tue 30/09/2014

Emma Dibdin

Emma Dibdin

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Articles by Emma Dibdin

theartsdesk Q&A: Film Critic David Thomson

Film critic and historian David Thomson has been writing on cinema for more than 40 years, and in that time has penned books both sprawling (1975’s A Biographical Dictionary of Film) and specific (...

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The Perks of Being a Wallflower

Teenage angst is a tough thing to get right on screen. It's perenially popular territory for dramatic writers in part because of the heightened emotions it allows for – as Joss Whedon once phrased it...

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Parade's End, Series Finale, BBC Two

"There used to be among families...a position, a certain...call it 'parade'." So stammered Benedict Cumberbatch's rigidly principled, increasingly broken Christopher Tietjens at the climax of last...

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The Hitchcock Players: Cary Grant, North by Northwest

The final collaboration between Grant and Hitch also happens to be some of the helmer’s most deft, joyously irreverent work, light of touch and bereft of sentiment. Grant stars as a slick Mad Ave...

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Magic Mike

Having spent the last few years alternating deftly between high-profile, star-studded blockbusters (the Ocean’s trilogy, last year’s Contagion) and smaller, more niche projects starring largely...

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The Amazing Spider-Man

Let’s be honest – there is no non-cynical way to justify remaking a barely 10-year-old franchise film. With a Batman “reboot” already on the cards for after Christopher Nolan ends his directing...

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Your Sister's Sister

Lynn Shelton’s follow-up to 2009 Sundance hit Humpday doesn’t immediately seem to share much common ground with its predecessor. Where that film could be summed up (albeit reductively) in a single...

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Interview: 10 Questions for Mads Mikkelsen

From playing a blood-weeping Bond villain in 2006’s Casino Royale to his repeated collaborations with directors such as Nicolas Winding Refn (Drive) and Susanne Bier (After The Wedding), Danish-born...

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DVD: The Artist

What, honestly, is left to say about The Artist? For better or worse, Michel Hazanavicius' warm, wry, subtly audacious love letter to silent cinema dominated conversation, headlines and awards...

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House, Series Finale, Sky 1

It seems fitting that the final ever episode of a show that has revelled so gleefully in its main character’s willful refusal to change should pivot on the question of whether, finally, he can. This...

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Homeland, Series Finale, Channel 4

The course of the serialised drama finale never did run smooth, particularly in the case of a show like Homeland, which has structured its entire run around a slow-building sense of queasy, paranoid...

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Awake, Sky Atlantic

Try this for high concept. Following a fatal car accident involving his family, LA cop Michael Britten (Jason Isaacs) gains access to two parallel realities. Every time he goes to sleep, he crosses...

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Damsels in Distress

The opening scene of Whit Stillman’s (The Last Days Of Disco) first film in 13 years comprises one of the most immediately familiar scenarios in the American high school genre. A wide-eyed new girl...

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Playhouse Presents: The Minor Character, Sky Arts

For those who saw David Tennant’s outstanding Hamlet either during the production’s 2008 run at the RSC or in its later television incarnation, there’s likely to be some built-in intrigue to his role...

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Homeland, Channel 4

The opening credits of US television’s latest watercooler export Homeland have proved to be one of the critically lauded show’s few divisive elements, yet also encapsulate what could be most...

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This Must Be The Place

“There’s something wrong here. I don’t know exactly what it is, but something.” It’s no coincidence that this line bookends Paolo Sorrentino’s much-anticipated English language debut – it's a...

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