thu 20/06/2013

Emma Dibdin

Emma Dibdin

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Articles by Emma Dibdin

10 Questions for Joss Whedon

Few heroes of cult genre television ever manage the transition into mainstream financial success – although JJ Abrams hasn't been doing too badly for himself – and for many years Joss Whedon's...

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Simon Killer

Blunted affect is one of the more troubling symptoms associated with certain kinds of mental illness – the face becomes a mask, the voice becomes a monotone and the eyes, far from windows into the...

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Compliance

When Craig Zobel’s true-life thriller Compliance played at Sundance, it was met equally with critical praise and audience outrage. There were walk-outs, complaints, shouting matches. At the London...

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Robot & Frank

We've hardly gone wanting for big-screen robots of late – Michael Fassbender's inpenetrable cyborg was the best thing in Ridley Scott's overly ponderous Prometheus last year, while many...

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No

There’s an episode in the first season of Mad Men in which the ad execs of Sterling Cooper brainstorm a campaign for Richard Nixon, just prior to the 1960 presidential election. Dramatic irony being...

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Storyville: The Queen of Versailles, BBC Four

As a parable on the dissolution of the American Dream, the story of self-made billionaire David Siegel is almost too good to be true. Much like another recent documentary – Bart Layton’s...

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Safety Not Guaranteed

If 2012 is to have a cinematic legacy, it may just be remembered as the year big-screen time travel came of age. While Rian Johnson’s pulpy noir Looper explored the moral and spiritual implications...

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I, Anna

There are very few examples in film history of a son directing his mother, and there’s a distractingly Oedipal vibe at the core of Barnarby Southcombe’s I, Anna that might offer some clue as to why....

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Silver Linings Playbook

If Winter’s Bone and The Hunger Games had somehow left you in any doubt about the magnetic screen presence of Jennifer Lawrence, prepare to surrender your remaining misgivings. Playing outspoken,...

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theartsdesk Q&A: Film Critic David Thomson

Film critic and historian David Thomson has been writing on cinema for more than 40 years, and in that time has penned books both sprawling (1975’s A Biographical Dictionary of Film) and specific (...

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The Perks of Being a Wallflower

Teenage angst is a tough thing to get right on screen. It's perenially popular territory for dramatic writers in part because of the heightened emotions it allows for – as Joss Whedon once phrased it...

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Parade's End, Series Finale, BBC Two

"There used to be among families...a position, a certain...call it 'parade'." So stammered Benedict Cumberbatch's rigidly principled, increasingly broken Christopher Tietjens at the climax of last...

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The Hitchcock Players: Cary Grant, North by Northwest

The final collaboration between Grant and Hitch also happens to be some of the helmer’s most deft, joyously irreverent work, light of touch and bereft of sentiment. Grant stars as a slick Mad Ave...

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Magic Mike

Having spent the last few years alternating deftly between high-profile, star-studded blockbusters (the Ocean’s trilogy, last year’s Contagion) and smaller, more niche projects starring largely...

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The Amazing Spider-Man

Let’s be honest – there is no non-cynical way to justify remaking a barely 10-year-old franchise film. With a Batman “reboot” already on the cards for after Christopher Nolan ends his directing...

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Your Sister's Sister

Lynn Shelton’s follow-up to 2009 Sundance hit Humpday doesn’t immediately seem to share much common ground with its predecessor. Where that film could be summed up (albeit reductively) in a single...

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