tue 30/08/2016

Emma Simmonds

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Bio
Emma is a film and TV critic whose words have appeared in Time Out, Radio Times, The Observer, Empire, Total Film, Little White Lies, The Spectator, Virgin Movies, MovieMail and Popmatters, amongst many others. She is also a contributor to the London, New York and Glasgow volumes of the World Film Locations book series. She is The List magazine's current Film Reviews Editor and The Arts Desk's former Film Editor.

Articles by Emma Simmonds

The Homesman

Taking inspiration from classic westerns even as it vigorously sets itself apart, The Homesman combines the taciturn and muscular with a feminist bent, and manages to be stirring and sweeping while...

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Fury

As the bald title suggests, Fury is a work of righteous, focussed rage. It's a combat film which swaps preaching and profundity for pure anger at the brutalising, destructive war machine, and still...

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LFF 2014: Listen Up Philip

Listen Up Philip is so successful in its retro stylings that it comes across like a lost New Hollywood gem. Told in close-ups viewed through the grainy filter of Super 16 film stock, Alex Ross Perry'...

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LFF 2014: Thou Wast Mild and Lovely

Ushering in the mucky-minded art-house crowd like the Pied Piper lining up kids for the snatching, Thou Wast Mild and Lovely describes itself as an erotic thriller set amidst the Kentucky wilds,...

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Life After Beth

Zombies have feelings too. That's the message at the heart of writer-director Jeff Baena's debut Life After Beth, which begins its life as a sensitive indie comedy with a winning deadpan shtick and...

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Maps to the Stars

Hollywood's veneer has been cracked so many times it's possible to see right through to its cynical core; in an age of irreverence and intrusion the stars simply don't glitter as brightly. David...

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Ida

Sometimes a film has you swooning from the very first frame, and Polish director Pawel Pawlikowski's fifth narrative feature is one such film. The story of a nun's self-discovery is captured in...

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Million Dollar Arm

Disney's latest is a film which must have itself represented a hell of a pitch. Based on a true story, it's basically Slumdog Millionaire meets Jerry Maguire - two films that attracted ample awards-...

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Two Days, One Night

The positioning of Oscar-winner Marion Cotillard (one of the few actresses to have confidently made that tricky transition from French darling to Hollywood leading lady) at the centre of the...

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We Gotta Get Out of This Place

"There are 32 ways to write a story...but there is only one plot - things are not as they seem" - wisdom, courtesy of author Jim Thompson and ominously quoted in We Gotta Get Out of This Place by Sue...

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Joe

David Gordon Green is a director who's certainly not afraid to confound. His CV includes indie gems George Washington, All the Real Girls, comedy smash Pineapple Express and medieval misfire Your...

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Boyhood

Coming-of-agers, of which we’ve seen an awful lot recently, focus on a turning point in a child’s life: not so much the moment they transition from child to adult as the moment a child is first drawn...

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Goltzius and the Pelican Company

Perhaps the most surprising - and certainly the most moving moment - of the 2014 British Academy Film Awards was the awarding of Outstanding British Contribution to Cinema to Peter Greenaway....

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Tammy

Melissa McCarthy has been one of the decade's most notable comic finds. Although she's been plugging away for years on TV, as a stand-up, in sketch troupe the Groundlings and in various supporting...

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Miss Violence

Miss Violence opens with an 11th birthday party whose brightly coloured balloons, pointed party hats and forced family jollity might seem unremarkable if a little girl hadn't chosen to stick Leonard...

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Belle

Sadly the battle to shape stories from a female perspective, or even to tell stories about women is far from over. The Centre for the Study of Women in Television and Film at San Diego State...

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How to contact Emma Simmonds

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