ryan Reynolds' one-man-show Buried, which saw the thesp prove his acting chops while six foot under in a box. The Voices gifts him a full and talented supporting cast but...

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Exhibition

Home is truly where the heart is in writer-director Joanna Hogg's extraordinarily astute and artistically alive third film, which takes in the minutiae of a marriage. Exhibition is the story of two...

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10 Questions for Director Lukas Moodysson

The Swedish writer-director Lukas Moodysson first burst onto the scene in 1998 with the chaotically romantic Show Me Love (original title Fucking Åmål), a story of a love affair between two teenage...

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The Raid 2

After reinvigorating the actioner in 2011 with The Raid and its furious flurry of feet and fists, what next for the obscenely talented Welsh writer-director Gareth Evans? More of the same? Well, not...

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Calvary

"I first tasted semen when I was seven-years-old." Those are the first words spoken in Calvary, the superb second film from writer-director John Michael McDonagh. They're delivered by an unseen...

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Divergent

Goddamn The Hunger Games movies for reminding us (after the travesty that was the Twilight saga) that films based on YA fiction could be thought-provoking and thrilling, for they've only gone and...

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The Past

It's not often we're told to strap ourselves in for a drama - it takes quite some skill to make the everyday excite and to make ordinary lives seem extraordinary, but these are gifts that the Iranian...

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Labor Day

Like his father Ivan (Ghostbusters) Jason Reitman has shown himself to be a sure hand at helming comedy, and his less commercial sensibility has resulted in films as spiky and interesting as Young...

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Suzanne

As she proved in her exquisite debut Love Like Poison, French director Katell Quillévéré has an astonishing knack for delicately told stories which, in their sensitivity to character and credibility...

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300: Rise of an Empire

300: Rise of an Empire is the follow-up to perhaps the most homoerotic film of all time, 300 - a film whose obsession with the well-lubricated muscularity of the male form was matched only by its...

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Funny Face

For those who haven't seen it, the funny face of the title belongs to Audrey Hepburn. As preposterous as that seems for someone so iconically gorgeous and although when others fail to notice her...

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Non-Stop

At some point during Non-Stop - a mostly serviceable though increasingly nuts peril-on-a-plane movie - I began to doubt that Liam Neeson had ever had a credible career. Recently we've seen him...

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Oscars 2014: Best Actor/Actress/Director

Is it just me or are the Oscars getting better? I don't necessarily mean the show itself, rather the films selected for nomination and the eventual winners. In recent years we've seen films as...

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BAFTAs 2014: Hollywood winners made in Britain

Long before the stars had begun walking (and working) the red carpet, this year's British Academy Film Awards were a hot topic. Unfortunately it was for all the wrong reasons. A whistleblower writing...

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Cuban Fury

The British romcom is in crisis. Once a pretty reliable source of charm and laughs, these films channelled the spirit of the UK's reliably brilliant sitcoms through the silver screen. Our romantic...

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Lone Survivor

Just what kind of beast is Peter Berg's Lone Survivor? A jingoist justification for the continuing conflict in Afghanistan? A cautionary tale questioning the rules of engagement? War porn? An intense...

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