thu 23/05/2013

Edward Seckerson

edward.seckerson

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Bio
Edward is a writer and broadcaster. A one-time actor and musician, he is currently Chief Classical Music Critic for the Independent. He wrote and presented the long-running BBC Radio 3 series Stage and Screen and has been on Gramophone magazine's reviewing panel for many years.

Articles by Edward Seckerson

Kim, London Symphony Orchestra, Schuldt/Gardiner, Barbican Hall

Any young composer who finds himself at the opposite end of a programme from Walton’s First Symphony had better be good. Edward Nesbit - whose piece Parallels was commissioned by the LSO Panufnik...

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The Seckerson Tapes: The Baltic Youth Philharmonic

The Baltic Youth Philharmonic (founded in 2008) is part of a much larger and bolder enterprise embracing the 10 nation states bordering the Baltic Sea. At a time of financial duress when governments...

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Tetzlaff, LPO, Vänskä, Royal Festival Hall

Some symphonies are natural curtain-raisers: Sibelius’ Third is one. Music began with rhythm and in this piece the cellos are the distant drummers who bring us back to basics with their curt...

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The Seckerson Tapes: The Elias String Quartet

The vibrant Elias String Quartet are 14 years young, well established, and well respected on the international scene. Former BBC Radio 3 New Generation Artists and recipients of a Borletti-Buitoni...

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The Seckerson Tapes: Pianist Leif Ove Andsnes

Over the next four seasons the Norwegian pianist Leif Ove Andsnes will be embarking upon a “Beethoven Journey” that will clock up 150 performances in 55 cities all over the world. At the heart of...

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The Seckerson Tapes: John Wilson on Rodgers and Hammerstein

John Wilson Orchestra’s stunning 2010 Prom celebration of Rodgers and Hammerstein was as close as those who heard it could imagine to being guests on the 20th Century Fox soundstage c. 1955... the...

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BBC Proms: Vienna Philharmonic, Haitink

The Vienna Philharmonic Orchestra can play Haydn’s last symphony - No 104 “London” - in its sleep but that is not, I hasten to add, the impression one wants to take away from any performance of it...

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Duke Bluebeard's Castle, Philharmonia Orchestra, Salonen, Royal Festival Hall

Sometimes the most disturbing images exist only in our imaginations - and so the questions posed in the preface to Bartók’s operatic masterpiece Duke Bluebeard’s Castle become especially pertinent: “...

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Ax, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Vladimir Jurowski: A demonic twinkle in the eye

Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn and Shostakovich and seeing just how far their...

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Khachatryan, London Symphony Orchestra, Gergiev, Barbican Hall

Valery Gergiev conducting Tchaikovsky: He knows how this music goes - it's as simple and complicated as that

Valery Gergiev’s survey of the Tchaikovsky symphonies began here on a chilly January night with youthfully idealistic Winter Daydreams thrown into the sharpest relief against a disillusioned and...

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Hardenberger, Philharmonia Orchestra, Nelsons, Royal Festival Hall

The boisterous Andris Nelsons: What you see is what you hear

The heroics came fast and fervently with Andris Nelsons and the Philharmonia Orchestra emerging from suffocating pianissimi to rip out the exultant fanfares of Beethoven’s Leonora No 3 Overture as if...

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The Seckerson Tapes: Philanthropist Ian Rosenblatt

It has been said that making money is music to the ears of any entrepreneur. In the case of Ian Rosenblatt you might need to turn that concept on its head. The music itself is his passion and the...

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The Seckerson Tapes: Composer Dario Marianelli

Composer Dario Marianelli wields his Oscar for his score to the film 'Atonement'

Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement, and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee...

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Songs from a Hotel Bedroom, Linbury Studio

Frances Ruffelle and Nigel Richards wax lyrical with Weill

Where has this idea come from that Kurt Weill somehow lost his edge or, worse yet, sold out when he headed Stateside? Have the people who perpetrate this nonsense actually heard the Broadway shows?...

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The Seckerson Tapes: Director Rufus Norris

In 2001 Rufus Norris cleaned up on the awards front with his stunning production of Festen, the David Eldridge adaptation of Thomas Vinterberg's disturbing film which started life at the Almeida...

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The Seckerson Tapes: Conductor John Wilson

John Wilson and the orchestra which bears his name created an absolute sensation at the 2009 Proms with their celebration of 75 years of MGM musicals. A total of 3.5 million people watched the...

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How to contact Edward Seckerson

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