fri 25/04/2014

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, The Observer, Total Film, Little White Lies, The List, The Spectator, Virgin Movies and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She occasionally blogs as The Perpetual Picturehouse and is The Arts Desk's Film Editor.

Articles by Emma Simmonds

The Wolf of Wall Street

It was Benjamin Franklin who said "money has never made man happy...the more of it one has the more one wants," and there is no shortage of examples of boundless greed and how an abundance of cash...

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Crystal Fairy

Crystal Fairy (or to give it its full, original name Crystal Fairy & the Magical Cactus and 2012) is an endearing curio from odd-couple director and star Sebastián Silva and Michael Cera, who...

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12 Years a Slave

Some films quite rightly have awards glory etched into their DNA, and when the admirably uncompromising Steve McQueen announced that his next project, focussing on the subject of slavery, would...

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American Hustle

The exquisitely eclectic David O. Russell is fast becoming the go-to director for Oscar hungry actors. His last two films, 2010's The Fighter and 2012's Silver Linings Playbook, garnered their...

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Frozen

Although it begins, somewhat startlingly, with a 3D hacksaw to our collective mush - as it penetrates the ice on a frosted lake - the latest computer-generated offering from Walt Disney Animation...

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Jeune et Jolie

You wait ages for a French film about a teenage girl's sexual awakening and then two come along at once. Actually who am I kidding? As any filmic Francophile will tell you it's not exactly a rarity....

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The Selfish Giant

Former video artist Clio Barnard's second feature - which took Cannes 2013 by storm with its stark and striking humanity - takes inspiration and its title from the Oscar Wilde fairytale. However that...

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LFF 2013: Under the Skin

It's been nine years since Jonathan Glazer's last film, the courageous and underrated Birth. If that film had its moments of audacity then Under the Skin - an adaptation of Michel Faber's gloriously...

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LFF 2013: The Double

Richard Ayoade's follow-up to the highly promising Submarine centres on another pretty hopeless young man; yet this time his protagonist's predicament is considerably more grave, even if matters are...

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LFF 2013: Nebraska

Alexander Payne has never been one for flashy features and in his latest he tones things all the way down to monochrome, as if his intentions are more bittersweet than ever. It's a fittingly subdued...

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The To Do List

In this refreshingly rowdy, distinctly feminist film from debut writer-director Maggie Carey an inexperienced, tirelessly sensible teenage girl prepares herself for college life by taking charge of...

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LFF 2013: Programme Launch

A sultry Scarlett Johansson picks up hitchhikers with a nefarious agenda; an astronaut that looks suspiciously like Sandra Bullock is cast out into space; a monstrous Michael Fassbender beats the man...

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The Great Beauty

Paolo Sorrentino's latest opens with a Japanese tourist keeling over at the mere sight of an ancient Roman vista: he takes a snap and wipes the sweat from his brow before his fatal fall to the floor...

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The Way Way Back

Coming-of-age films have frequently featured inebriated antics and ill-advised hook-ups, but it's usually the teenagers behaving badly. The Way Way Back sees a family decamp to an East Coast beach...

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Listed: Screen Bastards

John Lennon once said, "You have to be a bastard to make it. That's a fact. And the Beatles were the biggest bastards on earth." As that statement would suggest, to be a bastard is not to be a...

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We're the Millers

We're the Millers is a road movie which sees a group of outsiders learn how to fill traditional roles and find happiness. It's a film that flirts with rebellion but ultimately reveals itself to be...

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