mon 30/03/2015

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles by Emma Simmonds

Joe

David Gordon Green is a director who's certainly not afraid to confound. His CV includes indie gems George Washington, All the Real Girls, comedy smash Pineapple Express and medieval misfire Your...

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Boyhood

Coming-of-agers, of which we’ve seen an awful lot recently, focus on a turning point in a child’s life: not so much the moment they transition from child to adult as the moment a child is first drawn...

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Goltzius and the Pelican Company

Perhaps the most surprising - and certainly the most moving moment - of the 2014 British Academy Film Awards was the awarding of Outstanding British Contribution to Cinema to Peter Greenaway....

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Tammy

Melissa McCarthy has been one of the decade's most notable comic finds. Although she's been plugging away for years on TV, as a stand-up, in sketch troupe the Groundlings and in various supporting...

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Miss Violence

Miss Violence opens with an 11th birthday party whose brightly coloured balloons, pointed party hats and forced family jollity might seem unremarkable if a little girl hadn't chosen to stick Leonard...

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Belle

Sadly the battle to shape stories from a female perspective, or even to tell stories about women is far from over. The Centre for the Study of Women in Television and Film at San Diego State...

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T.S. Spivet

The French auteur Jean-Pierre Jeunet is best known and loved for his early work: Delicatessen, The City of Lost Children and (conveniently ignoring Alien: Resurrection) Amélie. These films introduced...

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22 Jump Street

"We're too old for this shit," quips Jenko (Channing Tatum), quoting one of the greats of weary screen policing - Lethal Weapon's Murtaugh - in response to his latest nonsensically spectacular brush...

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Grace of Monaco

Sometimes a film captures the imagination of the critical establishment for all the wrong reasons, and there's a scramble to see who can file the most entertainingly bitchy copy. And so it is with...

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Miss and the Doctors

This low-budget Parisian dramedy about doctor-patient relations is as odd, timid and well-intentioned as its socially maladjusted protagonists. Miss and the Doctors is writer-director Axelle Ropert's...

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Heli

With this year's Cannes Film Festival in full swing, the winner of last year's Best Director prize gets a belated UK release. Heli is the third feature from the Spanish-born, Mexican-raised Amat...

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A Touch of Sin

Speaking at the BFI's recent preview Jia Zhang-ke revealed that his surprisingly bloodthirsty latest is in fact, contrary to the shift it seems, the next logical step in his journey as a filmmaker:...

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In Secret

As Literary Review's "Bad Sex in Fiction Award" recognises, there's not a lot that's funnier and more damaging to a story's credibility than an attempt to be sexy that falls flat or, even better,...

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Blue Ruin

Ah, revenge. Why does something so bad sometimes feel so necessary? Particularly in its most bloodthirsty form, it's a concept well explored onscreen, from almost every western and martial arts film...

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Sundance London 2014: They Came Together

It might be putting it bluntly, but hell - American rom-coms didn't always suck. The screwball comedies of the 30s and 40s made bickering artful and aspirational and Woody Allen added his own...

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Sundance London 2014: Kumiko, the Treasure Hunter

A fresh take on the fish-out-of-water story, Kumiko, the Treasure Hunter finds a lonely Japanese woman reimagining herself as an adventuress and travelling to America in pursuit of a fictional...

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How to contact Emma Simmonds

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